| Michael Hui | ... | Ah Hui | |
| Ricky Hui | ... | Cuttlefish | |
| Sylvia Chang | ... | Mrs. Hui | |
| Lowell Lo | ... | Chimp Chan | |
| Lawrence Ng | ... | Danny Poon | |
| rest of cast listed alphabetically: | |||
| Ken Boyle | ... | Caucasian asking for refund | |
| Lai-Ngo Fan | |||
| Gam-Hung Fung | |||
| Woon-ling Hau | |||
| Kai-Nam Ho | |||
| Pak-Kwong Ho | |||
| Choi-Chow Hoh | |||
| Si Man Hui | |||
| Ying-Ying Hui | ... | Maria | |
| Clifton Ko | ... | Trainee at Hui Gee | |
| Feng Ku | ... | Richard | |
| Yung-kuang Lai | |||
| Koon-Lan Law | ... | Chimp's wife | |
| Siu-Ling Lee | |||
| Ta Lei | |||
| Tieh-Cheng Lin | |||
| Ka-Leung Ng | |||
| Yan Pak | ... | Hui's mother-in-law | |
| Yu-yung Teng | |||
| Paula Tsui | ... | Hui's Customer | |
| Leng-kuang Yin | |||
| Gloria Yip | ... | Judy | |
| Wing-Cho Yip | ... | Pang | |
| Ronny Yu | |||
| Samuel Hui | ... | Cameo appearance (uncredited) | |
Directed by | |||
| Clifton Ko | |||
Writing credits(in alphabetical order) | ||
| Michael Hui | writer | |
| Clifton Ko | (as Clifton Chi-Sum Ko) | |
| Joe Ma | story | |
| James Yuen | story | |
Produced by | |||
| Michael Hui | .... | executive producer | |
| Ronny Yu | .... | producer | |
Original Music by | |||
| Richard Yuen | |||
Cinematography by | |||
| Derek Wan | |||
Film Editing by | |||
| Yee Shun Wong | |||
Art Direction by | |||
| Ben Lau | |||
| Chung Man Yee | |||
Makeup Department | |||
| Lin Tai Lee | .... | hair stylist | |
| Wai-Hong Mok | .... | makeup artist | |
| Kelvin Tsang | .... | hair stylist | |
Production Management | |||
| Bo-Chi Chik | .... | assistant production manager | |
| Lai-Seung Ho | .... | production manager | |
| Ching Po Lai | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Hong-Aai Law | .... | assistant director | |
| Terence Young | .... | assistant director | |
Art Department | |||
| Yun-An Cheng | .... | prop foreman | |
| Kam-fai Law | .... | assistant art director | |
| Chun-Ching Tai | .... | carpentry foreman | |
Sound Department | |||
| Wai Hung Chan | .... | foley artist | |
| Siu-Lung Ching | .... | sound effects editor | |
| Yu Ting | .... | dialogue editor | |
| Chun-Kau Wong | .... | foley artist | |
Camera and Electrical Department | |||
| Fu-keung Chiu | .... | assistant camera | |
| Ardy Lam | .... | second assistant camera | |
| Cheung Lee | .... | still photographer | |
| Wai-tong Leung | .... | lighting technician | |
Costume and Wardrobe Department | |||
| Chi-Ling Chiu | .... | costumer: lion | |
| Mei-Chow Liu | .... | costumer | |
| Gei-Ping Lo | .... | costumer: animals | |
Editorial Department | |||
| Bo-Wing Yeung | .... | assistant editor | |
Music Department | |||
| Gam-Wing Cheung | .... | dance orchestrator | |
| Samuel Hui | .... | composer: theme music | |
| Samuel Hui | .... | lyricist | |
| Samuel Hui | .... | vocals | |
| Siu-Lam Tang | .... | music editor | |
Other crew | |||
| Shi-Wan Chan | .... | proof-reader | |
| Kwok-Choi Ha | .... | continuity | |
| Michael Hui | .... | presenter | |
| Mei-Lai Kuk | .... | subtitler | |
| Yung-kuang Lai | .... | planner | |
| Fai Lau | .... | production assistant | |
| Tin-Chi Lau | .... | proof-reader | |
| Wai-Hung Law | .... | story editor | |
| Hui Lu | .... | script supervisor | |
| Joe Ma | .... | proof-reader | |
| Wing-yee Siu | .... | tea lady | |
| Gan-Wo Yan | .... | continuity | |
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| Qiu yue | The Blues Brothers | Huo tou fu xing | Good Burger | Lucía, Lucía |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Hong Kong section |
I suppose you could argue that this movie relies on an extremely silly story and a great deal of stupid, almost juvenile, jokes. And I suppose this is true... but there are so *many* of the jokes, and they're all so *funny*!
It's a wonderful movie, watchable over and over, and superior to just about all of the Hollywood comedies of late. This, and "The Private Eyes", are also great examples of Hong Kong movies which are very accessible and entertaining to audiences worldwide, without compromising their own uniquely Chinese aspects.