Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,...
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In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
Both trifles and structure are tossed out the door by director Ken Russell in this film. Here, historical content matters not so much as metaphors, feelings, emotions, and interpretations, ... See full summary »
Late on Guy Fawkes Day, 1892, Oscar Wilde arrives at a high-class brothel where a surprise awaits: a staging of his play "Salome," with parts played by prostitutes, Wilde's host, his lover ... See full summary »
A send-up of the bawdy life of Romantic composer/piano virtuoso Franz Liszt, with ubiquitous phallic imagery and a good portion of the film devoted to Liszt's "friendship" with fellow ... See full summary »
The prostitute Liz works on the streets of Los Angeles. She recalls her life in flashback, when she marries an alcoholic man. She leaves him with their son. Then she works as waitress in a ... See full summary »
The thirty year-old hard-worker Bobby Grady is married with two children to the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work the night shift at a fashion ... See full summary »
The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion, far earlier than expected. At a party in the village, Angus meets Lord James D'Ampton, who has just inherited his family's land right next to Temple House. Angus learns of the D'Ampton Worm, a huge dragon-snake that an earlier D'Ampton killed by cutting it in half. (There's a pretty catchy rock-folk song that tells the D'Ampton Worm legend.) As people begin disappearing and acting strangely over the next few days, the skull is stolen from Angus's room, and the watch of a missing person is found in a cavern that was the legendary home of the D'Ampton worm. Angus and James discover that there was an ancient cult that worshiped the worm as a god, and they theorize that the creature somehow survived its destruction, but it was trapped inside the cavern. The remainder of the movie shows Angus, James, ... Written by
Dissociative identity disorder is erroneously referred to as schizophrenia. See more »
Lord James D'Ampton:
No, the common earthworm was not always the lowly creatures it is today. Remember that the next time you bisect one with your shovel. You want some more?
[offering a spoonful]
Mmmm. It's very tasty!
Lord James D'Ampton:
Oh, good! So you've taken to our local specialty. Pickled earthworms in aspic is not to everyone's taste, I can tell you.
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I've now seen Ken Russell's adaptation of Bram Stoker's story about half a dozen times, each at different points in my life. This is one of those few movies that seems to age very well and get better with each viewing. Never a big fan of Russell, his over the top visual style seems right at home in this sometimes campy, sometimes scary, always entertaining horror film. But what makes this film stand far above others in its genre is the fact that it is in actuality a wicked black comedy. Every time I see it i pick up on something new that is in the background of a scene or some piece of dialogue I previously overlooked and I burst out laughing. The film features probably the single best line of any movie ever made, delivered with dead-pan foppishness by a not-yet famous Hugh Grant. "I believe we probably have another reptile on the premises." Watch it and you'll understand why it's so funny. It's all about context. While some may find many flaws in this production, I recommend just going with the flow and trusting Russel and his cast, who all also seem to be in on the joke. Amanda Donohoe as the evil serpentine priestess and Stratford Johns as Hugh Grant's butler are particularly on target with every line delivered. I'm going out on a limb and giving this a 10/10. In actuality it probably deserves and 8/10 at best. But it is one of my personal faves and seems to age like a fine wine.
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