Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Sexy American diamonds lover Wanda and her boyfriend Otto are in England to plot alongside George and Ken the robbery of a diamond collection. Wanda and Otto want the stolen diamonds for themselves, and inform the police about George not knowing that he has already moved the diamonds to another secret place. Wanda thinks the best way to find out is by getting close to George's lawyer - Archie Leach. Written by
Sami Al-Taher <email@example.com>
When Otto shoots at Ken in the steam roller a central support bar for the steam roller's canopy blocks the shot from hitting Ken. Then when subsequent images of the steam roller are shown there is no central support bar. See more »
Your father has finally gone completely mental!
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At the very end of the closing credits is the word FIN -- which is how French films say THE END, but in English a "fin" is a part of a fish. See more »
'The Fish Called Wanda' and 'Some Like It Hot' are the two best comedies that I have ever seen. They're both very unique films and represent one complete story and manage at same to be devastatingly funny films. They don't need sequels because they are both 'perfect' in their own right. I have seen these films so many times but they always surprise me again and again when I find out how good they are.
'The Fish Called Wanda' is not only well made but also happens to be funny. I call this movie 'the best', which may sound ironical, because Cleese and Palin have even been more funny as Pythons. Also ironical is that Jamie Lee Curtis says only one joke (Aristotle was not...) in the whole film. Kevin Kline is hysterically funny without one-liners and slap-sticks. It is the overall situation that makes the film complete. This is to say, that the film is not at all stuck up with gags but has absolutely right timing for every event. This feature makes the film even better than anything what Monty Python and the Marx Brothers have done. Or at least reaches the same level with them. This film proves that a movie can kill you in laughter using only everyday realism.
A Masterpiece from John Cleese, who proves here that he can be funny even without Pythonity. He actually did the same with 'Fawlty Towers', but as a single film is this the very best. It just works.
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