| Photos (See all 12 | slideshow) |
| James Wilby | ... | Tony Last | |
| Kristin Scott Thomas | ... | Brenda Last | |
| Rupert Graves | ... | John Beaver | |
| Anjelica Huston | ... | Mrs. Rattery | |
| Judi Dench | ... | Mrs. Beaver | |
| Alec Guinness | ... | Mr. Todd | |
| Richard Beale | ... | Ben | |
| Jackson Kyle | ... | John Andrew | |
| Norman Lumsden | ... | Ambrose | |
| Jeanne Watts | ... | Nanny | |
| Kate Percival | ... | Miss Ripon | |
| Richard Leech | ... | Doctor | |
| Roger Milner | ... | Vicar | |
| Tristram Jellinek | ... | Richard Last | |
| Pip Torrens | ... | Jock | |
| Beatie Edney | ... | Marjorie | |
| Stephen Fry | ... | Reggie | |
| Graham Crowden | ... | Mr. Graceful | |
| John Quentin | ... | Brenda's Solicitor | |
| Timothy Bateson | ... | MacDougal | |
| Moyra Fraser | ... | Mrs. Northcote | |
| Marsha Fitzalan | ... | Polly Cockpurse | |
| Annabel Brooks | ... | Daisy | |
| Tamsin Olivier | ... | Veronica | |
| Maureen Bennett | ... | Marjorie's Maid | |
| Hugh Simon | ... | Travel Agent | |
| Alan Hay | ... | Club Porter | |
| Matthew Ryan | ... | Club Page | |
| Cathryn Harrison | ... | Milly | |
| Alice Dawnay | ... | Winnie | |
| John Junkin | ... | Blenkinsop | |
| Peggy Aitchison | ... | Waitress (as Peggy Atchison) | |
| Christopher Godwin | ... | Dr. Messinger | |
| Jeannette Baillie | ... | Rosa | |
| Julian Infante | ... | Indian Spokesman | |
| Wiliam Gonzalez | ... | Indian Singer | |
| rest of cast listed alphabetically: | |||
| Giles Bickford | ... | (uncredited) | |
Directed by | |||
| Charles Sturridge | |||
Writing credits(in alphabetical order) | ||
| Derek Granger | writer | |
| Charles Sturridge | writer | |
| Tim Sullivan | writer | |
| Evelyn Waugh | novel | |
Produced by | |||
| Nick Elliott | .... | executive producer | |
| Derek Granger | .... | producer | |
| Jeffrey Taylor | .... | executive producer | |
| Kent Walwin | .... | executive producer | |
| David Wimbury | .... | associate producer | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Peter Hannan | |||
Film Editing by | |||
| Peter Coulson | |||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| Eileen Diss | |||
| Chris Townsend | |||
Costume Design by | |||
| Jane Robinson | |||
Makeup Department | |||
| Patricia Kirkman | .... | hair stylist | |
| Sally Sutton | .... | makeup artist | |
Production Management | |||
| Matthew Binns | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Tony Aherne | .... | assistant director | |
| Peter Kohn | .... | assistant director | |
| Melvin Lind | .... | assistant director | |
Art Department | |||
| Simon Basketter | .... | property creator | |
| Richard Hornsby | .... | assistant art director | |
| Stephenie McMillan | .... | set dresser | |
| Brian Read | .... | prop buyer | |
Sound Department | |||
| John Ireland | .... | sound editor | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Peter Sutton | .... | sound mixer | |
Camera and Electrical Department | |||
| Murray Close | .... | still photographer | |
| Brian Martin | .... | best boy | |
| Reg Parsons | .... | gaffer | |
| Bob Smith | .... | camera operator | |
| Stefan Stankowski | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Jenny Hawkins | .... | wardrobe assistant | |
| Michael Jeffery | .... | wardrobe supervisor | |
| Joy Kleiner | .... | associate costume designer | |
Editorial Department | |||
| Angelica Landry | .... | assistant editor | |
Music Department | |||
| George Fenton | .... | conductor | |
| George Fenton | .... | orchestrator | |
| Gerry O'Riordan | .... | assistant music engineer | |
| John Warren | .... | additional orchestrator | |
| John Warren | .... | composer: additional music (uncredited) | |
Other crew | |||
| Chris Allies | .... | title designer | |
| Christopher Knowles | .... | location manager | |
| Lynda Levy | .... | unit publicist | |
| Bob Nadkarni | .... | location research | |
| Ene Watts | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
WARNING: POSSIBLE SPOILER
Evelyn Waugh was one of the most stylish writers of his generation and the deceptively simple prose of his early mordant satires ('Decline and Fall', 'Vile Bodies') stands up very well today. 'A Handful of Dust,' written during the break-up of his first marriage to Evelyn Gardiner ('She-Evelyn') is more personal and less comic, and more concerned with the consequences of the characters' lack of personal morality. This film version by Charles Sturridge, who was earlier jointly responsible for a fine TV version of 'Brideshead Revisited,' is a worthy attempt to do justice to the novel, but perhaps he need not have bothered.
