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Distant Voices, Still Lives (1988)

PG-13 | | Drama | 17 February 1989 (Finland)
The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on ... See full summary »

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10 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Freda Dowie ...
Mother
...
Father
Angela Walsh ...
Eileen
Dean Williams ...
Tony
...
Maisie
Sally Davies ...
Eileen as a Child
Nathan Walsh ...
Tony as a Child
Susan Flanagan ...
Maisie as a Child
Michael Starke ...
Dave
Vincent Maguire ...
George
Antonia Mallen ...
Rose
Debi Jones ...
Micky
Chris Darwin ...
Red
Marie Jelliman ...
Jingles
...
Les
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Storyline

The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. The first part, 'Distant Voices', opens with grown siblings Eileen (Angela Walsh), Maisie (Lorraine Ashbourne) and Tony (Dean Williams), and their mother (Freda Dowie) arranged in mourning clothes before the photograph of their smiling father (Pete Postlethwaite). Soon after, the family poses in a similar tableau, but for a happier occasion - Eileen's wedding. While relatives sing at her reception, Eileen hysterically grieves for her dad, and recalls happy times of her youth. Tony and Maisie's memories, however, are more troubled. Davies intermingles and contrasts scenes like the family peacefully lighting candles in church with the brutal man beating his wife and terrorizing his young children. In 'Still Lives', set (and filmed) two years later, the siblings are settled in life, ... Written by Anonymous

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Drama

Certificate:

PG-13 | See all certifications »
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Details

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Release Date:

17 February 1989 (Finland)  »

Also Known As:

Entfernte Stimmen - Stilleben  »

Box Office

Gross:

$688,329 (USA)
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Company Credits

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Did You Know?

Trivia

The film was a' labour of love' for director, cast and crew. Due to the extreme low budget, it had to be shot at weekends over a period of two years. See more »


Soundtracks

Love Is a Many-Splendoured Thing
by Sammy Fain & Paul Francis Webster
Conducted by David Firman
Orchestrated by Robert Lockhart
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User Reviews

not a false note
11 April 2005 | by (bridgend,wales) – See all my reviews

Pete posthlewaite hits a performance that is so unique it is frightening. so true was the passion there where times in the movie when I wished he would die! The episodic and random nature of the flashbacks made it seem like memories from one's own childhood which reinforced the naturalistic acting and indeed made it almost voyeuristic! The true beauty of the film lies in the realism of the scenes and in the accurate depiction of life as it really is in all it's ugliness! Above all the movie said to me that out of "brutallity" can come "compassion and humanity". One scene really hits home is the Christmas scene where the camera pans up an idyllic British street where the Christmas lights are shining and by nature our faces are starting to smile and then dissolves into the living room where the family are sitting in expectation. You can feel the tension as you see the first shot and when he pulls the tablecloth off the table and shouts "CLEAN THIS UP",I remember jumping up!!! MASTERPIECE In my eyes yes! 10 OUT OF 10


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