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Directed by | |||
| Dwight H. Little | |||
Writing credits(WGA) | ||
| Danny Lipsius | (story) (as Dhani Lipsius) & | |
| Larry Rattner | (story) & | |
| Benjamin Ruffner | (story) and | |
| Alan B. McElroy | (story) | |
| Alan B. McElroy | (screenplay) | |
Produced by | |||
| Moustapha Akkad | .... | executive producer | |
| Paul Freeman | .... | producer | |
| Anthony Masi | .... | commentary producer | |
| Anthony Masi | .... | segment producer (bonus segments) | |
| M.N. Sanousi | .... | associate producer (as M. Sanousi) | |
Original Music by | |||
| Alan Howarth | |||
Cinematography by | |||
| Peter Lyons Collister | |||
Film Editing by | |||
| Curtiss Clayton | |||
Casting by | |||
| Paul Bengston | |||
| David Cohn | |||
Art Direction by | |||
| Roger Crandall | (as Roger S. Crandall) | ||
Set Decoration by | |||
| Nickle Lauritzen | |||
Costume Design by | |||
| Rosalie Wallace | |||
Makeup Department | |||
| Ken Horn | .... | makeup technician | |
| Diane F. Memmott | .... | hair stylist (as Diane Memmott) | |
| Susan Reyes | .... | makeup artist | |
| Wayne Toth | .... | special makeup effects artist | |
Production Management | |||
| S. Michael Formica | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jerry Fleck | .... | second assistant director | |
| Denis L. Stewart | .... | first assistant director (as Denis Stewart) | |
Art Department | |||
| Tom Altobello | .... | third props | |
| Gary Bodily | .... | carpenter | |
| Les Boothe | .... | lead man | |
| Wendy K. Fischer | .... | lead man | |
| Matt Golden | .... | production illustrator | |
| Craig Graham | .... | lead man | |
| Jeff Jones | .... | carpenter | |
| Paul La Chance | .... | carpenter | |
| Scott MacCaughern | .... | assistant props | |
| Richard W. Meyer | .... | construction coordinator (as Richard Meyer) | |
| Roy 'Bucky' Moore | .... | property master | |
| Bruce Wing | .... | lead man | |
Sound Department | |||
| Barbara Barnaby | .... | foley editor | |
| David Bartholomew | .... | assistant sound editor | |
| Don Crosby | .... | sound editor | |
| Flash Deros | .... | boom operator | |
| Martin Dreffke | .... | sound editor | |
| Charles Grenzbach | .... | sound recording mixer (as Charles 'Bud' Grenzbach) | |
| Greg Jacobs | .... | adr editor | |
| John Lawson | .... | stereo sound consultant: Ultra Stereo | |
| Mark Hopkins McNabb | .... | sound mixer (as Mark McNabb) | |
| Anthony Milch | .... | supervising sound editor (as Anthony R. Milch) | |
| Richard D. Rogers | .... | sound recording mixer | |
| John Wilkinson | .... | sound recording mixer (as John 'Doc' Wilkinson) | |
Special Effects by | |||
| John Carl Buechler | .... | special effects makeup designer (as John Buechler) | |
| John Carl Buechler | .... | special effects makeup supervisor (as John Buechler) | |
| Michael Deak | .... | on-set effects supervisor | |
| Larry Fioritto | .... | special effects coordinator | |
| John Foster | .... | special effects production manager | |
| Robert Phillips | .... | special effects assistant (as Bob Phillips) | |
| Patrick Simmons | .... | special effects technician | |
| Tom Tallon | .... | special effects department | |
| Wayne Toth | .... | special effects | |
| George Zamora | .... | special effects assistant | |
Stunts | |||
| Carl Ciarfalio | .... | stunts | |
| Laura Dash | .... | stunt double: Danielle Harris | |
| Debbie Evans | .... | driving stunt double: Ellie Cornell | |
| Kent Hays | .... | stunts | |
| Lane Leavitt | .... | stunts | |
| Fred Lerner | .... | stunt coordinator | |
| Fred Lerner | .... | stunts | |
| Bob Miles | .... | stunts | |
| Tom Morga | .... | stunts | |
| Patricia M. Peters | .... | stunt double: Ellie Cornell | |
| Fenton Quinn | .... | stunts (as Fenton G. Quinn) | |
| George P. Wilbur | .... | stunts | |
| Doug Coleman | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Paul C. Babin | .... | camera operator (as Paul Babin) | |
| Alan Caso | .... | steadicam operator | |
| Bryan Clifton | .... | dolly grip | |
