| Photos (See all 26 | slideshow) |
| Willem Dafoe | ... | Jesus | |
| Harvey Keitel | ... | Judas | |
| Paul Greco | ... | Zealot | |
| Steve Shill | ... | Centurian (as Steven Shill) | |
| Verna Bloom | ... | Mary, Mother of Jesus | |
| Barbara Hershey | ... | Mary Magdalene | |
| Roberts Blossom | ... | Aged Master | |
| Barry Miller | ... | Jeroboam | |
| Gary Basaraba | ... | Andrew, Apostle | |
| Irvin Kershner | ... | Zebedee | |
| Victor Argo | ... | Peter, Apostle | |
| Michael Been | ... | John, Apostle | |
| Paul Herman | ... | Phillip, Apostle | |
| John Lurie | ... | James, Apostle | |
| Leo Burmester | ... | Nathaniel, Apostle | |
| Andre Gregory | ... | John The Baptist | |
| Peggy Gormley | ... | Martha, Sister of Lazarus | |
| Randy Danson | ... | Mary, Sister of Lazarus | |
| Robert Spafford | ... | Man At Wedding | |
| Doris von Thury | ... | Woman with Mary, Mother of Jesus (as Doris Von Thury) | |
| Tomas Arana | ... | Lazarus / Crowd Member | |
| Alan Rosenberg | ... | Thomas, Apostle | |
| Del Russel | ... | Money Changer | |
| Nehemiah Persoff | ... | Rabbi | |
| Donald Hodson | ... | Saducee | |
| Harry Dean Stanton | ... | Saul / Paul | |
| Peter Berling | ... | Beggar | |
| David Bowie | ... | Pontius Pilate | |
| Juliette Caton | ... | Girl Angel | |
| Mohammed Mabsout | ... | Other Apostles | |
| Ahmed Nacir | ... | Other Apostles | |
| Mokhtar Salouf | ... | Other Apostles | |
| Mahamed Ait Fdil Ahmed | ... | Other Apostles | |
| Russel Case | ... | People at Sermon | |
| Mary Seller | ... | People at Sermon | |
| Donna Magnani | ... | Crowd Member (voice) (as Donna Marie) | |
| Penny Brown | ... | Crowd Member (voice) | |
| Gabi Ford | ... | Crowd Member (voice) | |
| Dale Wyatt | ... | Crowd Member (voice) | |
| Domenico Fiore | ... | Crowd Member (voice) | |
| Ted Rusoff | ... | Crowd Member (voice) | |
| Leo Damian | ... | Crowd Member (voice) | |
| Robert Laconi | ... | Crowd Member (voice) | |
| Jonathan Zhivago | ... | Crowd Member (voice) (as Jonathon Zhivago) | |
| Illeana Douglas | ... | Crowd Member (voice) | |
| David Sharp | ... | Crowd Member (voice) | |
| Khalid Benghrib | ... | Dancer | |
| Redouane Farhane | ... | Dancer | |
| Fabienne Panciatili | ... | Dancer | |
| Naima Skikes | ... | Dancer | |
| Souad Rahal | ... | Dancer | |
| Otmane Chbani Idrissi | ... | Dancer | |
| Jamal Belkhayat | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Giovanni Cianfriglia | ... | Roman Soldier (uncredited) | |
| Rod Dana | ... | Soldier. (uncredited) | |
| Leo Marks | ... | Satan / Archangel (voice) (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits(WGA) | ||
| Nikos Kazantzakis | (novel) | |
| Paul Schrader | (screenplay) | |
Produced by | |||
| Barbara De Fina | .... | producer | |
| Harry J. Ufland | .... | executive producer (as Harry Ufland) | |
Original Music by | |||
| Peter Gabriel | |||
Cinematography by | |||
| Michael Ballhaus | (director of photography) | ||
Film Editing by | |||
| Thelma Schoonmaker | |||
Casting by | |||
| Cis Corman | |||
Production Design by | |||
| John Beard | |||
Art Direction by | |||
| Andrew Sanders | |||
Set Decoration by | |||
| Giorgio Desideri | |||
Costume Design by | |||
| Jean-Pierre Delifer | |||
Makeup Department | |||
| Zineb Bendoula | .... | hair assistant | |
| Zhor Bennani | .... | makeup assistant | |
| Claudia Bianchi | .... | hair assistant | |
| Mirella Ginnoto | .... | hair stylist | |
| Federico Laurenti | .... | makeup artist | |
| Ferdinando Merolla | .... | hair assistant | |
| Mario Michisanti | .... | makeup artist | |
| Luigi Rocchetti | .... | makeup artist | |
| Manlio Rocchetti | .... | makeup supervisor | |
| Aldo Signoretti | .... | hair stylist supervisor | |
