Michael, a wimpy young executive, is about to get pulverized by a jealous boyfriend in a bar when a handsome, mysterious stranger steps in--and then disappears. Later that night, while ... See full summary »
Max Baron (James Spader) is a 27-year-old high-flying advertising executive still recovering from the death of his wife. One night he is in a bar when he meets Nora Baker (Susan Sarandon), ... See full summary »
Charles is in control of his life; he is about to finish 6th form college and start at Oxford. He is 19 and wants an 'older' woman before he turns 20. Enter the beautiful Rachel, and ... See full summary »
A father serving time for murder convinces his three teenage sons that his life is being threatened by fellow inmates and that they should break him out of jail. However, when his sons ... See full summary »
Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really ... See full summary »
A young doctor is suspected when a series of Jack the Ripper copycat killings is committed. However, when the doctor himself is murdered, his identical twin brother claims to have seen visions of the true killer. Written by
Alexander Lum <email@example.com>
Director Rowdy Harrington originally wanted the movie to be titled "Red Rain" and Peter Gabriel's song of the same name was meant to play at the opening credits. Since this was a low budget film, he couldn't get the rights to the song, so he hired Paul Saax to compose the song "Red Harvest" instead. Shortly before the movie release, the studio felt that the title "Red Rain" had no relation to the plot so they decided to change to a more appealing title, "Jack's Back". See more »
[Slamming his fist down onto the table as he speaks]
MY BROTHER DIDN'T KILL ANYBODY, some mother FUCKER slung him from his neck from the fucking ceiling!
We have an eyewitness.
FUCK YOUR EYEWITNESS! This is bullshit, alright? If you wanna book me, book me.
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I am at a loss to explain why James Spader is not a major star. He got a good start with 80s teen flicks and didn't burn out too fast. This movie shows off his acting as well as his on-screen charisma. His everyman is better than Harrison Ford's, usually, because you know there's some intelligence and humanity behind the intensity.
There's some nice moments in the movie, and it has a quirky feel that makes it endearing despite the violent content. Unfortunately, it doesn't quite hold together and the quirkiness doesn't stop it from been a familiar story. Incidentally, despite the direct description of its plot, it's a terrible title.
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