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Eight Men Out (1988)

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A dramatization of the Black Sox scandal when the underpaid Chicago White Sox accepted bribes to deliberately lose the 1919 World Series.

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(book), (screenplay)
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2 nominations. See more awards »

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Cast

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Fred McMullin
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Ray Schalk
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Storyline

The great Chicago White Sox team of 1919 is the saddest team to ever win a pennant. The team is bitter at their penny pincher owner, Charles Comiskey, and at their own teammates. Gamblers take advantage of this opportunity to offer some players money to throw the series. (Most of the players didn't get as much as promised.) But Buck Weaver and the great Shoeless Joe Jackson turn back at the last minute and try to play their best. The Sox actually almost come back from a 3-1 deficit. Two years later, the truth breaks out and the Sox are sued on multiple counts. They are found innocent by the jury but baseball commissioner Landis has other plans. The eight players are suspended for life, and Buck Weaver, for the rest of his life, tries to clear his name. Written by Patrick Lynn <pjustinl@worldnet.att.net>

Plot Summary | Plot Synopsis

Taglines:

1919. The year America saw major league baseball played a whole new way...underhanded. See more »

Genres:

Drama | History | Sport

Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

2 September 1988 (USA)  »

Also Known As:

Acht Mann und ein Skandal  »

Box Office

Budget:

$6,000,000 (estimated)

Gross:

$5,680,515 (USA)
 »

Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In an interview, Michael Rooker said he had a loud argument with the casting director because he was upset that John Sayles was not present at the audition. The casting director felt that he had the right attitude to play Chick Gandil. The producers didn't want to cast Rooker because he was an unknown. They decided to cast him after he sent the producers a clip of Henry: Portrait of a Serial Killer (1986). See more »

Goofs

Many newspaper headlines are in variations of the Helvetica typeface, designed in 1957. See more »

Quotes

Hired Killer: You're gonna lose tomorrow.
Lefty Williams: Oh, is that so?
Hired Killer: I know it for a fact. That your wife?
Lefty Williams: Yeah, what's it to you?
Hired Killer: You don't lose tomorrow, she dies.
Lefty Williams: Who sent you?
Hired Killer: You made a promise to certain people.
Lefty Williams: You son of a bitch!
Hired Killer: You can't protect her. If I don't do it, somebody else will. First inning, Mister Williams.
See more »

Crazy Credits

During the opening credits of the movie, they are done against a blue cloudy sky up, then to the right and down to the bottom. Despite the ensemble cast, the most well-known leading and character actors at the time were credited first in alphabetical order, then lesser known actors that had roles that were just as large or larger were credited in pairs of two. Example: John Cusack, Christopher Lloyd, and Charlie Sheen were credited first, due to their successes with The Sure Thing, Back to the Future, and Platoon, respectively, but in pairs, Michael Rooker, Kevin Tighe, and Richard Edson also had pivotal roles, but were lesser known. Charlie Sheen was already well-established, but had no more than a few minutes of screen time the entire movie, Christopher Lloyd and Richard Edson were always together playing gamblers, but Lloyd was a much more well-known actor and credited first. See more »

Connections

Spoofed in Married with Children: The Unnatural (1990) See more »

Soundtracks

It could happen to you
Music by Jimmy Van Heusen
Words by Johnny Burke
1944
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

When the world was corrupt.
6 July 2004 | by (Deming, New Mexico, USA) – See all my reviews

I especially enjoyed Studs Terkel and John Sayles as the two sportswriters, Fullerton and Lardner. They're very droll. They act as a kind of Greek chorus, making cynical wisecracks, keeping the audience clued in on what's supposed to be going on. As the White Sox play out yet another crooked game, Sayles said to Terkel, "Nothing but fast balls." "Nice, sloow ones," adds Terkel. It gets better. Terkel writes a column for the Chicago paper accusing gamblers of corrupting the game of baseball and Sayles is reading it aloud. "Writers are tainting the game," or something, says Sayles. "Keep reading," says Terkel. "The game would be better off without the long-nosed, thick-lipped Eastern element preying on our boys in the field." Terkels smiles around his cigar and says, "Makes you proud to be a sportswriter, doesn't it?"

The rest of the movie is pretty good too, although I sometimes get the characters and their motives a little mixed up. The baseball scenes are very well done. I say this, being no big fan of the sport myself. Charlie Sheen (a true aficionado) looks like he's heaving a heavy bat as he clunks out a hit, not a rubber prop. I admired too the way the series games swung back and forth as the players on the take tried to figure out if they were playing for the money or for themselves. It's tough to throw a game because part of one's self always wants to do what one does best -- in this case, play baseball well. The German ethologists call it "Funktionslust." In the end, despite some indecision, they do however lose.

The movie isn't kind to the gamblers or to the owners. Comisky was incredibly cheap and greedy. The script gives this as one of the reasons why the players agreed to throw the game. As Strathairn says when someone offers him a part payment, "I don't care about the money." He's throwing the games to foul up Comisky who has just denied him a promised bonus because Strathairn, playing the pitcher Cicotte, has only played 29 games instead of the 30 they'd agreed upon. Comisky has made him sit on the bench for the last few games so he wouldn't cross the bonus threshold. (Question: Given that Comisky cheated Cicotte of the contracted bonus, was Cicotte morally justified in throwing the games?)

The movie isn't nice to the gamblers either. Not only don't they pay off but they treat the players with contempt. Arnold Rothstein ("A.R.") treats EVERYBODY rudely. He never says hello when he enters a room, never says good-bye when leaving, and never smiles.

I kind of liked this. Sayles may not be a master but his films are always highly individualized. I cannot visualize him directing "Die Hard With A Sardonic Grin."


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