A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
An uptight New York tax lawyer gets his life turned upside down, all in a single day, when he's asked to escort a feisty and free-spirited female ex-convict whom asks him to help prove her innocence of her crime.
The pathetically shy LV lives the life of a recluse listening to her late father's old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to ... See full summary »
Janey is new in town, and soon meets Lynne, who shares her passion for dancing in general, and "Dance TV" in particular. When a competition is announced to find a new Dance TV regular ... See full summary »
Sarah Jessica Parker,
A parody of Jane Austen's novel Emma, about Cher, a popular girl who spends her days playing matchmaker, helping friends with fashion choices, advising the new girl at school on a makeover, and looking for a boyfriend.
'Pleasantly Plump' teenager Tracy Turnblad achieves her dream of becoming a regular on the Corny Collins Dance Show. Now a teen hero, she starts using her fame to speak out for the causes she believes in, most of all integration. In doing so, she earns the wrath of the show's former star, Amber Von Tussle, as well as Amber's manipulative, pro-segregation parents. The rivalry comes to a head as Amber and Tracy vie for the title of Miss Auto Show 1963. Written by
Jean-Marc Rocher <email@example.com>
The role of Edna Turnblad was originally written for famed transsexual Christine Jorgensen. However, when the role of Tracy had to be rewritten, John Waters also rewrote the role of Edna in order to keep his friend and muse Divine in the production. See more »
When Toussaint McCall is singing, he's clearly lip-syncing the record that's being played as his words don't quite match the song being heard. See more »
Easily John Waters' best flick in terms of writing, direction, and mainstream appeal, it still has great little twisted touches like the rat Tracy kicks mid-makeout with her boyfriend, & her witchy rival's inevitable barf scene at the amusement park her bigoted parents (played by rock stars Sonny Bono and Debbie Harry) own. There's a strong undercurrent about race relations in 1962 Baltimore where the story is set, highlighted by Mrs Pingleton (Joanne Havrila)'s moronic descent into a black neighborhood to 'rescue' her daughter Penny from the arms of her black boyfriend Seaweed & be ridiculed by the residents. This is crosscut with the sheer exhilaration that Tracy & Penny are having dancing with their beaus in a black record shop down the street. Divine is hilarious as both Tracy's mom and the racist owner of the television station which hosts the Corny Collins 'American Bandstand' clone. And the music is fabulous early rock'n'roll, all Brill Building & pre-Motown soul stuff like Lesley Gore & Chubby Checker, with wonderful choreography throughout.
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