The carpenter, Jesus of Nazareth, tormented by the temptations of demons, the guilt of making crosses for the Romans, pity for men and the world, and the constant call of God, sets out to find what God wills for Him. But as His mission nears fulfillment, He must face the greatest temptation; the normal life of a good man. Based, not on the Gospels, but on Nikos Kazantzakis' novel of the same name. Written by
Nick Lopez <firstname.lastname@example.org>
In the closeup on the well-dressed man (that Jesus followed into the brothel), we can see that he is wearing a contact lens. See more »
Brothers, my old friends! Listen to me! It's me the prophets preached about. God talked to me in the desert; he gave me a secret and told me to bring it to you. Didn't you hear me coming? I ran here to Nazareth, where I grew up, to bring you the news. The word of God is here now.
Voice in Crowd:
You work miracles. Make a miracle for us. Make us believe in you. Otherwise, go away.
The Messiah doesn't need miracles. He is the miracle. Now he's here. Are you ready for me? I'm here to tear down everything around ...
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During the end credits, Peter Gabriel, composer for the film, credits all the people that used instruments for the music. See more »
This adaptation of Nikos Kazantzakis's novel, directed by Martin Scorsese, caused quite a stir on its initial release, accused of blasphemy and of causing offence to the Christian religion.
However, in its depiction of Jesus Christ as a human being rather than a man divine, it gets to the core of his story. This is a man who makes the choice of self-sacrifice for the good of his fellow men, despite the temptations of an alternative life - shown in this film by a life with Mary Magdelene rather than dying at the Crucifixion.
Played by Willem Dafoe with great sensitivity, this Christ performs miracles and discusses the intricacies of life and death with his disciples. Harvey Keitel is Judas, a rough man who fails to understand the significance of being the chosen Son of God; while Barbara Hershey is an effective Magdelene. David Bowie makes a short appearance as Pontius Pilate and is surprisingly good.
'The Last Temptation of Christ' is not one of Scorsese's best films but it certainly sparks questions and leaves food for thought. Some of the imagery is superb and the script is coherent and of a high standard.
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