One man's struggle to contain the curse he hides within... and his last-ditch attempt to free himself with the love of family. But when it looks as if he is losing his battle, and ... See full summary »
A successful author was sent to the small town Drago because of a nervous breakdown, and gets wound up in a mysterious mystery about demons and werewolves. She starts seeing ghosts and dismisses them as her own imagination, but when they turn out to be real, she starts to get suspicious of the small town and of its past. But at the heart of this scenic, serene village is much darker than its benign appearance; and while she hopes her vacation will dispel her visions, a sinister presence has drawn her there. Soon she will discover that the ghosts that have haunted her are real and that her horrific visions are a mysterious message. Written by
Matt Dotzenroth <firstname.lastname@example.org>
John Hough was thwarted by producer Clive Turner at every step who tried to alter the script while production was en route. After Hough turned in his version, Turner went out and shot tons of new scenes and edited the film to the liking that he wanted and constantly fought Hough for. See more »
The exterior of the house shows it is a single story house, but the interior is too big to fit in the exterior shown. See more »
The only flaw I want to emphasize is that the early scenes in this film, much like the opening credits, are too quick to be effective. This one (however) is more faithful to the novel than the original, and once you get past the first 15 minutes, it doesn't seem so rushed. Romy Windsor plays the vision-bound, introverted, semi-tolerated Marie. Neither Marie, nor her husband Richard, nor their friend Tom, believe in werewolves. Janice, an ex-nun, is the only one considering a werewolf-existence possibility. Marie/Richard met her in Drago, and Janice's belief in demons is probably what paved the way for her werewolf suspicions. Along the way, some peeps have vanished, including a hitch-hiking couple and the long-dead sister Ruth. When Marie discovers that the sheriff covered-up the disappearance of the pleasant hitch-hiking couple, or attempted to do so, tempers flare. There's more than one way to skin a wolf (or cover it's tracks), and it isn't by lying to red-riding hood. You can't run a successful werewolf business without breaking a few nuns, as it turns out. The lethargic and apathetic sheriff would probably agree. The main complaint here is the scarce on-screen werewolf time. But in my opinion, this is redeemed by acceptable performances, just enough atmosphere, and a classic 80's score.
2 of 3 people found this review helpful.
Was this review helpful to you?