Michael, a wimpy young executive, is about to get pulverized by a jealous boyfriend in a bar when a handsome, mysterious stranger steps in--and then disappears. Later that night, while ... See full summary »
Max Baron (James Spader) is a 27-year-old high-flying advertising executive still recovering from the death of his wife. One night he is in a bar when he meets Nora Baker (Susan Sarandon), ... See full summary »
Charles is in control of his life; he is about to finish 6th form college and start at Oxford. He is 19 and wants an 'older' woman before he turns 20. Enter the beautiful Rachel, and ... See full summary »
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A young doctor is suspected when a series of Jack the Ripper copycat killings is committed. However, when the doctor himself is murdered, his identical twin brother claims to have seen visions of the true killer. Written by
Alexander Lum <firstname.lastname@example.org>
Director Rowdy Harrington originally wanted the movie to be titled "Red Rain" and Peter Gabriel's song of the same name was meant to play at the opening credits. Since this was a low budget film, he couldn't get the rights to the song, so he hired Paul Saax to compose the song "Red Harvest" instead. Shortly before the movie release, the studio felt that the title "Red Rain" had no relation to the plot so they decided to change to a more appealing title, "Jack's Back". See more »
[Slamming his fist down onto the table as he speaks]
MY BROTHER DIDN'T KILL ANYBODY, some mother FUCKER slung him from his neck from the fucking ceiling!
We have an eyewitness.
FUCK YOUR EYEWITNESS! This is bullshit, alright? If you wanna book me, book me.
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This item might be trapped in its 80s decor (fashion, music), but this stylishly compelling and crisp psychological thriller holds it cards close and leads the way with an appealingly subtle and sincere James Spader performance. This guy has charisma! And he strongly pulls off the whole dual part of playing twins. The premise is one of those, the less you know, the better off you are. When you think you have it figured out, you'll find yourself at square one again. It's a simple, but cleverly penned whodunit murder mystery story. Its odd and manipulative multi-layered structure offers unpredictable turns, hidden clues, suspicious red herrings, but in the long run leaves some spotty developments and a real lack of motivation. It might annoy and could've used some tweaking, but the well-paced story (that takes time to give our protagonist some depth) and sense of urgency just grips you that you just go with it. Director / writer Rowdy Herrington's directorial debut shows assurance in his abilities. The thrills are routine, but confidently done with razor-sharp timing and jarring force. They're menacing, brooding, bloody and a little disturbing. He really does hold you at bay with powerful visuals and anxious suspense. The moody photography and lighting composition drills in well with the stirringly blues music score. This blends well in with eerily glum and sullen atmospheric tinge coming from the Los Angles' setting. The performances are well-suited. Spader is the film's main drive, but Cynthia Gibb is capably good and Robert Picardo turns in a sound performance. Its also stars Jim Haynie, Chris Mulkey, Rod Loomis, John Wesley and Rex Ryon in amusingly fine support.
A wonderfully quirky and darkly projected thriller that's better than your average output.
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