The tragedy and comedy in Carlo's life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos,... See full summary »
In Portugal, in the 60s, the corpse of a man appears on Dog's Beach. The corpse is identified as the major Dantas, a man wanted by authorities after his escape from a military prison where he was awaiting trial for insurrection.
José Fonseca e Costa
The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names... See full summary »
Fernando Cabral Martins,
Miguel is a successful economist until his father's death plunges him into a strange obscure world of fears, strange sounds and psychological isolation. He quits his job, drifts away from ... See full summary »
Luís Miguel Cintra,
Laura Rossellini, a widow from Rome, vacations on the Algarve coast one hot summer. One day while sunbathing, she finds a wounded man named Robert drifting in the surf on a rubber raft. She... See full summary »
João César Monteiro
Philip J. Spinelli,
Manuela de Freitas
A room in Lisbon. A man dreams and establishes a theory to make it come true. This film is based on The Book of Disquiet , the posthumous work of the Portuguese writer Fernando Pessoa. It ... See full summary »
Cláudio da Silva,
Interesting Portuguese movie based on Charles Dickens' Hard Times
I saw this movie a long time ago and liked it, but don't have enough memory of it to write an actual "review." But I thought that the Portuguese setting and characters were very interesting for an adaptation of Dickens, and encourage others to seek it out. The characters are given new (Portuguese) names. I found Janet Maslin's review in the October 6, 1988, New York Times, and want to comment on her review. She makes the common mistake (in my opinion) of confusing the adaptation with the original work (the Dickens novel), and gives a negative review of the movie because it is not the same as the novel. I find that especially troubling for a "professional critic", which I feel sure Maslin would claim to be. I usually have no problem separating the 2 things in my mind and appreciating both works (or not, as the case may be). The critic should critique the movie, not her idea of what the movie should be. It would be helpful for IMDb users if the title Hard Times could be added as an indexing point for the movie, even though apparently it doesn't actually occur in the movie's title.
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