The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on ... See full summary »
Scientists and witnesses involved in the creation and testing of the first ever atomic bomb reflect on the Manhattan project and its fascinating leader, J. Robert Oppenheimer, who upon ... See full summary »
Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, ... See full summary »
In a Polish shtetl, two young men who have grown up together betrothe their unborn children, ignoring the advice of a mysterious traveler not to pledge the lives of future generations. Soon... See full summary »
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Henry G. Sanders,
Robert Tucker, a young gay man who is almost without affect, sits in various waiting rooms. As he sits, he recalls events from the year of his childhood when his father dies. He's ten or ... See full summary »
Max's neigbour Schultz is breeding chicken, that are always after Max's flower seed, and Schultz bride is his rooster Brigham. Max's daughter loves Schultz's son, so they try to forget ... See full summary »
This documentary presents footage of the first contact between the highland tribes of Papua New Guinea, and European explorers. In the 1930s three Australian's, Michael, Daniel and James ... See full summary »
The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. The first part, 'Distant Voices', opens with grown siblings Eileen (Angela Walsh), Maisie (Lorraine Ashbourne) and Tony (Dean Williams), and their mother (Freda Dowie) arranged in mourning clothes before the photograph of their smiling father (Pete Postlethwaite). Soon after, the family poses in a similar tableau, but for a happier occasion - Eileen's wedding. While relatives sing at her reception, Eileen hysterically grieves for her dad, and recalls happy times of her youth. Tony and Maisie's memories, however, are more troubled. Davies intermingles and contrasts scenes like the family peacefully lighting candles in church with the brutal man beating his wife and terrorizing his young children. In 'Still Lives', set (and filmed) two years later, the siblings are settled in life, ... Written by
This film caught me 14 years ago when I first saw it.. and yesterday I was really touched by it again. A registration of 'forgotten' times somewhere during....the first half of the 20th century in Britain...a Totally Overwhelming sense of melancholy filmed in an extraordinary way by Terence Davies.A true work of art. The excellent idea of calling up emotions by letting the characters sing the sing-along songs of the era.... Then there is the photography of this film...seldom have i seen a modern day movie that brings up past times as this piece of wonder.... very , very tastefully done...the coloring and costume designs , the decorations...everything works to give you the idea that you'r staring into a timemaschine...wow.. amazing ! Heartbraking story of 'normal lives , by normal people , who are all gone and 'forgotten'... Still one of the most amazing pieces of cinema around !
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