The film follows the novel as published in England a US edition had a different, happy ending - though for space reasons some incidents are omitted (eg the drunken night at the sleazy 'Old Hundredth' club). Tony Last (James Wilby) is a pleasant young dim Tory gentleman, the proud owner of Hetton Abbey, a pile of Victorian Gothic bombast, and the attentive but slightly baffled husband of Lady Brenda (Kristen Scott-Thomas), elegant, aristocratic, and bored to death after seven years of country life. They have a cute six-year old son, John Andrew (Jackson Kyle), who seems to relate better to his nanny and riding instructor than to his parents, who are equally awkward with him. A young man called John Beaver (Rupert Graves) invites himself to stay, and Brenda, despite Beaver's vacuity, decides to have an affair with him, renting a small flat in Mayfair from Beaver's mother (Judi Dench) for the purpose.
Then an accident occurs which prompts Brenda to reveal her affair to Tony (almost everyone else in their circle knows of it already) and leave him. Tony, having met an explorer named Messinger, sets off with him to Guyana, South America, in search of a lost city, but the expedition falls apart and Tony is rescued by Todd (Alec Guinness), a part-white man living with the Indians. Todd wants someone to read him Dickens, and Tony finds himself a prisoner.
The re-creation of life at Hetton; mists over the park, the huge, overdecorated house (Carlton Towers, Yorkshire, is a perfect match for the fictional Hetton Abbey), the attentive servants, the elegant meals, house parties, Sunday morning at church, the ritual of foxhunting etc, is all beautifully done. We see why Brenda is bored (even if Anjelica Huston's character does drop in by plane), but it is not so easy to see why Brenda takes after Beaver. Jock (a wooden Pip Torrens), young MP, friend of the family and an old boyfriend of Brenda's, seems a much more likely choice, obsessed as he is with the politics of pig-farming. Kristen Scott-Thomas is fine in the role of Brenda but the script lets her down a little. As Tony, James Wilby projects just the right air of amiable, good-natured dimness. We feel sorry for him even as his unlikely fate assumes an air of inevitability. A youthful Rupert Graves gives us a callow and colourless Beaver, egged on by his ambitious mother.
The change of scene from England to Guyana is somewhat abrupt, though signalled in the script, and it's almost as if we are watching a different movie. This is not necessarily the filmmaker's fault as Waugh backed an earlier short story of his 'The Man Who Loved Dickens' into the first two-thirds of the novel, which is a kind of prequel to the short story. Yet the events of the whole novel bear close correspondence to Waugh's own experiences, his marriage break-up mentioned above, and a journalistic trip he made to Guyana as a kind of therapy. Unlike the unlucky Tony, Waugh returned from the jungle to tell this, and several other mordant tales.
Here the film-makers were not able to give visual expression to Waugh's mood. Perhaps different music might have helped the theme for 'Brideshead' was perfect. For the most part the actors were well-cast, but they were pinned down by the close adherence of the scriptwriters to the novel's dialogue.