| Harry Conklin | .... | dolly grip | |
| Harry Conklin | .... | utility grip | |
| John Connell | .... | first assistant camera | |
| Rhett E. Fernsten | .... | best boy (as Rhett Fernsten) | |
| Jason Fife | .... | best boy | |
| Julie Fife | .... | electrician | |
| Steve John Grnya Jr. | .... | grip | |
| David R. Kohn | .... | electrician (as David Kohn) | |
| Chuck La Rocca | .... | key grip | |
| Alan Oakes | .... | grip | |
| Henning Schellerup | .... | electrician | |
| Garlan Wilde | .... | gaffer | |
| Sharon Wilson | .... | second assistant camera | |
Casting Department | |||
| Deedee Bradley | .... | casting associate | |
| Terri Pappas | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lawane Cole | .... | second assistant wardrobe | |
| Marian 'Betsy' Russell | .... | wardrobe | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Carla Christina Formica | .... | second assistant editor | |
| Greg Hayden | .... | second assistant editor | |
| David R. Jenkins | .... | apprentice editor | |
| Caroline Ross | .... | assistant editor | |
| David Block | .... | colorist (uncredited) | |
Music Department | |||
| John Carpenter | .... | composer: theme "Halloween" | |
Transportation Department | |||
| Michael 'Crash' Anderson | .... | driver (as Mike Anderson) | |
| John R. Baumer | .... | driver | |
| Peter Daniels | .... | driver | |
| Mickey Guinn | .... | driver | |
| Tam Halling | .... | transportation coordinator | |
| Chava Monjaraz | .... | driver | |
| Daniel Phillips | .... | transportation captain | |
| Chris Reiter | .... | transportation co-captain | |
| David Shaffer | .... | driver | |
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| Halloween 5 | Halloween II | Halloween | The Phantom of the Opera | Scream |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
. . . considering Halloween 4 came some eight years after the previous Myers-inclusive Halloween, considering Carpenter had even less influence, considering the plot took a slightly different direction, considering most other franchises really suck before they even get to 3 sequels.
The problem I have with most horror sequels is the fact it switches over to new characters every film, and none of the characters really get much sympathy. I dunno if I ever cared about anyone in Friday the 13th. But in the Halloweens (1,2,4,and 5), they've always taken the time to get to know the main characters first and stick with them for at least one sequel. Also in Halloween, we had a staple character besides Myers - Donald Pleasence - who returned to battle Myers every time until his untimely death.
I really liked the Jamie Lloyd character (I mean, getting decent actors in horror is difficult enough, but getting a good child actor in horror? Look at Child's Play! We struck gold with Danielle), her storyline, and the rest of the new characters for Michael to stalk. Oh yes, and of course, Donald Pleasence.
Alan Howarth parts with Carpenter, and takes the score solo, playing some fun twists to the main Halloween and the stalking theme, giving Jamie a theme appropriately derivative of Laurie's theme and intermingling all the themes in various places for an original sound with music that's been with us for 2 movies now.
Hopefully the viewer won't remember the end of Halloween 2 well enough to recall Laurie shooting Michael's eyes out, and him stumbling around slicing blindly as blood ran down his mask--wait, this is horror, everyone's accustomed to inconsistency with horror. Nevermind. Besides, compared to the plot holes of Curse of Michael Myers and then H20 neglecting Halloween 4 & 5, who cares about that minor detail.
Despite the new look, new characters, new tweaks, Halloween 4 can't escape the fact that it is a sequel slasher and so despite everything that's new (that works) . . . it's all the same. That's where my problem with the film lay, and that's why I can't rank this up there with some of my favorite horror films of all time. It's a good Halloween sequel, but there are better, more original films, within this series and especially in other series. Oh well.