A judge commits suicide, and his secretary is found murdered. A homeless deaf-mute man, Carl Anderson is arrested for her murder. Public defender Kathleen is assigned by the court as his ... See full summary »
An extremely rare bottle of wine (bottled during the appearance of the Great Comet of 1811) is discovered. Margaret Harwood is sent to retrieve it so it can be sold at auction. Oliver ... See full summary »
Penelope Ann Miller,
Nick is a writer in New York when he gets posted to a bureau in Greece. He has waited 30 years for this. He wants to know why his mother was killed in the civil war years earlier. In a ... See full summary »
In a small village on the border of Northern Ireland and The Republic of Ireland, the relationship between a short tempered policeman and his rebellious son becomes even more strenuous when the young man falls for a "wrong" girl.
Set in the Middle East in 1919, a group of European Jews planning on settling in the Sinai Desert are attacked by Bedouin tribesmen. As they fight for their lives they realize that they are... See full summary »
Jimmie Rainwood was minding his own business when two corrupt police officers (getting an address wrong) burst into his house, expecting to find a major drug dealer. Rainwood is shot, and ... See full summary »
F. Murray Abraham,
The story centers on the life of a bordello in a midwestern prairie town in the 1870s. The whorehouse is run by pragmatic madam Annie Ryan and the film follows the life of several of her ... See full summary »
Emily Crane is fired after refusing to give names to a 1951 House Un-American Activities Committee, and takes a part-time job as companion to an old lady. One day her attention is drawn to a noisy argument being conducted largely in German in a neighbouring house, the more so since one of those involved is her main senator prosecutor. Starting to look into things, she gradually enlists the help of FBI officer Cochran who was initially detailed to check her out. Just as well when things turn nasty. Written by
Jeremy Perkins <email@example.com>
In one scene, Emily overhears The Women in the House character (who is off-screen) speaking to one of the Russians through an interpreter. The Woman is telling the Russian that they will leave for Chicago "tomorrow." The interpreter mistakenly says "tomorrow" in English and then corrects himself mid-word to the correct Russian word "zaftra." See more »
Miss Crane? I'd still like to talk to you.
I have nothing to say.
See more »
After the usual "all incidents are fictional" disclaimer, it states "In particular, the producers do not intend to imply that Life Magazine dismissed any of its employees for their political beliefs or activities." See more »
The House on Carroll Street is a movie that knows what it is like to be a movie from thirty years before it.
It is a delicious throwback to the days of Alfred Hitchcock. In fact, there are only two items in the House on Carroll Sreet to suggest that this movie is NOT a product of that decade. A) the cast of this movie were just being born when Hitchcock was in his prime. and b) there is a bit of frontal nudity. Needless to say, you would never see that in Hitchcock's days (in fact before he made Psycho it was considered indecent to show qa toilet being finished on screen, or so I heard)
The makers of The House on Carroll Street have a great eye for detail, and they recapture the period beautifully. Everything has been carefully assembled, down to the last fat stripped tie. If the House on Carroll Street was released thirty years earlier, it may have been a classic, but by the 1980's the Hitchcock/film-noir formula had become somewhat generic. There are still great movies like Chinatown, but there are a lot of critically bashed items as well such as Brian de Palma's work. The look of this movie took me back, but not the storyline. It feels shallow, derivative and also rushed, so it's not as great a movie as it could've been. It's just a good movie.
Leading the cast is Kelly McGillis. Her performance is not that great, but her screen presence is interesting. She plays the role with a sort of Grace Kelly mindset, and she knows how to act with her face (although the makeup job deserves a bit of credit there too). In terms of character, she doesn't have a whole lot to work with, in fact most of the characters in the film are genre stereotypes. On screen, this film is full of life, but on the pages it could use a bit more strength. The House on Carroll Street is not great, but it's enjoyable.
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