Locked in a school closet during Halloween 1962, young Frank witnesses the ghost of a young girl and the man who murdered her years ago. Shortly afterward he finds himself stalked by the ... See full summary »
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Weisser is a young college bound man whose future is threatened when his mother interferes with his love life and a pending scholarship. He also discovers that his mother's best friend wishes to get closer to him, even if it means murder.
Locked in a school closet during Halloween 1962, young Frank witnesses the ghost of a young girl and the man who murdered her years ago. Shortly afterward he finds himself stalked by the killer and is soon drawn to an old house where a mysterious Lady In White lives. As he discovers the secret of the woman he soon finds that the killer may be someone close to him. Written by
Director Frank LaLoggia asked his friend Richard Jay Silverthorn, who portrayed the adult Lucifer in Fear No Evil (1981), to create a mask that Frankie would use that was "representative of Bela Lugosi's guise in Dracula (1931)". Compare that mask at 05:50 with the statuette of Count Dracula at 49:48. Unfortunately, this connection is lost on most viewers who, immediately on seeing it, think the mask is of Richard Nixon. See more »
When Frankie is praying in front of a picture of Jesus, towards the right there is what looks like a toy dinosaur. But in the following shot the dinosaur has disappeared. This is an apparent goof resulting from the compression of distance by the telephoto lens used to achieve a closeup at 49:17 where it appears that the picture of Jesus and the statuette of Godzilla are side-by-side when the statuette is actually some distance behind the picture as can be seen at 49:26 where the statuette is behind the picture at the left edge of the wide screen frame. See more »
Despite a few plot gaps, this is a very charming, atmospheric movie. The view is through the eyes of the main child-character, Frankie Scarlatti, and we see what he sees. This is a wonderful ghost story, not a horror film at all. Lukas Haas' character, Frankie, is vulnerable, yet determined to get at the heart of the mystery. Katherine Helmond is touchingly effective in her role as the grandmother of the murdered girl. My only complaint is that I get no clues from the plot or characterizations about what caused the killer to act. Yet I can suspend belief long enough to go with the childlike curiosity into the mysterious story. This is what I call a "little movie", no splashy special effects or over-the-top story lines, just a simple, sweet movie.
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