A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
The carpenter, Jesus of Nazareth, tormented by the temptations of demons, the guilt of making crosses for the Romans, pity for men and the world, and the constant call of God, sets out to find what God wills for Him. But as His mission nears fulfillment, He must face the greatest temptation; the normal life of a good man. Based, not on the Gospels, but on Nikos Kazantzakis' novel of the same name. Written by
Nick Lopez <firstname.lastname@example.org>
Director Martin Scorsese had wanted to make a film version on the life of Jesus Christ ever since his childhood. See more »
The film's prologue (the crawl text that appears on the screen before the opening credits) contains a misspelling. The text was taken word-for-word from the prologue to Kazantzakis' novel, which reads partly: "My principal anguish and source of all my joys and sorrows from my youth onward has been the incessant, merciless battle between the spirit and the flesh." The film's prologue misspells "principal" as "principle." See more »
[is drawing a circle in the earth while he speaks to God]
I'm not going to leave this circle, I'm not going to leave until you speak to me. No signs, no pain, just speak to me in human words. Whatever path you want, I'll take. Love, or the axe, or anything else. Now if you want me to stay here and die, I'll do that too, but you have to tell me.
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"This film is not based upon the Gospels but on this fictional exploration of the eternal spiritual conflict." See more »
This is a beautiful film. It is one of the most powerful and ultimately one of the greatest films ever made, without a doubt. The performances, especially by Willem Dafoe as Jesus, are amazing; the sets and costumes are realistic and never feel forced, glossy, or stylized (and were based on extensive archaeological and philological research); Peter Gabriel's score is absolutely unbelievable...I cannot possibly praise this film enough, as well as Mr. Scorcese's courage in making such a bold and beautiful work of art in the face of considerable opposition.
It is really best to avoid religious and theological arguments about this film - it is simply a portrait of Christ coming to terms with who he is and what he must do. If it occasionally portrays Jesus in a manner that is somewhat at odds with that of scripture, try to keep in mind that it is merely another take on a story that has no absolute and authoritative telling. That Jesus has difficulty coming to terms with the role he must play is something that scripture does not rule out.
Consider it this way: this is the sort of film that has the power to convince the irreligious or non-Christians out there (of which I am one) of the importance, beauty, depth, and truth of Jesus' vision of a world filled with love and compassion. Give this movie a chance. You will not be disappointed.
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