Six years after Michael Myers last terrorized Haddonfield, he returns there in pursuit of his niece, Jamie Lloyd, who has escaped with her newborn child, for which Michael and a mysterious cult have sinister plans.
Three years after he last terrorized his sister, Michael Myers confronts her again, before traveling to Haddonfield to deal with the cast and crew of a reality show which is being broadcast from his old home.
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
It's October 30, 1988 and Michael Myers has been in a coma since his pursuit of Laurie Strode, 10 years ago, was finally stopped (events of H1 and H2). However when he is transfered from Richmond Mental Institute to Smith's Grove he awakes when he hears that he has a niece in Haddonfield and after killing the transfer crew he escapes. In Haddonfield, the niece, Jamie, has been adopted by the Carruthers family but keeps having nightmares about Michael (but she doesn't know who he is). On Halloween night, Jamie goes out trick and treating, little knowing that her murdering Uncle is following her and her step-sister Rachel. Rushing to her aid is Dr. Loomis and with the help of Sheriff Meeker starts to search the town for Michael and to find Jamie to protect her. But can anything stop Michael this time? Written by
Lee Horton <Leeh@tcp.co.uk>
Ten years ago, on the night of October 31st, a small Midwestern town fell victim to an escaped killer. Under the cover of darkness, he carried out the most horrifying mass murder on record. Sixteen people, in cold blood! Ever since that night, no one has forgotten his name... and Halloween has never been the same. Now, Michael Myers has come home. He has returned for one more night of unholy TERROR! See more »
Not considered canon (Didn't actually happen) in the Halloween film series along with Halloween 5 (1989) and Halloween 6 (1995). See more »
(at around 45 mins) After the power goes out, Jamie is on the sidewalk and hears Rachel calling for her. In the background, you can see tulips getting ready to bloom. Filming was obviously done in the spring rather than the fall. See more »
We have to get out of Haddonfield. The state police are on their way. Let them handle it.
I don't know about you, Earl, but that makes sense to me. Let's get the hell out!
We've got a police station. Let the troopers have him. That's what they get paid for.
Screw it. Let's get out of here.
See more »
. . . considering Halloween 4 came some eight years after the previous Myers-inclusive Halloween, considering Carpenter had even less influence, considering the plot took a slightly different direction, considering most other franchises really suck before they even get to 3 sequels.
The problem I have with most horror sequels is the fact it switches over to new characters every film, and none of the characters really get much sympathy. I dunno if I ever cared about anyone in Friday the 13th. But in the Halloweens (1,2,4,and 5), they've always taken the time to get to know the main characters first and stick with them for at least one sequel. Also in Halloween, we had a staple character besides Myers - Donald Pleasence - who returned to battle Myers every time until his untimely death.
I really liked the Jamie Lloyd character (I mean, getting decent actors in horror is difficult enough, but getting a good child actor in horror? Look at Child's Play! We struck gold with Danielle), her storyline, and the rest of the new characters for Michael to stalk. Oh yes, and of course, Donald Pleasence.
Alan Howarth parts with Carpenter, and takes the score solo, playing some fun twists to the main Halloween and the stalking theme, giving Jamie a theme appropriately derivative of Laurie's theme and intermingling all the themes in various places for an original sound with music that's been with us for 2 movies now.
Hopefully the viewer won't remember the end of Halloween 2 well enough to recall Laurie shooting Michael's eyes out, and him stumbling around slicing blindly as blood ran down his mask--wait, this is horror, everyone's accustomed to inconsistency with horror. Nevermind. Besides, compared to the plot holes of Curse of Michael Myers and then H20 neglecting Halloween 4 & 5, who cares about that minor detail.
Despite the new look, new characters, new tweaks, Halloween 4 can't escape the fact that it is a sequel slasher and so despite everything that's new (that works) . . . it's all the same. That's where my problem with the film lay, and that's why I can't rank this up there with some of my favorite horror films of all time. It's a good Halloween sequel, but there are better, more original films, within this series and especially in other series. Oh well.
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