| Photos (see all 9 | slideshow) |
Directed by | |||
| John Carl Buechler | |||
Writing credits(in alphabetical order) | ||
| Manuel Fidello | writer | |
| Daryl Haney | writer | |
| Victor Miller | characters (uncredited) | |
Produced by | |||
| Iain Paterson | .... | producer | |
| Barbara Sachs | .... | associate producer | |
| Frank Mancuso Jr. | .... | executive producer (uncredited) | |
Original Music by | |||
| Harry Manfredini | |||
| Fred Mollin | |||
Cinematography by | |||
| Paul Elliott | |||
Film Editing by | |||
| Maureen O'Connell | |||
| Martin Jay Sadoff | |||
| Barry Zetlin | |||
Casting by | |||
| Anthony Barnao | |||
Production Design by | |||
| Richard Lawrence | |||
Set Decoration by | |||
| Woody Crocker | |||
Costume Design by | |||
| Jacqueline Johnson | |||
Makeup Department | |||
| Maria Lupe de Caesar | .... | assistant hair stylist | |
| Maria Lupe de Caesar | .... | assistant makeup artist | |
| Jerrie Werkman | .... | hair stylist | |
| Jerrie Werkman | .... | makeup artist | |
| Kathleen Karridene | .... | makeup artist (uncredited) | |
Production Management | |||
| Rebecca Greeley | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Todd Amateau | .... | second assistant director | |
| Francis R. Mahoney III | .... | first assistant director (as Francis R. 'Sam' Mahoney) | |
Art Department | |||
| James Biggs | .... | construction coordinator (as James Beggs) | |
| Jaime Bird | .... | construction coordinator | |
| Gene Bishop | .... | swing gang | |
| Larry Clark | .... | paint foreman | |
| Francis N. 'Lucky' Costello | .... | construction painter (as Frank Costello) | |
| Albert Cummings | .... | assistant set decorator | |
| César Díez Álava | .... | prop man (as Cesar Alava) | |
| Les Godwin | .... | swing gang | |
| Batia Grafka | .... | property master | |
| Mark Haskins | .... | set dresser (as Mark C. Haskins) | |
| Bart Hilliker | .... | swing gang (as Barton Hilliker) | |
| Sylvia Lawrence | .... | swing gang | |
| John Philpotts | .... | lead man | |
| Terry Tubbs | .... | assistant set decorator | |
Sound Department | |||
| Joel Berkovitz | .... | foley editor | |
| Gail Brodin | .... | boom operator (as Gail Dalton Brodin) | |
| Jan Brodin | .... | sound mixer | |
| Dane A. Davis | .... | supervising sound editor (as Dane Davis) | |
| Holly Davis | .... | sound effects editor | |
| Lisa Davis | .... | assistant sound editor | |
| Scott Ganary | .... | adr mixer | |
| Scott Ganary | .... | foley mixer | |
| Gary Gegan | .... | adr mixer | |
| Gary Gegan | .... | foley mixer | |
| Cynthia Haagens | .... | adr editor | |
| Wayne Heitman | .... | sound re-recording mixer | |
| Jon Hussein | .... | adr recordist | |
| Jon Hussein | .... | foley recordist | |
| Greg Jacobs | .... | dialogue editor | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Kini Kay | .... | sound effects editor | |
| Val Kuklowsky | .... | sound effects editor | |
| Mark 'Frito' Long | .... | sound recordist | |
| Matt Patterson | .... | adr recordist | |
| Matt Patterson | .... | foley recordist | |
| Joan Rowe | .... | foley walker | |
| Christopher Sheldon | .... | supervising sound editor | |
| Jerry Trent | .... | foley walker | |
| Paul M. Wagner | .... | assistant sound editor (as Paul Wagner) | |
Special Effects by | |||
| Ponina Ben-Daniel | .... | production secretary: special makeup effects unit | |
| John Carl Buechler | .... | line producer: special makeup effects unit | |
| Lynn Buechler | .... | production controller: special makeup effects unit | |
| Lou Carlucci | .... | mechanical effects coordinator: Image Engineering, Inc. | |
| John Criswell | .... | animatronics: special makeup effects unit | |
| Lenny Dalrymple | .... | technician: special mechanical effects unit | |
| Robin L. D'Arcy | .... | coordinator: special mechanical effects unit (as Robin D'Arcy) | |
| Michael Deak | .... | location supervisor: special makeup effects unit (as Michael S. Deak) | |
| Jim Doyle | .... | lead mechanical designer: special mechanical effects unit | |
| Eric Dressor | .... | technician: special mechanical effects unit | |
| Loraina Drucker | .... | location crew: special makeup effects unit | |
| David Fletcher | .... | lead technician: special mechanical effects unit | |
| John Foster | .... | production manager: special makeup effects unit | |
| John Frassrand | .... | location crew: special makeup effects unit | |
| Karin Hanson | .... | wigs: special makeup effects unit | |
| Mecki Heussen | .... | laboratory technician: special makeup effects unit | |
| Cary Howe | .... | fabrication supervisor: special makeup effects unit | |
| Cary Howe | .... | location supervisor: special makeup effects unit | |
| Sheila Jackson | .... | laboratory technician: special makeup effects unit | |
| Greg Johnson | .... | laboratory technician: special makeup effects unit | |
| Greg Johnson | .... | location supervisor: special makeup effects unit | |
| David Kindlon | .... | animatronics: special makeup effects unit (as Dave Kindlen) | |
| Jim Kundig | .... | assistant: special mechanical effects unit | |
| Joe Lombardi | .... | pyrotechnical consultant: special mechanical effects unit | |
| Jennifer Martin | .... | laboratory technician: special makeup effects unit | |
| Joe Podnar | .... | laboratory technician: special makeup effects unit | |
