This is the story of rival "Firms" of football supporters, and how one man has a wish to team them up for the European Championships of 1988. However, when this is discussed, the opposing ... See full summary »

Director:

Writer:

(as Al Hunter)
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Cast

Episode cast overview, first billed only:
...
...
Sue
...
Yeti (as Philip Davis)
Andrew Wilde ...
Oboe
...
William Vanderpuye ...
Aitch
Jay Simpson ...
Patrick Murray ...
Nunk
...
Terry Sue-Patt ...
Yusef (as Terry Sue Patt)
...
Simon
Nicholas Hewetson ...
Beef
Steve McFadden ...
Billy
Steve Sweeney ...
J.T
Hepburn Graham ...
Stu
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Storyline

This is the story of rival "Firms" of football supporters, and how one man has a wish to team them up for the European Championships of 1988. However, when this is discussed, the opposing leaders are not happy, as they believe this is a challenge to their authority. This Film shows how football violence has progressed from pure violence to a form of organized crime, to the extent that all the leaders know each others home phone / mobile phone numbers. Written by Darren Alexander <Darren@lerman.ftech.co.uk>

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Genres:

Drama

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Details

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Release Date:

26 February 1989 (UK)  »

Filming Locations:

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Technical Specs

Runtime:

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Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Goofs

The BMW 3 Series vandalized at the service station changes from a 1982 E30 model to an older 1975 E21 model when attacked. See more »

Quotes

Bex Bissell: [shouts] I need the buzz!
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Connections

Remade as The Firm (2009) See more »

Soundtracks

Bexie
(uncredited)
sung to the tune of "Amazing Grace"
Traditional
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User Reviews

 
A fascinating document, but pretty much 'of its time'...
21 May 2004 | by (Oldham, Gtr Manchester, England.) – See all my reviews

... because the culture of 'hooliganism' has moved on since this was made. It certainly hasn't gone away, but the organisation of such things is tighter these days with the aid of technology like the Internet. Hopefully these developments will be addressed in upcoming fare like "The Football Factory".

So the 'values and ideals' shown in this film are different because it's a bygone age. Less materialism and more violence exists EVERYWHERE these days, so showing it creeping into suburbia isn't necessarily as shocking now as perhaps it was when viewed at the time. There are some nice performances here though from a wealth of British acting talent who went on to bigger things, and Oldman keeps you watching throughout as only he can; holding the screen with his intense passion. Disappointingly, though, the scenes which are most effective are often undercut by what follows, with the pace never quite finding itself even at a short 67mins. The ending can similarly be seen as a damp squib, but the one or two powerful moments in getting there make this a worthwhile experience for fans of some of the actors.


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