| Maurizio Silvi | .... | makeup artist | |
Production Management | |||
| Laura Fattori | .... | production manager | |
| Marco Valerio Pugini | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Ahmed Hatimi | .... | second assistant director | |
| Fabio Jephcott | .... | second assistant director | |
| Joseph P. Reidy | .... | first assistant director (as Joseph Reidy) | |
Art Department | |||
| Elio Altamura | .... | prop master | |
| Steve Clarke | .... | painter (as Steven Clark) | |
| Dave Coldham | .... | plasterer (as David Coldham Sr.) | |
| Dean Coldham | .... | plasterer (as Dean Coldham Sr.) | |
| Bernard Collins | .... | carpenter | |
| Bob Devine | .... | construction foreman (as Robert Devine) | |
| John Frankish | .... | assistant art director | |
| Geoff Kingsley | .... | construction coordinator (as Geoffrey Kingsley) | |
| Hadj Lahcen Kahia | .... | assistant construction coordinator (as Lahcen Kahia) | |
| Peter Mann | .... | carpenter | |
| Goffredo Massetti | .... | propman | |
| Alberto Tosto | .... | assistant set decorator | |
| Marcello Turco | .... | stand-by painter | |
| Mauro Vitturini | .... | set dressing propman | |
| Derek Whorlow | .... | stagehand | |
| John Alvin | .... | poster artist (uncredited) | |
| Miki Zachar | .... | assistant art director (uncredited) | |
Special Effects by | |||
| Luigi Buldrini | .... | special effects driver | |
| Iginio Fiorentini | .... | special effects technician | |
| Dino Galiano | .... | special effects supervisor | |
Visual Effects by | |||
| Janos Pilenyi | .... | opticals (as Janos O. Pilenyi) | |
| Craig Barron | .... | visual effects supervisor (uncredited) | |
| Michael Pangrazio | .... | matte artist supervisor (uncredited) | |
| Thomas Rosseter | .... | optical supervisor (uncredited) | |
Stunts | |||
| Omero Capanna | .... | stunts | |
| Domenico Cianfriglia | .... | stunts | |
| Giovanni Cianfriglia | .... | stunts | |
| Enzo Maggio | .... | stunts (as Vincenzo Maggio) | |
| Stefano Maria Mioni | .... | stunts (as Stefano Mioni) | |
| Orlando Ragusa | .... | stunts | |
| Franco Maria Salamon | .... | stunt coordinator (as Franco Salamon) | |
| Marco Stefanelli | .... | stunts | |
| Massimilano Ubaldi | .... | stunts | |
| Massimiliano Ubaldi | .... | stunts | |
| Franco Ukmar | .... | stunts | |
| Giovanni Ukmar | .... | stunts | |
| Claudio Zucchet | .... | stunts | |
Camera and Electrical Department | |||
| Adil Abdelwahab | .... | third assistant camera | |
| Florian Ballhaus | .... | first assistant camera | |
| Najib Ben Fares | .... | electrician (as Najib Benfares) | |
| Abida Boubker | .... | generator operator | |
| Bruno Brenna | .... | electrician | |
| David M. Dunlap | .... | second camera operator (as David Dunlap) | |
| Ahmed El Hmaini | .... | grip | |
| Sergio Fabbriani | .... | grip | |
| Antonio Fortunati | .... | electrician | |
| Harald Hauschildt | .... | generator operator | |
| Pamela Katz | .... | second assistant camera | |
| Giacomo Moroni | .... | grip | |
| Silvio Natali | .... | grip | |
| Maria Schiavone | .... | gaffer | |
| Giuseppe Sciusco | .... | electrician | |
| Matteo Sciusco | .... | electrician | |
| Sergio Serantoni | .... | key grip | |
| David Slama | .... | second camera operator | |
| Mustapha Stitou | .... | electrician | |
| Franco Tocci | .... | key rigging grip | |
| Mario Tursi | .... | still photographer | |
Casting Department | |||
| Julie Alter | .... | additional casting | |
| Francesco Cinieri | .... | casting: Rome | |
| Abdessamad Dinia | .... | extras casting | |
| Rose Tobias Shaw | .... | casting: London | |
Costume and Wardrobe Department | |||
| Abdelkrim Akallach | .... | wardrobe: men | |
| Sergio Ballo | .... | wardrobe: men | |
