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Dirty Rotten Scoundrels (1988)

PG  |   |  Comedy, Crime  |  14 December 1988 (USA)
7.3
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Ratings: 7.3/10 from 47,034 users   Metascore: 68/100
Reviews: 126 user | 44 critic | 14 from Metacritic.com

Two con men try to settle their rivalry by betting on who can swindle a young American heiress out of $50,000 first.

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Title: Dirty Rotten Scoundrels (1988)

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Nominated for 1 Golden Globe. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
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...
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Anton Rodgers ...
...
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...
Mrs. Reed
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Lady from Oklahoma
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Lady from Palm Beach
Nicole Calfan ...
Lady in Dining Car
Aïna Walle ...
Cheryl Pay ...
Lady with Pearls
Nathalie Auffret ...
Marion
Lolly Susi ...
Lady in Rolls Royce
Rupert Holliday-Evans ...
English Sailor #1 (as Rupert Holliday Evans)
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Storyline

Lawrence and Freddie are con-men; big-time and small time respectively. They unsuccessfully attempt to work together only to find that this town (on the French Mediterranean coast) aint big enough for the two of them. They agree to a "loser leaves" bet. The bet brings out the best/worse in the two. Interesting twist at the end. Written by Rob Hartill

Plot Summary | Add Synopsis

Taglines:

Nice guys finish last. Meet the winners.

Genres:

Comedy | Crime

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 December 1988 (USA)  »

Also Known As:

Dos pícaros sinvergüenzas  »

Filming Locations:

 »

Box Office

Gross:

$42,039,085 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In comparison with the original Bedtime Story (1964) of which this movie is a remake, according to show-business trade paper 'Variety', "[Steve] Martin takes the crass American role played by Marlon Brando, and [Michael] Caine plays homage to David Niven by sporting a thin mustache, slicked-back hair and double-breasted blue blazer in a sort of 1930s British yachtsman look". See more »

Goofs

Steve Martin's character leaves on a train that is supposedly destined for Portofino. There is no way of getting to Portofino by train. Car, bus, and boat only. See more »

Quotes

Arthur: May I take your trident, sir?
See more »

Crazy Credits

While the names of Stanley Shapiro and Paul Henning appear in the credits as two of this film's three writers, they are actually there just to credit their script for Bedtime Story (1964), of which this is a remake. See more »

Connections

Remade as Dirty Rotten Scoundrels See more »

Soundtracks

Pick Yourself Up
Music by Jerome Kern
Lyrics by Dorothy Fields
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Dirty + Rotten = Genius
23 December 2003 | by (Greenwich, CT United States) – See all my reviews

This film made an impression on me before I even saw it. I was in a theater, and a trailer for "Dirty Rotten Scoundrels" came on. While a voice-over talked about the value of movies promoting morality and civility, you saw Martin and Caine strolling along a beachfront, smiling beneficently as they greet passers-by. Then Caine shoved cotton candy into a kids face while Martin pushed a woman off a ledge.

It's a great sequence, and is featured on the DVD with its own commentary from director Frank Oz (when has that ever happened before?) but a little misleading. Actually, while both men are scoundrels, neither is quite that vile. Caine's Lawrence Jamieson is actually a bit of an altruist, as we find out, with a code of only taking in people who can afford to be taken, and finding ways of spending the money that are not entirely self-serving. Martin's Freddy Benson is less disciplined and more small-time in his cons; he'll steal candy from a baby and tell you it's for his poor sick Gram-Gram if caught, but he is likeable, too, an underdog with little idea how the game is played at the highest levels, but eager to learn.

The fact you can like these characters is a compliment to Martin and Caine, as well as director Oz and the team of writers. Tone is everything with a film like this, and as Oz says in his commentary, so important in making the comedy work. He notes he was going for a 1950s feel in the picture, I'm guessing with Hitchcock's "To Catch A Thief" in mind. The great score by Miles Goodman is solid enough to deserve its own CD reissue, with an air of light sophistication that buoys the proceedings on screen. Most importantly, since much of the comedy involves people taking advantage of one another, having everything put forward in such a gossamer manner helps you digest the story without leaving a bad taste.

Martin shines in many scenes, especially when playing Ruprecht the idiot man-child and when stuck in jail trying to remember the name of the only man he thinks can bail him out ("James Lawrenceton...no, wait, James Jesterton....no, no, it's definitely, um...") I knew Martin could be funny, and with the exception of "All Of Me" this is probably his best comedic performance, but Caine is a revelation. A straight man, yes, but with delicate timing and some clever characterizations that he pulls out of a bag, like an Germanic psychiatrist with some unusual ideas about curing lameness. You forget how good Caine is in comedy, despite his performances in films like this, "Blame It On Rio," and "Without A Clue." Glenne Headly is a revelation as the woman caught in the middle of Jamieson and Benson's scheming, every bit as good as her male counterparts, but say no more.

Great actors, great tone, but the plot is the best thing this film has. It's a remake of a 1964 film "Bedtime Story," which teamed Marlon Brando and David Niven for what should have been a dream team but went flat instead. This time, the script is helped by actors who can not only deliver funny lines but make them funnier, and by an ending (according to Oz in his commentary, one worked out over several long dinner meetings with Martin) that is simply perfect.

Finally, Oz needs to be recognized. He was only making his second non-Muppet film here, but the result in my view is one of the best comedies anyone has ever done. He manages to get the best from everyone, including the actors and cinematographer Michael Ballhaus (some amazing night shots of the French Rivera waterfront you never tire of looking at), and delivers a rare jewel of a film, a laugh-out-loud comedy that leaves you with a warm feeling inside.

Ian McDairmid plays Arthur the butler in this, teaming him with Oz yet again. Almost titled this review "Yoda And Palpatine On The French Riviera;" it's interesting McDairmid plays the one guy in "Scoundrels" who's really on the level.


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