| Joan Plowright | ... | Nellie | |
| Billie Whitelaw | ... | Margo | |
| Pete Postlethwaite | ... | Jack (as Peter Postlethwaite) | |
| Jane Horrocks | ... | Rita | |
| Tim Ransom | ... | Wesley | |
| Pippa Hinchley | ... | Val | |
| Rosemary Martin | ... | Mrs. Manders | |
| Tony Haygarth | ... | Mr. Manders | |
| Michael James Reed | ... | Chuck (as Michael James-Reed) | |
| Sam Douglas | ... | Cpl. Zawadski | |
| Bert Parnaby | ... | Mr. Barnes | |
| Lorraine Ashbourne | ... | Factory Girl | |
| Mandy Walsh | ... | Factory Girl | |
| Margi Clarke | ... | Shopwoman | |
| Andrew Moorcroft | ... | Butcher's Boy | |
| Marie Jelliman | ... | Mrs. O'Toole | |
| Rita Howard | ... | Producer | |
| Pamela Austin | ... | Singer | |
| Gerry White | ... | Singer | |
| Dorothy Dearnley | ... | Pianist | |
| Anthony Benson | ... | Terrence | |
| Al T. Kossy | ... | Mr. Betts (as Al Kossy) | |
| Val Elliott | ... | Secretary | |
| Mandy Humphrey | ... | Party Guest | |
| Jayne Male | ... | Party Guest | |
| Bradley Lavelle | ... | Party Guest | |
| Andrew Woodman | ... | Party Guest | |
| Frieda Kelly | ... | Woman in Doorway (as Freda Kelly) | |
| Terry Canning | ... | Man in Doorway | |
| rest of cast listed alphabetically: | |||
| Richard Gardiner | ... | Kissing Soldier | |
Directed by | |||
| Jim O'Brien | |||
Writing credits(in alphabetical order) | ||
| Beryl Bainbridge | novel | |
| John McGrath | writer | |
Produced by | |||
| Steve Clark-Hall | .... | associate producer | |
| John McGrath | .... | executive producer | |
| Ronald Shedlo | .... | producer | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Michael Coulter | |||
Film Editing by | |||
| William Diver | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Caroline Amies | |||
Art Direction by | |||
| Chris Townsend | |||
Costume Design by | |||
| Judy Moorcroft | |||
Makeup Department | |||
| Kezia De Winne | .... | makeup artist | |
| Karen Turner | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Patrick Kinney | .... | second assistant director | |
| Nick Laws | .... | third assistant director | |
| Gary White | .... | first assistant director | |
Art Department | |||
| Alan Bailey | .... | property master | |
| John Bailey | .... | dressing prop | |
| Sophie Becher | .... | art department assistant | |
| Alastair Gow | .... | construction manager | |
| David Hamilton | .... | construction crew | |
| Ken Hawkey | .... | stand-by construction crew | |
| Danny Hunter | .... | stand-by prop | |
| Mickey Hunter | .... | property chargehand (as Micky Hunter) | |
| Josh Jones | .... | stagehand | |
| George Malin | .... | dressing prop | |
| Susan McLenachan | .... | construction crew | |
| Brian Mitchell | .... | construction crew | |
| Con Murphy | .... | stand-by construction crew | |
| Ben Pulsford | .... | construction crew | |
| Marcus Spriggs | .... | art department trainee | |
| Shirley Spriggs | .... | production buyer | |
| Robin Thistlewaite | .... | construction crew | |
| Tommy Westbrook | .... | stand-by construction crew | |
Sound Department | |||
| Gary Desmond | .... | sound trainee | |
| Peter Joly | .... | dubbing editor | |
| Sandy MacRae | .... | sound recordist | |
| Peter Maxwell | .... | dubbing mixer | |
| Andrew Melhuish | .... | assistant dubbing editor | |
| Gary Weir | .... | boom operator | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Stunts | |||
| Tom Delmar | .... | stunts | |
| Jim Dowdall | .... | stunt coordinator | |
| Tom Lucy | .... | stunts | |
| Wayne Michaels | .... | stunts | |
| Gareth Milne | .... | stunts | |
| Nick Powell | .... | stunts | |
| Trevor Steedman | .... | stunts | |
| Mark Stewart | .... | stunts | |
Camera and Electrical Department | |||
| David Atkinson | .... | camera loader | |
| Frank Connor | .... | still photographer | |
| Alan Martin | .... | gaffer | |
| John Maskall | .... | camera operator | |
| Dave McWhinney | .... | electrician (as Dave McWhinnie) | |
| Dave Moore | .... | best boy | |
| Nick Pearson | .... | grip | |
| Bill Pochetty | .... | electrician (as Billy Pochetty) | |
| Kay Sheridan | .... | camera department trainee | |
| Martin Testar | .... | focus puller | |
Casting Department | |||
| Mary Colquhoun | .... | casting: USA | |
| Brendan Donnison | .... | adr casting | |
| Barbara Hudson | .... | casting secretary | |
Costume and Wardrobe Department | |||
| Keith Morton | .... | wardrobe master | |
| Sue Wain | .... | wardrobe mistress | |
Editorial Department | |||
| Nicola Black | .... | second assistant editor | |
| Alex Mackie | .... | first assistant editor | |
Other crew | |||
| Susan Barrett | .... | researcher | |
| Susie Brown | .... | assistant to executive producer | |
| Andrea Calderwood | .... | production trainee | |
| Bill Clark | .... | location assistant | |
| Jan Deakin | .... | production secretary | |
| Brian Donovan | .... | location manager | |
| Laura Goulding | .... | production department trainee | |
| Isobel Hurll | .... | choreographer | |
| Carolyn Jardine | .... | publicist | |
| Trevor Kaye | .... | floor runner | |
| Susan Long | .... | accounting assistant | |
| Shahana Meer | .... | production secretary | |
| Sheila Fraser Milne | .... | production assistant | |
| Gail Samuelson | .... | production coordinator | |
| Joan Washington | .... | dialect coach | |
| Angela Wharton | .... | script supervisor (as Angela Noakes) | |
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| The Wars | The Man Who Cried | The Scarlet Tunic | An Awfully Big Adventure | The Land Girls |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section |
Two elderly, overprotective sisters in wartime Liverpool are caught in the flux of uncertain times in this subdued but potent drama, adapted from a novel by Beryl Bainbridge. Billie Whitelaw is the more lively and outgoing Margo, while the stern and taciturn Nellie (Joan Plowright) mourns the erosion of traditional values since the onset of the war. In between them is their orphaned teenage niece, a sheltered, plain-looking girl whose naive attachment to an undeserving American GI leads to unexpected tragedy. The outline suggests a more or less routine coming-of-age melodrama, but the relationship between the two elder sisters is more compelling than the troubled teen romance, if only because the role of Wesley (the American soldier) is less a flesh and blood character than a symbol of anti-Yankee sentiment. Director Jim O'Brien paints a convincing portrait of working class England but otherwise keeps a low profile, letting his actors carry the film (a wise decision, with this cast) and maintaining a not incompatible mood of repressed sexual tension and bittersweet nostalgia (more bitter than sweet).