Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Still haunted by his past, Tommy Jarvis - who, as a child, killed Jason Voorhees - wonders if the serial killer is connected to a series of brutal murders occurring in and around the secluded halfway house where he now lives.
Lying dormant at the bottom of Camp Crystal Lake, Jason Voorhees is released from his watery grave by a telekinetic girl. And so the killing begins again. Can she use her powers to stop Jason, or is he back for good? Written by
Michael Silva <email@example.com>
Friday the 13th Part VI came out in August of 1986. Paramount then spent the early part of 1987 negotiating with New Line. Once that failed, Haney was hired to write the screenplay in June, but his initial draft was trashed sometime in the fall. John Carl Buechler was hired as director in November meaning they didn't begin pre-production until December. So, they had to prep, cast, shoot, edit, and score the film in the span of about five months to make their May 13, 1988 release date. Even by Friday the 13th standards, that was pushing it pretty close. See more »
When Tina finds her mother's body in the woods, there's a close-up of Mrs. Shepard's face. At that moment, you can see someone's foot enter the frame at the top-left. It's either a crew member, or Jason was supposed to enter the scene. See more »
[having sex in their van]
What was that?
What was what?
God, it's probably Michael.
Oh, what timing.
[van continues to shake]
Okay, okay buddy, you hear us in here; stop shaking the van!
Quick, grab a balloon.
Yeah, right! Happy fucking Birthday!
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Friday the 13th Part VII: The New Blood is more of the same to be honest. It adds original ideas to it and throws in a bit more plot structure, but underneath all of that new material is basically the same old Friday the 13th material. Not necessarily a bad thing in this case, because the acting is very good in this instalment. However the Jason formula does hit rock bottom. The thrills, chills and scares are the same old same old. Victim hears a noise, hunts about, then Jason jumps out on them, and they meet their demise. Now, this is the whole trait of the Jason Voorhees franchise, but it can get a little tedious and boring when they play this the whole way through the movie. Gore wise there is a decapitation, a party horn shoved into a head, an axe to the face, which happens twice, a drowning, a hand thrust through a chest, a body thrown out a window and the fantastic scene where Jason whacks somebody in a sleeping bag against a tree. The soundtrack is more tense and chilling in this sequel which is a benefit to the weaker points of the movie. The characters are very clichéd; the spoilt bitchy girl, the ugly girl who wants to be beautiful and popular, etc. These personalities make you want the characters to die. However Maddy, the ugly-turned-beauty girl was one of the few characters I enjoyed watching on screen, and truly felt sorry for. It really seems that popularity and good looks do, indeed, kill. Anyway, the introduction of a telekinetic girl to battle Jason was a bit of a twist. It half works and half doesn't, to be fair. It just doesn't seem to be very appealing, the fact that this girl, Tina, has her telekinetic powers yet takes forever to get rid of Jason. It was also her powers which summoned him up from the lake. So Jason hacks his way through a cabinful of partying teens, celebrating a birthday. The usual stalk-and-slash ensues, and the battle between the heroine then follows. Why is it never a male who has the final battling climax? Anyway as you can see, apart from the obvious additions to distract you from the fact that this is more of the same, Friday the 13th Part VII: The New Blood delivers the usual gruesome goods and gratuitous nudity which makes the series so appealing, and is therefore worth checking out.
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