Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,... See full summary »
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Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion, far earlier than expected. At a party in the village, Angus meets Lord James D'Ampton, who has just inherited his family's land right next to Temple House. Angus learns of the D'Ampton Worm, a huge dragon-snake that an earlier D'Ampton killed by cutting it in half. (There's a pretty catchy rock-folk song that tells the D'Ampton Worm legend.) As people begin disappearing and acting strangely over the next few days, the skull is stolen from Angus's room, and the watch of a missing person is found in a cavern that was the legendary home of the D'Ampton worm. Angus and James discover that there was an ancient cult that worshiped the worm as a god, and they theorize that the creature somehow survived its destruction, but it was trapped inside the cavern. The remainder of the movie shows Angus, James, ... Written by
The mouth of the White Worm (Dionin) seen in the tunnel towards the end of the movie was actually a painted over Volkswagen Beetle hood that bears an uncanny resemblance to the mouth of a snake. See more »
Dissociative identity disorder is erroneously referred to as schizophrenia. See more »
Lady Sylvia Marsh:
Fancy praying to a god who was nailed to a wooden cross, who locked up his brides in a convent. Did they really enjoy themselves, hmm? Poor little virgins masterbating in the dark and then in penance for their sins indulging in flagellation 'til their bodies wept tears of blood. Captive virgins, hmm, in the hands of an impotent god. Dionin will have none of that, Eve.
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This is a kitschy, sexy and funny movie. Ken Russel(the director of Whore and Track 29)is at his best. Taboos are endless. Scottish rock, demon worship, S&M and the defiling of Christian icons. Amanda Donohoe is luscious as the blood-sucking, dildo wielding Priestess of the Worm.
Catherine Oxenberg is a perfect blonde damsel in distress and Hugh Grant is at his sexy, bored playboy of the manor born. The production value is not the greatest but there are moments when the not-so-special effects lend an aire of underground theater to the proceedings. I highly recommend this film.
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