Humberto Fuentes is a wealthy doctor whose wife has recently died. In spite of the advice of his children, he takes a trip to visit his former students who now work in impoverished villages... See full summary »
Dan Rivera González
Life in the small town of Grandview, Illinois is one that is just like any other city or town. Tim Pearson, soon to be graduating high school wants to go to Florida to study oceanography. ... See full summary »
Jamie Lee Curtis,
C. Thomas Howell,
City of Hope is a portrait of a typical middle-sized American city of the present day. The crux of the story is an old apartment block which stands in the way of a major commercial ... See full summary »
Tony Lo Bianco,
When unemployed dockworker Joey Coyle finds $1.2 million that fell off of an armored car, he decides to do the logical thing: take the money and run. After all, he says, finders keepers. He... See full summary »
The great Chicago White Sox team of 1919 is the saddest team to ever win a pennant. The team is bitter at their penny pincher owner, Charles Comiskey, and at their own teammates. Gamblers take advantage of this opportunity to offer some players money to throw the series. (Most of the players didn't get as much as promised.) But Buck Weaver and the great Shoeless Joe Jackson turn back at the last minute and try to play their best. The Sox actually almost come back from a 3-1 deficit. Two years later, the truth breaks out and the Sox are sued on multiple counts. They are found innocent by the jury but baseball commissioner Landis has other plans. The eight players are suspended for life, and Buck Weaver, for the rest of his life, tries to clear his name. Written by
Patrick Lynn <firstname.lastname@example.org>
In the final scene, Joe Jackson is playing for a minor league team in New Jersey in 1925. On the outfield wall there is an ad for Harry Kurkjian confections. He was a real merchant that worked in nearby Queens NY during the '20s and '30s. See more »
Many of the newspapers are shown with headlines set in the differing varieties of the Helvetica typeface. Helvetica was designed in 1957. See more »
Look at those hands, ladies. You should have been a pug, Chickie.
I did some fighting in my time. Once I was fighting a guy, my eyes were all bloody but I landed a lucky punch. The next thing I know I'm steppin' on something and it's the other guy's teeth. The referee raised my hand and someone shoved fifty bucks in my shorts. "What does he get?" I asked. The referee says, "From the looks of this jaw, a liquid diet for six weeks." Now what we should have done is held each other up for thirteen ...
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John Sayles is always, always honest with his audiences, never resorting to cheap tricks or unwarranted sentiment; and this period drama about the "Black Sox" scandal of 1919 may be his finest hour. Incredibly handsome and lavish-looking for a low-budget indie, it's a meticulous re-creation of the first huge scandal in American professional sports, and the beginning of the loss of innocence in pro baseball (and American popular culture by extension). If that makes it sound a bit dry, let it be said that the characterizations are vivid, the characters multilayered, the costumes gorgeous, and the staging of the baseball games unusually convincing. (Ever notice how movie stars can't really fake pro-athlete moves? Watch John Cusack charge an outfield fly, or Charlie Sheen slide into third--they had me convinced.) In a uniformly excellent cast, David Strathairn's morally tortured star pitcher is especially impressive, as is John Mahoney's manager, alternately loving and despising his players, his eroding trust etched on his expressive face. And what a wonderful touch having Studs Terkel play a cynical sportswriter: He's the essence of Chicago style.
Some of the facts of the story are necessarily simplified or omitted to keep the movie under two hours, but there's not a moment of dishonesty or "Field of Dreams"-type goo. By the time the kid is looking Joe Jackson in the eye and pleading, "Say it ain't so," you'll probably be sniffling.
A high-water mark in the career of a great, versatile, underappreciated moviemaker.
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