British actress Naomie Harris has been nominated for an Oscar for her role as a crack-addicted mother in the 2016 indie drama Moonlight. "No Small Parts" takes a look at some other roles she's played in her career.
Carolyn Polhemus, an up-and-comer in the Kindle County D.A.'s Office, is found viciously murdered in her home. Immediately her boss, D.A. Raymond Horgan and his chief deputy, Rusty Sabich ... See full summary »
British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's ... See full summary »
Kristin Scott Thomas,
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build a utopia in the middle of the jungle. Conflicts with his family, a local preacher and ... See full summary »
A doctor and his wife go to Paris for a medical conference. While showering, his wife disappears. His lack of language, and the odd way she disappeared makes it nearly impossible for him to find any official help in his search as he enters the punk/drug culture to find out what has happened to her. Written by
John Vogel <email@example.com>
Witold Sobocinski: the Polish cinematographer makes a brief cameo in the early bar scene where Harrison Ford is asking about his wife (23rd minute). Sobocinski sits to the far right of the frame. See more »
The match from the matchbook sounds like a wooden match when it falls after Dr. Walker checks his watch with it. See more »
Frantic is a movie that bears, like Hitchock's films, repeated viewing. At first sight it might appear a Hollywood thriller of the genre that has been too prevalent lately with violence, thrills and miracle rescues. This film is much more than that. The scene where the wife tries to speak to her showering husband and he can't hear, has ominous suggestion, and echoes Hitchcock's 'silent exposition' scenes form Torn Curtain and Rear Window. It is not a copy, because Polanski has taken the idea and made it fit an entirely new scenario. The humour flits along with the tension. The scene where the husband is kicked to the ground wearing nothing but a teddy bear is a welcome relief, and the scene on the roof, like the unlikely teaser in Vertigo stands up well, despite having been imitated so many times by so many other directors. Frantic has many moments of honest acting that could almost count as cinema verite moments. At the end of the film, these moments and characters stay with you. You have been emotionally challenged. If Hitchcock had lived into the 1980s and been given this script, he would probably have done the film in a way not altogether dissimilar. A triumph for 1980s Hollywood. -Phil Kafcaloudes
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