5.9/10
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The Good Mother (1988)

A divorced mother may lose custody of her young daughter to her ex-husband after he learns that the little girl crawled into bed with the mother and her boyfriend.

Director:

Writers:

(screenplay), (based upon the novel by)
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Cast

Cast overview, first billed only:
...
Anna
...
Leo
...
Muth
...
Grandfather
...
Grandmother
...
Brian
Asia Vieira ...
Molly
...
Frank Williams
...
Ursula
Margaret Bard ...
Aunt Rain
Nancy Beatty ...
Anna's Mother
Barry Belchamber ...
Anna's Father
Mairon Bennett ...
Young Anna
...
Young Bobby
Scott Brunt ...
Eric
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Storyline

A divorced mother may lose custody of her young daughter to her ex-husband after he learns that the little girl crawled into bed with the mother and her boyfriend.

Plot Summary | Plot Synopsis

Taglines:

Can a court determine how we should live, how we should love, how we should raise our children? Now Anna must prove that she is the Good Mother.

Genres:

Drama | Romance

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

4 November 1988 (USA)  »

Also Known As:

El precio de una pasión  »

Filming Locations:

 »

Box Office

Budget:

$14,000,000 (estimated)

Gross:

$4,764,606 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Actress Asia Vieira, who plays Molly in the film, has the real life middle name Molly. See more »

Connections

Referenced in Biography: Leonard Nimoy: Spock and Beyond (1996) See more »

Soundtracks

Up Tight (Everything's Alright)
Written by Henry Cosby, Stevie Wonder & Sylvia Moy
Performed by Jackie Wilson
Courtesy of Brunswick Records
See more »

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User Reviews

 
Not a good vehicle for Keaton...
22 May 2007 | by (las vegas, nv) – See all my reviews

Dreary, rather annoying film-adaptation of Sue Miller's book (directed by Leonard Nimoy!) has Diane Keaton in one of her weakest roles as a single mother sued for custody of her child by her ex-husband. Seems mom's new Bohemian boyfriend (Liam Neeson) is a bad influence, and after Keaton's little girl sees Neeson undressed and begins asking grown-up questions about sex, any viewer might understandably side with the ex (who is made to be the villain of the piece). Beginning with a puzzling prologue which hopes to show the different ways in which we view sexuality, Nimoy's take on this material is just confounding. Keaton never really develops a character, and I presume we're supposed to empathize with her simply because she's lovable Diane Keaton. Aside from some OK technical merits, the film is muddled beyond repair. * from ****


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