Harry Crumb is a bumbling and inept private investigator who is hired to solve the kidnapping of a young heiress which he's not expected to solve because his employer is the mastermind behind the kidnapping.
Big-hearted Chicago family man Chet has brought his family to a lakeside resort area, and although his wife and kids aren't quite as excited as he is, Chet has high hopes for the vacation. However, his optimism is sabotaged when his obnoxious brother-in-law Roman drops in unexpectedly, along with his snooty, strange family. Chet and his family try to stay open-minded, but they find it difficult to relax and enjoy themselves because of the constant annoyance of Roman's presence. Written by
William Agee <email@example.com>
When Chet starts to waterski Ben yells out, "Dad, let go of the rope!" Before he says that you can tell by the people in the background that the scene is being sped up. See more »
[Chet's brother-in-law Roman Craig and his family have arrived, unannounced, at the holiday resort]
What a gas! Chet's gonna shit a solid gold brick when he sees us, what a great surprise!
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Most of the end credits play over a montage of the cast dancing in Wally's bar. See more »
Having not seen this movie since I was about 8 I looked forward to a forgotten Candy/Aykroyd classic and a sharp script by John Hughes. As an adult though I was bitterly disappointed at how feeble and unimaginative this lame comedy is. It barely just manages to be a complete film and comes across as a haphazard collection of possible scenes from an abandoned Griswald Vacaction movie squished together in no real order.
John Candy is an earnest, bigger than life dad who takes his wife and two sons into the wilderness for a fun time in a log cabin. When they get there they are promptly interrupted by pompous brother-in-law Dan Aykroyd (in a reverse Cousin Eddie role) who imposes himself into every situation with his arrogant demeanor. There's no conflict. It's a set-up that barely develops and barely resolves.
Meanwhile a bunch of side gags occur and some extremely poor slapstick scenes make up the majority of the running time. A teen romance plot is shoehorned in there but has no real effect on anything (but I don't mind as it features jail-bait Lucy Deakins who is super cute). Absolutely none of this appears to be in any pre-planned order. Characters warp across the place, switch outfits, warp back, and switch to previous outfits. No scene relates to another and nothing properly interconnects.
Some shots appear to be sped up and a couple of smaller scenes are obviously shot in a soundstage (complete with interior echo and noticeable folds in the painted backdrop) instead of actually on location. It makes me think that they realized the movie was under- running when thrown together and re-shot some extra crap to make it longer. An eyeball-rolling "karaoke credits" (were these EVER popular with audiences?) fattens the length to an acceptable 85 minutes before the credits run over black.
Forget about this one. It's a misfire from all the talent involved. Your nostalgia for this flick will not hold up.
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