A man takes three co-workers hostage while working overtime on Thanksgiving weekend. He has no demands.

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(novel) (as Michael A. Gilbert),
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Cast

Complete credited cast:
...
Eugene Brackin
...
Larry Gaylord
...
Sally
...
Joan Talmage
...
Smolen
Graeme Campbell ...
Hollis
...
Garlas
...
Mayor
Patrick Patterson ...
Security Guard
Winston Gaddishaw ...
Marksman
Helen Beavis ...
Mrs. Hampton
Cindy Girling ...
Mrs. Gaylord
Kenneth McGregor ...
Cop #1 (as Ken McGregor)
François Klanfer ...
NY Boss
Rex Hagon ...
V.P. of Felton
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Storyline

A man takes three co-workers hostage while working overtime on Thanksgiving weekend. He has no demands.

Plot Summary | Add Synopsis

Taglines:

A Man on the Edge Has Nothing to Lose.

Genres:

Thriller

Motion Picture Rating (MPAA)

Rated R for sexuality, language and violence | See all certifications »
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Details

Country:

Language:

Release Date:

10 December 1988 (Italy)  »

Also Known As:

The Devastator  »

Filming Locations:


Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Quotes

Larry Gaylord: A million people a week work overtime, a billion come in on a day off, and they don't flip out!
See more »

Crazy Credits

Hit Man, Assistant to Producer: George "I'm Going to Get Mean" Vuko See more »

Connections

References RoboCop (1987) See more »

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User Reviews

 
An ambivalent horror flick - -
9 October 2002 | by See all my reviews

After watching this film, I was left with the impression that there were two competing interpretations of the script - and the director tried to film both. Interpretation one could be summed up as "horror/hostage/screams/blood"

  • Interpretation two: "psychodrama/disturbing/thought provoking."




There are some very terrifying moments in this film that can have you gripping the edge of your seat and holding your breath hoping that the worst ISN'T going to happen....and then suddenly you are in the middle of a quasi Greek Tragedy with the players making profound orations while the plot stands still. (Exactly what the poems of T.S. Eliot have to do with the plot is never made clear).

I found it a very interesting view with some very genuinely deep moments - but the ending was almost an anti-climax and the schizoid handling of the script did not help matters. It is worth at least a look but you probably won't come back for seconds.


7 of 7 people found this review helpful.  Was this review helpful to you?

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