| Scott Prescott | .... | technician: special mechanical effects unit | |
| Timothy Ralston | .... | laboratory technician: special makeup effects unit (as Tim Ralston) | |
| Patrick Simmons | .... | laboratory technician: special makeup effects unit | |
| Richard Snell | .... | contact lens: special makeup effects unit | |
| Heidi Snyder | .... | laboratory technician: special makeup effects unit | |
| Heidi Synder | .... | laboratory technician: special makeup effects unit | |
| Martin Becker | .... | special effects supervisor: Magical Media Industries Inc. (uncredited) | |
| Barbara Anne Bock | .... | special effects assistant (uncredited) | |
| Richard Miranda | .... | special effects assistant (uncredited) | |
| AJ Workman | .... | special effects design: MMI, John Carl Buechler (uncredited) | |
Stunts | |||
| Bob Bragg | .... | stunts (as Bobby Bragg) | |
| Karen Garrett | .... | stunts | |
| Kane Hodder | .... | stunt coordinator | |
| Steve Hulin | .... | stunts | |
| Tracy Hutchinson | .... | stunts | |
| Tod Keller | .... | stunts | |
| Maria R. Kelly | .... | stunts (as Maria Kelly) | |
| Jean Malahni | .... | stunts (as Jeannie Malahni) | |
| Alan Marcus | .... | stunts | |
| Paula Marie Moody | .... | stunts | |
| Paul E. Short | .... | stunts (as Paul Short) | |
| John Sistrunk | .... | stunts | |
Casting Department | |||
| Maria Gafney | .... | location casting | |
Costume and Wardrobe Department | |||
| Donna Barrish | .... | key costumer | |
| Marcy Craig | .... | wardrobe supervisor | |
| Debra L. Wright | .... | wardrobe supervisor | |
Editorial Department | |||
| Lori Ball | .... | assistant editor | |
| Lauri Brown | .... | assistant editor | |
| Marcy Stoeven | .... | assistant editor | |
Music Department | |||
| Christopher Kennedy | .... | music supervisor | |
| Jeff Wolpert | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Ella St. John Blakey | .... | transportation captain: Los Angeles (as Ella Blakey) | |
| Marvin Dials | .... | driver | |
| Pam Hart | .... | driver | |
| Kim Larsen | .... | driver | |
| Michael Locke | .... | driver | |
| Tony Mercier | .... | transportation coordinator | |
| Janice Phelps | .... | driver | |
| Arthur Smith | .... | driver | |
| Shelba Travis | .... | transportation captain: Alabama | |
| Dave Walden Jr. | .... | driver: honeywagon (as David Walden Jr.) | |
| David Walden Sr. | .... | driver: honeywagon | |
| Tim Wright | .... | driver | |
| Troy Flynn | .... | transportation (uncredited) | |
Thanks | |||
| Victoria Barney | .... | special thanks | |
| Lynn Booth | .... | special thanks | |
| Leslie Buzbee | .... | special thanks | |
| Bob Gray | .... | special thanks | |
| Charles Rawls | .... | special thanks | |
| Gerald Redmon | .... | special thanks | |
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| Freddy vs. Jason | Friday the 13th: The Final Chapter | Friday the 13th Part 2 | Friday the 13th: A New Beginning | Friday the 13th |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
Friday the 13th Part VII: The New Blood is more of the same to be honest. It adds original ideas to it and throws in a bit more plot structure, but underneath all of that new material is basically the same old Friday the 13th material. Not necessarily a bad thing in this case, because the acting is very good in this instalment. However the Jason formula does hit rock bottom. The thrills, chills and scares are the same old same old. Victim hears a noise, hunts about, then Jason jumps out on them, and they meet their demise. Now, this is the whole trait of the Jason Voorhees franchise, but it can get a little tedious and boring when they play this the whole way through the movie. Gore wise there is a decapitation, a party horn shoved into a head, an axe to the face, which happens twice, a drowning, a hand thrust through a chest, a body thrown out a window and the fantastic scene where Jason whacks somebody in a sleeping bag against a tree. The soundtrack is more tense and chilling in this sequel which is a benefit to the weaker points of the movie. The characters are very clichéd; the spoilt bitchy girl, the ugly girl who wants to be beautiful and popular, etc. These personalities make you want the characters to die. However Maddy, the ugly-turned-beauty girl was one of the few characters I enjoyed watching on screen, and truly felt sorry for. It really seems that popularity and good looks do, indeed, kill. Anyway, the introduction of a telekinetic girl to battle Jason was a bit of a twist. It half works and half doesn't, to be fair. It just doesn't seem to be very appealing, the fact that this girl, Tina, has her telekinetic powers yet takes forever to get rid of Jason. It was also her powers which summoned him up from the lake. So Jason hacks his way through a cabinful of partying teens, celebrating a birthday. The usual stalk-and-slash ensues, and the battle between the heroine then follows. Why is it never a male who has the final battling climax? Anyway as you can see, apart from the obvious additions to distract you from the fact that this is more of the same, Friday the 13th Part VII: The New Blood delivers the usual gruesome goods and gratuitous nudity which makes the series so appealing, and is therefore worth checking out.