| Arthur Dignam | ... | Professor Bernard Thornton | |
| Penny Cook | ... | Cathy Thornton | |
| Gary Sweet | ... | Geoff | |
| Laurence Clifford | ... | Najira | |
| Kristina Nehm | ... | Warindji | |
| Patrick Frost | ... | Dr. Graham | |
| John Noble | ... | Dr. Richards | |
| Peter Merrill | ... | Archaeologist (as Peter Merril) | |
| Deborah Little | ... | Admissions Officer | |
| Leo Taylor | ... | Alf | |
| Marcella Russo | ... | Young Nurse | |
| Kathy Fisher | ... | Sister | |
| Gary Goodwin | ... | Policeman | |
| Frank Casper | ... | Priest | |
| Geoff Smith | ... | Undertaker | |
| Brian Mulqueeny | ... | Hospital Aide | |
| Michael Read | ... | Security Guard (as Mike Read) | |
| Chris Jones | ... | Student | |
| Kate Rankin | ... | Student | |
| Michael Norman | ... | Detective (as Mike Norman) | |
| Peter Green | ... | Detective | |
| Jack Harris | ... | Truck Driver | |
| Dieter Linde | ... | Small Boy | |
| Margaret Atkinson | ... | Cleaner | |
| Hedley Cullen | ... | Drunk | |
| Kate Roberts | ... | Barrister | |
| Brenton Whittle | ... | Barrister | |
| Morris Howie | ... | Court Usher | |
| Kim Hyde | ... | Whaler | |
| Michael Evans | ... | Whaler | |
| Frank Smith | ... | Whaler | |
| Phil Swan | ... | Whaler | |
| Ken Hopkins | ... | Whaler | |
| Paul Cornelius | ... | Whaler | |
| Jeff James | ... | Whaler | |
| Michael Dare | ... | Whaler |
Directed by | |||
| Mario Andreacchio | |||
Writing credits | ||
| Mario Andreacchio | (written by) & | |
| Rob George | (written by) & | |
| Stephanie McCarthy | (written by) | |
| Craig Lahiff | (story) & | |
| Terry Jennings | (story) | |
| Josephine Emery | uncredited | |
| Wayne Groom | story (uncredited) | |
Produced by | |||
| Antony I. Ginnane | .... | executive producer | |
| Wayne Groom | .... | producer | |
| Craig Lahiff | .... | producer | |
| Ron Stigwood | .... | associate producer | |
Original Music by | |||
| Frank Strangio | |||
Cinematography by | |||
| David Foreman | (lighting cameraman) | ||
Film Editing by | |||
| Suresh Ayyar | |||
Production Design by | |||
| Michael Ralph | |||
Art Direction by | |||
| Ian Gracie | |||
Costume Design by | |||
| Ruth Munro | |||
Production Management | |||
| Mason Curtis | .... | unit manager | |
| Ron Stigwood | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gus Howard | .... | first assistant director | |
| Lindsay Smith | .... | second assistant director | |
Art Department | |||
| Vicki Niehus | .... | props buyer | |
Sound Department | |||
| Robert 'Gotch' Cutcher | .... | sound recordist | |
| Des Keneally | .... | boom operator | |
Special Effects by | |||
| Jon Armstrong | .... | special effects supervisor | |
Stunts | |||
| Glenn Boswell | .... | stunt coordinator | |
| Rikki Van Gyen | .... | stunt double | |
Camera and Electrical Department | |||
| Brian Bosisto | .... | key grip | |
| Marcus Bosisto | .... | grip | |
| Jo Murphy | .... | focus puller | |
| Paul Reinhardt | .... | grip | |
| Graeme Shelton | .... | gaffer | |
| Lyddy Van Gyen | .... | clapper loader | |
Editorial Department | |||
| Tania Nehme | .... | assistant editor | |
Other crew | |||
| Diane Stuart | .... | production coordinator | |
| Kristin Witcombe | .... | continuity | |
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| The Last Wave | Picnic at Hanging Rock | The Living and the Dead | Endless Night | The Woods |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Australia section |
The Dreaming is a pretty obscure film of probably limited appeal to most, but it exerts a certain weird grip and is pretty watchable and interesting. It concerns a curse spawned when whalers attack some Aborigines and unleashed when archaeologists uncover some old artifacts. From here a young woman dies mysteriously and the doctor investigating is drawn into the mystery. Penny Cook does pretty well as the heroine, Dr Cathy Thornton and is suitably disturbed yet tenacious in her search for answers. She provides a sort of realistic core to the film, someone to follow as things get strange. Gerry Sweet does OK as her concerned husband and Arthur Dignam is fine as her distant, selfish father. I enjoyed this more than most seem to have done, its true that there are a lot of dreams and visions, that there is no gore really and that the film does not adequately explain itself. It does however have a good handful of arrestingly strange moments, one or two chills and a certain curious fascination to it. I liked the sense of mythology behind it and a lot of the imagery. There's also beautiful scenery and some very cool direction, an early scene at a hospital is particularly fine. All in all, this will most likely go over a lot of heads and simply appear pointless or boring to even more, but I'd recommend it to devoted fans of low budget head scratchers like myself.