With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
A symbolic depiction of hell on Earth, set in the last days of the Warsaw uprising in 1944. Lieutenant Zadra is commanding a company of 43 men in a desperate battle amidst the ruins. Facing... See full summary »
Setsuko and Seita are brother and sister living in wartime Japan. After their mother is killed in an air raid they find a temporary home with relatives. Having quarreled with their aunt they leave the city and make their home in an abandoned shelter. While their soldier father's destiny is unknown, the two must depend on each other to somehow keep a roof over their heads and food in their stomachs. When everything is in short supply, they gradually succumb to hunger and their only entertainment is the light of the fireflies. Written by
Corrected by Liron
From the start of production, director Isao Takahata wanted to cast appropriately aged children in the roles of Seita and Setsuko. Because the film takes place in Kobe, the search was limited to the Kansai region of Japan in order to find children who spoke the proper dialect. He was introduced to Ayano Shiraishi through a regional children's acting company, and he decided to cast her as Setsuko after only hearing two sentences: "My name is Ayano Shriraishi. I am five years old." He was later told by one of the company's leaders that they expected that Ayano was too young for the role, and so those were the only lines she had been instructed to recite in the audition. See more »
September 21, 1945... that was the night I died.
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I had the fortune of being able to see Hotaru no Haka on the big-screen in Seattle a couple of years ago. It was truly the high-point of my film festival excursions. At the end of the movie, there was silence, absolute and total silence in the theater - and then, only an occasional sniffle until the end credits had finished rolling and the house lights came up. It would've seemed almost disrespectful to profane the silence with words.
Seeing a movie like this really changes attitudes about war - about who really suffers, and that the honor and glory is shallow comfort when you contemplate what has been lost in the struggle.
I've made the comment to my friends that if you ever see someone who isn't moved (usually to tears) by this movie, you've found someone without a soul. As difficult as it is to watch, turn off the phone, dim the lights, and immerse yourself in the film with ones you love - you will be a better person for it in the end.
There are many other reviews of this movie, and most of them are probably far more comprehensive than my own - I'll conclude by saying that this movie should required viewing at some point (as should the peace museums at Hiroshima and Nagasaki) for everyone.
When you see war and conflict in the news or read about it in the paper, think back to this movie - your perspective will probably be broadened, and your eyes opened a bit more.
I've only watched this movie about 4 times - it usually takes a year or so to "decompress" after watching it. To see it too often would lessen the impact, and that would be the worst possible thing to do to this movie.
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