The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on ... See full summary »
In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for ... See full summary »
Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, ... See full summary »
Robert Tucker, a young gay man who is almost without affect, sits in various waiting rooms. As he sits, he recalls events from the year of his childhood when his father dies. He's ten or ... See full summary »
A slow and poignant story of love and patience told via a dying mother nursed by her devoted son. The simple narrative is a thread woven among the deeply spiritual images of the countryside... See full summary »
The second part (My ain folk) of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the ... See full summary »
Jean Taylor Smith
Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by... See full summary »
"Out 1" is a very precise picture of post May '68 malaise - when Utopian dreams of a new society had crashed and burned, radical terrorism was starting to emerge in unlikely places and a ... See full summary »
In pre-colonial times a peddler crossing the savanna discovers a child lying unconscious in the bush. When the boy comes to, he is mute and cannot explain who he is. The peddler leaves him ... See full summary »
The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. The first part, 'Distant Voices', opens with grown siblings Eileen (Angela Walsh), Maisie (Lorraine Ashbourne) and Tony (Dean Williams), and their mother (Freda Dowie) arranged in mourning clothes before the photograph of their smiling father (Pete Postlethwaite). Soon after, the family poses in a similar tableau, but for a happier occasion - Eileen's wedding. While relatives sing at her reception, Eileen hysterically grieves for her dad, and recalls happy times of her youth. Tony and Maisie's memories, however, are more troubled. Davies intermingles and contrasts scenes like the family peacefully lighting candles in church with the brutal man beating his wife and terrorizing his young children. In 'Still Lives', set (and filmed) two years later, the siblings are settled in life, ... Written by
English screenwriter and director Terence Davies feature film debut which he also wrote, was originally made for television and is inspired by his family memories growing up in a working-class family in Liverpool, England during the 1940s. It consists of the two films "Distant Voices" and "Still Lives" which were made two years apart with the same crew. While "Distant Voices" portrays the main characters growing up in Britain in the 1940s during World War II, "Still Lives" portrays them as grown-ups in Britain in the early 1950s after the war. It premiered in the Directors' Fortnight section at the 41st Cannes International Film Festival in 1988, was shot on locations in Liverpool, England and is a UK production which was produced by producer Jennifer Howarth. It tells the story about Tony, Eileen and Maisie, and their memories of their childhood living in a terraced house in North West England with their deeply religious mother and their and tyrannical father.
Distinctly and brilliantly directed by British filmmaker Terence Davies, this heartrending, impressionistic and biographical period drama draws a profoundly moving portrayal of a Catholic family living in Kensington, Liverpool during and after the Second World War in the mid-20th century. While notable for it's colorful milieu depictions, stellar production design by production designer Miki Van Zwanenberg and production designer and art director Jocelyn James, cinematography by cinematographer and film editor William Diver and cinematographer Patrick Duval, costume design by costume designer Monica Howe, editing by William Diver and use of music, this rarely affective and atmospheric coming-of-age story draws an intimate depiction of three siblings afflicting relationship with their patriarchal father and how his and his wife's separate ways of upbringing has shaped their lives, literary steams of love and compassion for it's locations and characters.
This rhythmic, lyrical and insightful journey through a filmmakers remembrance which is narrated from multiple viewpoints, is impelled and reinforced by it's fragmented narrative structure and the empathic and heartfelt acting performances by English actor Pete Postlethwaite (1946-2011), actor Dean Williams, English actress Freda Dowie, actress Angela Walsh in her debut feature film role and English actress Lorraine Ashbourne in her debut feature film role. An evocative, elegiac and poignant independent film which gained, among other awards, the FIPRESCI Prize at the Cannes Film Festival in 1988.
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