| Elizabeth Cox | ... | Jennifer Ross | |
| Renée Estevez | ... | Linda | |
| Dan Hicks | ... | Bill Roberts (as Danny Hicks) | |
| David Byrnes | ... | Craig Peterson | |
| Sam Raimi | ... | Randy | |
| Eugene Robert Glazer | ... | Danny (as Eugene Glazer) | |
| Billy Marti | ... | Dave | |
| Burr Steers | ... | Bub | |
| Craig Stark | ... | Tim | |
| Ted Raimi | ... | Produce Joe | |
| Alvy Moore | ... | Officer Dalton | |
| Tom Lester | ... | Officer Mathews | |
| Emil Sitka | ... | Mr. Abernathy | |
| Bruce Campbell | ... | Officer Howard | |
| Lawrence Bender | ... | Officer Adams | |
| Scott Spiegel | ... | Bread Man | |
| Douglas Hessler | ... | Townie At Door | |
| Gregory Nicotero | ... | Townie In Car (as Greg Nicotero) | |
| Mike Ionascu | ... | Customer #1 (as Mike Jonascu) | |
| Jim Hanson | ... | Customer #2 (as James Hanson) | |
| Jim Reickel | ... | Customer #3 | |
| Paula F. Major | ... | Customer #4 (as Paula Major) | |
| Laura Schwartz | ... | Customer #5 | |
| Mark Saticoy | ... | Customer #6 | |
| Steve Patino | ... | Customer #7 | |
| Mara Massey | ... | Love Bird #1 | |
| Christoffer Salzgeber | ... | Love Bird #2 (as Christopher Salzgeber) |
Directed by | |||
| Scott Spiegel | |||
Writing credits(in alphabetical order) | ||
| Lawrence Bender | story | |
| Scott Spiegel | screenplay | |
| Scott Spiegel | story | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| Douglas Hessler | .... | co-producer | |
| Douglas Scott-Hessler | .... | co-producer | |
| Charles Band | .... | executive producer (uncredited) | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Fernando Argüelles | |||
Film Editing by | |||
| King Wilder | |||
Production Design by | |||
| Wendy Guidery | |||
Art Direction by | |||
| Mara Massey | |||
Costume Design by | |||
| Rena Eliashiv | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects artist | |
| Robert Kurtzman | .... | special makeup effects artist | |
| Gregory Nicotero | .... | special makeup effects artist | |
| Sean Rodgers | .... | special makeup effects artist | |
Production Management | |||
| Jonathan Bogner | .... | executive in charge of production | |
| Douglas Hessler | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Eddie Ziv | .... | first assistant director | |
Sound Department | |||
| Sarah Brady | .... | adr & foley editor | |
| David Chornow | .... | sound mixer | |
| Ted Kosiusko | .... | re-recording mixer | |
| Lars Nelson | .... | re-recording mixer | |
| Sara Oldfield | .... | sound mixer | |
| Jesse Turajski | .... | recordist | |
Stunts | |||
| Chuck Borden | .... | stunt coordinator | |
Camera and Electrical Department | |||
| James Hawkinson | .... | electrician | |
| Michael Martino | .... | gaffer | |
Editorial Department | |||
| Juliet Avola | .... | post-production | |
| Chris Weber | .... | negative cutter | |
| Gary Weber | .... | negative cutter | |
| David Block | .... | colorist (uncredited) | |
Other crew | |||
| Paula F. Major | .... | production coordinator | |
| Joyce 'Doc' Pepper | .... | script supervisor | |
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| The Phantom of the Opera | Friday the 13th | A Bay of Blood | The Slumber Party Massacre | The Funhouse |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The greatest low budget horror film ever is "The Janitor", but "Intruder" certainly ranks up there as one of the all-time greats. (You can argue that such films as "Evil Dead" are low budget, but they don't have the amateur quality to them I'm speaking about.) In this film, a grocery clerk's ex-boyfriend shows up to harass her. After the store closes, people begin dying off one by one. Is it the boyfriend? With notable appearances by the "Evil Dead" alumni: Bruce Cambell, Sam Raimi, Ted Raimi, Scott Spiegel and Danny Hicks. What a line-up! The film has its flaws. I mean, it's a very amateur movie so the music is just awful (how long can the produce guy listen to the same song?). Not sure where the regular composer was this day. The acting is decent but iffy, and the overall feel is of a cheap and predictable film.
But that is ignorable. The unique camera angles let you know you're working with a Raimi posse member. You won't find shots like these in anything else, except maybe an M. Night Shymalan film (and in that case maybe he owes someone a thank you). And the deaths are of a kind you won't find in your average slasher film: a simple grocery store is taken to new depths.
Nice product placement for Adidas, Meister Brau and Diet Pepsi. Too bad they didn't actually get the money for doing that. And an excellent re-use of the monologue from "Raising Arizona" about the head and sandwich. The Raimi-Coen connection is strengthened.
If you liked the dark humor of the other Raimi projects, you'll love this. Scott Spiegel does not have the name recognition he deserves, showing us here he is just as able as the big boys to step up to the plate for a low budget horror comedy thriller.