| Natalie Uher | ... | Emmanuelle | |
| Jean-René Gossart | ... | Dr. Simon | |
| Thomas Obermuller | ... | Benton (as Thomass Obermuller) | |
| Gustavo Rodríguez | ... | Tony Harrison (as Gustavo Rodriguez) | |
| François Guerrar | ... | Carlos (as Hassan Guerrar) | |
| Luis Carlos Mendes | ... | Morales | |
| Tamira | ... | Uma | |
| Dagmar Berger | |||
| Rania Raja | |||
| Edda Kopke | |||
| Ilena D'Arcy | |||
| Melissa | |||
| Virginie Constantin | |||
| Christele Merault | |||
| Edmund Soockermany | |||
| Tony Manzano | |||
| Alfredo Sandoval | |||
| Hans Schaffer | |||
| Ruben Malave | |||
| Alexis Mosquera | |||
| Sosimo Hernandez | (as Sosimo Hernandez 'Tatata') | ||
| Hamish Cranfield | |||
| Clive Bland | |||
| Santiago Pérez | (as Santiago Perez) | ||
| Andy Garcia | |||
| Catherine Wassmitt | |||
| Simy Benzoquen | |||
| Amami Mertinez | (as Amami Martinez) | ||
| Adriana León | (as Adriana Leon) | ||
| Doris Medina | |||
| Sammy Garcia | |||
| Yvette Dominguez | |||
| Luby Lefol | (as Luly Lefol) | ||
| Rhazmylle | |||
| Ximena Negrin | |||
| Mario Olave | |||
| P.J. Díaz | (as P.J. Diaz) | ||
| Samy Harronch | |||
| Manuel Boffil | |||
| Alvaro Romero | |||
| Augusto Cuatro | |||
| Jorge Piaggo | |||
| Antonio Rodríguez | (as Antonio Rodriguez) | ||
| rest of cast listed alphabetically: | |||
| Brigitte Belmondo | ... | (uncredited) | |
Directed by | |||
| Bruno Zincone | |||
| Jean Rollin | (uncredited) | ||
Writing credits | ||
| Emmanuelle Arsan | (from an idea by) | |
| Jean Rollin | (scenario) | |
| Jean Rollin | (adaptation) | |
Produced by | |||
| Roger Corman | .... | executive producer: US version | |
| George Korda | .... | associate producer | |
| Alain Siritzky | .... | delegate producer | |
Original Music by | |||
| Olivier Day | |||
Cinematography by | |||
| Serge Godet | |||
| Max Monteillet | |||
Film Editing by | |||
| Michel Crivellaro | |||
Production Design by | |||
| Jean-Baptiste Poirot | |||
Makeup Department | |||
| Isbelia Coro | .... | makeup artist | |
| Luisa Palacios | .... | hair stylist | |
| Eric Pierre | .... | key makeup artist | |
Production Management | |||
| José Berger | .... | production manager | |
| Catherine Loup | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Thierry Bazin | .... | second assistant director | |
| Catherine Herengt | .... | first assistant director | |
Art Department | |||
| Leopoldo Barbara | .... | property master | |
| María de las Casas | .... | assistant production designer | |
Sound Department | |||
| Veronique Barral | .... | sound | |
| Alain Contreault | .... | sound (as Alain Contrault) | |
| Edgar Diaz | .... | sound | |
| Henri Graff | .... | sound mixer | |
| Henri Humbert | .... | sound effects (as Henri Himbert) | |
| Antoine Rodet | .... | sound | |
Camera and Electrical Department | |||
| Argenis Acosta | .... | electrician: second unit | |
| Miguel Berzares | .... | gaffer: second unit | |
| Roger Bustamante | .... | camera operator | |
| Mouloud Lakrout | .... | gaffer | |
| Rachid Madaoui | .... | electrician (as Rachid Madaouit) | |
| Janior Marquina | .... | grip | |
| Francisco Prada | .... | camera operator | |
| José Rojas | .... | grip (as Jose Rojas) | |
| Teodulfo Rojas | .... | key grip | |
| Yves Thales | .... | camera operator (as Yves Thaler) | |
| Francisco Torres | .... | electrician: second unit | |
| Otto Weisser | .... | photographer: Brazil and Venezuela (as Otto R. Weisser) | |
Costume and Wardrobe Department | |||
| Sophie Maret | .... | head wardrobe mistress | |
| Rosa Muñoz | .... | assistant costumer (as Rosa Munoz) | |
| Marie-Esther Sanchez | .... | assistant costumer | |
| Angelo Tarlazzi | .... | costumes: Emmanuelle | |
Editorial Department | |||
| Corinne Harari | .... | assistant editor | |
Music Department | |||
| Philippe D'Aram | .... | music collaborator | |
| Richard Lornac | .... | music collaborator | |
| Daniel Margules | .... | musical consultant | |
Other crew | |||
| Denise Aimé | .... | production secretary (as Denise Aime) | |
| Hilda De Luca | .... | production administrator | |
| Danièle Desouches | .... | script supervisor (as Daniele Desouches) | |
| Paloma Fernandez | .... | assistant production administrator | |
| Simon Fleury | .... | assistant production administrator | |
| Marilyn Fresco-Corbu | .... | assistant production administrator | |
| François Guerrar | .... | press attache | |
| Manon Kubler | .... | assistant production administrator | |
| Bruno Leclercq | .... | press attache | |
Thanks | |||
| Alexandra | .... | thanks | |
| Jesus Alonso | .... | thanks | |
| Rudy Jungle | .... | thanks | |
| Clara Korda | .... | thanks | |
| Renée Simon | .... | thanks (as Renee Simon) | |
| Diana Toledano | .... | thanks: Producciones Tango Bravo | |
| Philippe Toledano | .... | thanks: Producciones Tango Bravo | |
| Anne Zincone | .... | thanks | |
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| Emmanuelle | Emmanuelle IV | Emmanuelle 5 | The Voyeur | Emmanuelle 3 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
Back in the seventies Sylvia Kristel was the queen of soft-porn with the original Emmanuelle being one of the biggest successes of all time...in Paris the film stood years on the bill of theatres. But two decades later things have changed...Kristel is grandma and other movies are so much more erotic that this sixth sequel is one of the most useless movies ever. The story : urrrmmm...Emmanuelle has been kidnapped and was sold as slave and through this trauma she forgot who she really was. Voilà, that's it and you can't add nothing more to that.... The actors : Nathalie Uher (Emmanuelle) is a beautiful woman but I really shouldn't come up with something else. The acting is at its baddest (the cast of Neighbours are all Robert De Niro's if you compare it with this disaster). Forget all those idiots who like it so much because it's bad. A B-movie??? My ass... And the erotic scenes? Phew, just watch the newest commercial from Fa and you see lots more. If all movies would have been like this, I am sure I would never watch it at any second. Why have I watched it then? Because of the thrill to slash it down...Nothing can be more crap than this!!!