Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia falls pregnant, Jose Luis promises her that he will marry her, ... See full summary »
In childhood and youth, the three were "the inseparables." Luisa married Ángel, then two years later, she left him to marry Ramiro. After ten years, Ángel reappears, back from South America... See full summary »
19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger... See full summary »
Juan Diego Botto,
Marc Cros, an elderly sculptor, lives with his wife Lea in the south of France, safe from the War that rages in the distance. He seems to have reached the end of his life and of his art. ... See full summary »
This film concerns the Esquilache Riots, which took place in Madrid in March 1766.
Brought about mainly by a growing dissatisfaction among the populace of Spain's capital with the rising cost of bread and other staples, they were sparked off by a series of unpopular and impolitic measures affecting what clothes people might wear in public, enacted under the advise of the Marquis of Esquilache (in Italian: Squillacce) a Neapolitan whom King Charles III had made his Minister of Finance.
Charles III was Spain's chief exponent of what is called Eighteenth Century Enlightened Despotism. He brought public lighting and paving stones to Madrid. But measures tending to encourage a rational, modern, hygienic, peaceful mode of living were generally resented by the very conservative lower classes, under the influence, it was believed, of reactionary clerical elements, especially the Jesuits, who were said to oppose every attempt at modernisation. One of the results of the Esquilache riots was the eventual expulsion of the Jesuit order from Spain and her vast colonial Empire.
All these political and existential conflicts are made very clear in this beautifully produced and interesting semi-documentary, a model of what such films can be.
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