| Naïma Bouanani | .... | assistant wardrobe supervisor | |
| Orielle Del Re | .... | seamstress | |
| Anna Foresi | .... | seamstress | |
| Bona Nasalli-Rocca | .... | wardrobe supervisor (as Bona Nasalli Rocca) | |
| Angela Silighini | .... | seamstress | |
| Zhor Slimani | .... | seamstress | |
Editorial Department | |||
| Marcus Chun | .... | apprentice editor | |
| David Leonard | .... | second assistant editor | |
| Geraldine Peroni | .... | first assistant editor | |
| Joe Violante | .... | dailies advisor | |
Music Department | |||
| Nusrat Fateh Ali Khan | .... | musician: Qawwali voice | |
| Antranik Askarian | .... | musician: Armenian doudouk | |
| Abdul Aziz | .... | musician: Egyptian kanun | |
| David Bottrill | .... | music track engineer | |
| Bill Cobham | .... | musician: drums | |
| Djalma Correa | .... | musician: Brazilian percussion | |
| Lucy Duran | .... | folk music researcher | |
| Nathan East | .... | musician: bass guitar | |
| Manny Elias | .... | musician: drums | |
| Kudsi Ergüner | .... | musician: Turkish Ney flute (as Kudsi Erguner) | |
| Richard Evans | .... | musician: penny whistle | |
| Fatala | .... | musician: African percussion | |
| Peter Gabriel | .... | musician: drums, voice and keyboards | |
| Jon Hassell | .... | musician: trumpet | |
| Vatche Housepian | .... | musician: Armenian doudouk | |
| Todd Kasow | .... | music supervisor | |
| Manu Katché | .... | musician: additional percussion | |
| Baaba Maal | .... | musician: Senegalese voices | |
| Barbara Minor | .... | assistant music editor | |
| Youssou N'Dour | .... | musician: Senegalese voices | |
| Robert Nichols | .... | associate music editor (as Bob Nichols) | |
| Hossam Ramzy | .... | musician: Egyptian percusion | |
| David Rhodes | .... | musician: guitars | |
| David Sancious | .... | musician: hammond organ, keyboards and additional voice | |
| Shenkar | .... | musician: violin ) (as Shankar (I) | |
| Mahmoud Tabrizi-Zadeh | .... | musician: Persian kamanche | |
| Julian Wilkins | .... | English choir boy | |
| Brian Eddolls | .... | sound: percussion and orchestration (uncredited) | |
| Todd Kasow | .... | music editor (uncredited) | |
| Shenkar | .... | composer: additional music (uncredited)) | |
Transportation Department | |||
| Vincenzo Corcioni | .... | driver: makeup | |
| Enrico Pini | .... | unit manager transportation | |
| Walter Santalmasi | .... | driver: wardrobe truck | |
Other crew | |||
| Jan Sebastian Ballhaus | .... | production assistant (as Sebastian Ballhaus) | |
| Brahim Bayadat | .... | cashier | |
| Aicha Benhaddou | .... | production assistant | |
| Marion Billings | .... | publicist | |
| Sabrina Canale | .... | office secretary | |
| Joe Caroff | .... | title designer | |
| Ahmed Darif | .... | location manager | |
| Valter De Filippis | .... | honey wagon attendant (as Walter De Filippis) | |
| Brahim Derhem | .... | assistant location manager (as Brahim Derham) | |
| Aicha Dimna | .... | production secretary | |
| Antonio Gabrielli | .... | location manager | |
| Rachel Griffiths | .... | script supervisor | |
| Julia Judge | .... | assistant: Mr. Scorsese | |
| Lon Kirschner | .... | title designer | |
| Betsy Marino | .... | assistant: Ms. De Fina | |
| Doudou N'Diaye Rose | .... | percussion loop | |
| Anne Parsons | .... | assistant: Peter Gabriel | |
| Roberto Penna | .... | accountant | |
| Paolo Piria | .... | production accountant | |
| Claudio Sabatilli | .... | cashier | |
| Gabriella Toro | .... | production coordinator | |
| Lahcen Zinoun | .... | choreographer (as Lahcen Zinoune) | |
| Nadine F. Wilson | .... | post-production accountant (uncredited) | |
Thanks | |||
| Nass-El Ghiwane | .... | special thanks for inspiration (as Nass El Ghiwane) | |
