Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Skip and Harry are framed for a bank robbery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a ... See full summary »
Georg Stanford Brown
Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an... See full summary »
Lawrence and Freddie are con-men; big-time and small time respectively. They unsuccessfully attempt to work together only to find that this town (on the French Mediterranean coast) aint big enough for the two of them. They agree to a "loser leaves" bet. The bet brings out the best/worse in the two. Interesting twist at the end. Written by
When Freddy reads Janet's note at the airport, Lawrence is holding it by the lower right corner. In the next shot, he is holding it by the upper right corner. See more »
Freddy, as a younger man, I was a sculptor, a painter, and a musician. There was just one problem: I wasn't very good. As a matter of fact, I was dreadful. I finally came to the frustrating conclusion that I had taste and style, but not talent. I knew my limitations. We all have our limitations, Freddy. Fortunately, I discovered that taste and style were commodities that people desired. Freddy, what I am saying is: know your limitations. You are a moron.
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Everything clicks in this laugh-out-loud gem. Steve Martin and Michael Caine are in top form as Freddy Benson and Lawrence Jamieson, two con men who agree that this town (on the French Mediterranean coast) ain't big enough for the both of them. To solve the problem, they agree upon a solution - the first man to swindle $50,000 from a naive young woman gets to stay. The competition brings out the very best of their very worst, with Martin posing as a paraplegic and Caine as a psychiatrist eager to help convince him it's all in his head. Glenne Headly, as the target of the cons, deserves special mention for her brilliant performance.
One of the strongest assets of "Dirty Rotten Scoundrels" is that the story is interesting enough, with its various twists and turns, that it would work great even without being funny. The laughs - and there are many of them - are a sort of gut-hurting bonus. The scene in which Caine tests the nerves in Martin's legs must rank as one of the most uproarious in film history. This one from director Frank Oz (certainly no slouch in the comedy department) is not to be missed.
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