The carpenter, Jesus of Nazareth, tormented by the temptations of demons, the guilt of making crosses for the Romans, pity for men and the world, and the constant call of God, sets out to find what God wills for Him. But as His mission nears fulfillment, He must face the greatest temptation; the normal life of a good man. Based, not on the Gospels, but on Nikos Kazantzakis' novel of the same name. Written by
Nick Lopez <firstname.lastname@example.org>
Martin Scorsese's friend and New Yorker's magazine critic Jay Cocks worked uncredited to revise the screenplay by Paul Schrader. Cocks' contribution could not be credited due to contractual obligations as well as WGA regulations, which Schrader himself admits that it was unfair. See more »
The state of Mary Magdalene's robe when confronted by Jesus at the beginning. See more »
God brought you here, didn't he?
All he brought here is my shame.
Shame is also a temptation.
God hunts me. He drives his nails into my heart. He wants to push me over. He wants me to speak. But he didn't touch my lips with burning coals. How can I speak? I sinned.
We all sin.
Not my sins. What does He want from me? Can't he see what's inside me? All my sins. I'm Lucifer.
No! I'm a liar. A hypocrite. I'm afraid of everything. I never tell the truth. I don't have the courage. When I ...
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During the end credits, Peter Gabriel, composer for the film, credits all the people that used instruments for the music. See more »
This is a beautiful film. It is one of the most powerful and ultimately one of the greatest films ever made, without a doubt. The performances, especially by Willem Dafoe as Jesus, are amazing; the sets and costumes are realistic and never feel forced, glossy, or stylized (and were based on extensive archaeological and philological research); Peter Gabriel's score is absolutely unbelievable...I cannot possibly praise this film enough, as well as Mr. Scorcese's courage in making such a bold and beautiful work of art in the face of considerable opposition.
It is really best to avoid religious and theological arguments about this film - it is simply a portrait of Christ coming to terms with who he is and what he must do. If it occasionally portrays Jesus in a manner that is somewhat at odds with that of scripture, try to keep in mind that it is merely another take on a story that has no absolute and authoritative telling. That Jesus has difficulty coming to terms with the role he must play is something that scripture does not rule out.
Consider it this way: this is the sort of film that has the power to convince the irreligious or non-Christians out there (of which I am one) of the importance, beauty, depth, and truth of Jesus' vision of a world filled with love and compassion. Give this movie a chance. You will not be disappointed.
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