| Boris Leven | .... | special thanks | |
| Leo Marks | .... | special thanks | |
| Pierre Toureille | .... | special thanks: Ocora-Radio-France | |
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| Religulous | The Passion of the Christ | Ben-Hur | Jesus | Fellini Satyricon |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Has there ever been a more misunderstood film than Martin Scorcese's The Last Temptation Of Christ? Released amid great controversy and accused of being an offensive and unholy film, the truth of the matter is that it is a deeply reverent work which has the courage to ask challenging questions about the pressures and doubts Jesus must have experienced as the appointed Messiah. It also shows the violence of the times in graphic detail. If viewers consider it blasphemous to explore on film the immense burden of duty that Jesus bore through his life, then they are narrow-minded and ignorant. If people feel that to show the brutality and harshness of life in Roman times is tasteless and inappropriate, then they are guilty of glorifying difficult but factual truths. There is NOTHING offensive about this film. There is, however, much that is challenging.
Jesus (Willem Dafoe), an honest carpenter, saves Mary Magdalene (Barbara Hershey) from a stoning. Already dimly aware that he is destined to lead an extraordinary life, he soon finds himself being drawn into the role of a religious figurehead. But Jesus finds it hard to accept that he is a Messiah, and as his reputation and following grows he constantly questions if he is a strong enough man to handle the burden of being God's son. After isolating himself in the desert, where he experiences several hallucinations in which he is confronted by visual manifestations of good and evil, Jesus finally concludes that he IS the true son of God and whole-heartedly sets about imparting his love and wisdom to all who'll listen. Later betrayed to the disgruntled Romans by his friend Judas Iscariot (Harvey Keitel), Jesus is crucified. While on the cross, he imagines what his life would have turned out like if he had shied away from his duty as the Messiah and lived life like a mere mortal.
It is this final section of the film that has provoked the most vociferous outrage. The sequence shows Jesus as he slowly dies on the cross, dreaming of an alternative life in which he sins and copulates and hates like all normal people. Many people have criticised the film on the grounds that these scenes are blasphemous. Such claims are nonsense - the film is not saying that Jesus was a sinner, nor that he gave in to temptation of the flesh, nor still that he was a man filled with hate. The film is merely saying that, in such great pain and so close to death while still just a young man, he might - just maybe - have wondered if it was all worth it. At the end of the film, we see Jesus accept his role knowing that his death is the ultimate act of unselfish love, so the film actually is totally in agreement with what all Christians believe. If the film had come to the conclusion that Jesus's whole life was a waste, his death too, then maybe the detractors would've had cause to complain. But how can they possibly be offended by the film as it stands? For goodness sake, it's a film about absolute faith!!! In truth, The Last Temptation Of Christ is an excellent movie. Compellingly acted, beautifully shot on Moroccan locations, and full of telling ideas, it is a work of real depth and power. The accents are sometimes distracting and some of the dialogue occasionally betrays ill-suited modernisms, but apart from these minor drawbacks it is one of the most important and thought-provoking films ever made.