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Directed by | |||
| John McTiernan | |||
Writing credits(WGA) | ||
| Roderick Thorp | (novel "Nothing Lasts Forever") | |
| Jeb Stuart | (screenplay) and | |
| Steven E. de Souza | (screenplay) | |
Produced by | |||
| Charles Gordon | .... | executive producer | |
| Lawrence Gordon | .... | producer | |
| Beau Marks | .... | associate producer (as Beau E.L. Marks) | |
| Joel Silver | .... | producer | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Jan de Bont | (as Jan De Bont) | ||
Film Editing by | |||
| John F. Link | |||
| Frank J. Urioste | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| Jackson De Govia | (as Jackson DeGovia) | ||
Art Direction by | |||
| John R. Jensen | |||
Set Decoration by | |||
| Philip Leonard | (as Phil M. Leonard) | ||
Costume Design by | |||
| Marilyn Vance | (as Marilyn Vance-Straker) | ||
Makeup Department | |||
| Paul Abascal | .... | hair stylist | |
| Wes Dawn | .... | makeup artist | |
| Scott H. Eddo | .... | makeup supervisor | |
| Jim Kail | .... | makeup artist | |
| Josée Normand | .... | hair stylist: Bruce Willis (as Josee Normand) | |
Production Management | |||
| Beau Marks | .... | unit production manager (as Beau E.L. Marks) | |
Second Unit Director or Assistant Director | |||
| Paula Foster | .... | dga trainee | |
| Michael Alan Kahn | .... | second second assistant director | |
| Beau Marks | .... | second unit director (as Beau E.L. Marks) | |
| Terry Miller | .... | second assistant director (as Terry Miller Jr.) | |
| Benjamin Rosenberg | .... | first assistant director | |
Sound Department | |||
| Vanessa Theme Ament | .... | foley artist (as Vanessa Ament) | |
| George H. Anderson | .... | supervising dialogue editor (as George Anderson) | |
| Kevin Barlia | .... | assistant dialogue editor | |
| Ron Bartlett | .... | foley editor | |
| Don J. Bassman | .... | sound re-recording mixer (as Don Bassman) | |
| Destiny Borden | .... | assistant sound editor | |
| Sherrie Bayer Burke | .... | assistant adr editor | |
| Kevin E. Carpenter | .... | adr mixer (as Kevin Carpenter) | |
| Kevin F. Cleary | .... | sound re-recording mixer | |
| Phyllis Drury | .... | machine operator | |
| Stephen Hunter Flick | .... | sound effects (as Stephen H. Flick) | |
| David W. Gray | .... | stereo sound consultant: Dolby (as David Gray) | |
| Robin Harlan | .... | foley artist | |
| Craig Heath | .... | sound recordist | |
| Dennis Jones | .... | boom operator | |
| Cindy Marty | .... | dialogue editor | |
| Rick Mitchell | .... | foley editor | |
| Oscar Mitt | .... | assistant sound editor | |
| Al Overton Jr. | .... | sound mixer (as Al Overton) | |
| Richard Overton | .... | sound re-recording mixer | |
| Todd Overton | .... | cable person | |
| Matthew Peerce | .... | apprentice adr editor | |
| Robert Renga | .... | sound recordist | |
| Lisa M. Risen | .... | apprentice adr editor | |
| Dennis Rogers | .... | adr recordist | |
| Jeff Rosen | .... | dialogue editor | |
| Hank Salerno | .... | supervising adr editor | |
| Norman B. Schwartz | .... | post-production dialogue | |
| Catherine Shorr | .... | sound effects editor | |
| Richard Shorr | .... | sound effects | |
| James Simcik | .... | adr editor (as James R. Simcik) | |
| Ronald Sinclair | .... | adr editor | |
| David E. Stone | .... | sound effects editor (as David Stone) | |
| Lee Tinkham | .... | foley mixer | |
| Bill Voigtlander | .... | adr editor | |
| Rosemarie Wheeler | .... | assistant adr editor | |
| Ezra Dweck | .... | sound effects recordist (uncredited) | |
| Bill Henderson | .... | sound re-recording engineer (uncredited) | |
| Richard Shorr | .... | supervising sound editor (uncredited) | |
Visual Effects by | |||
| Yarek Alfer | .... | model maker: Boss (as Jarek Alfer) | |
| Maura Alvarez | .... | animation production assistant: Boss | |
| Brent Boates | .... | visual effects art director: Boss | |
| Richard Chronister | .... | model electronics: Boss | |
| Kevin Clark | .... | optical line-up: Boss | |
| Albert Cox | .... | optical supervisor 'Die Hard': Boss (as Al Cox) | |
| Philip Crescenzo | .... | chief electronics engineer: Boss Film | |
| Richard Edlund | .... | visual effects producer | |
| Alan K.M. Faucher | .... | stand-by model maker: Boss (as Alan Faucher) | |
| Donald Fly | .... | chief financial officer: Boss Film (as Donald R. Fly) | |
| Meg Freeman | .... | animation production assistant: Boss | |
| Kento Gebo | .... | model maker: Boss (as Kent Gebo) | |
| Ron Gress | .... | model painter: Boss | |
| Robert L. Johnston | .... | model effects key man: Boss (as Robert Johnston) | |
| Larry Jolly | .... | model helicopter consultant: Boss | |
| Kelly Kerby | .... | stage assistant: Boss | |
| Lisa Krepela | .... | animation production assistant: Boss | |
| Bruce MacRae | .... | model maker: Boss | |
| Pat McClung | .... | chief model maker: Boss (as Patrick McClung) | |
| Dennis Michelson | .... | visual effects editor: Boss | |
| Bill Neil | .... | director of photography: Boss (as William Neil) | |
| Clint Palmer | .... | camera operator: Boss Film Studios (as Clinton Palmer) | |
| Samuel E. Recinos | .... | technical animation supervisor: Boss (as Samuel Recinos) | |
| Chris Regan | .... | optical department supervisor: Boss | |
| Milius Romyn | .... | model construction foreman: Boss | |
| Paul Sabourin | .... | model effects: Boss | |
| Suzie Schneider | .... | model maker: Boss (as Suzy Schneider) | |
| Dennis Schultz | .... | model maker: Boss | |
| David Schwartz | .... | chief miniature moldmaker: Boss | |
| James Sleeper | .... | optical camera operator: Boss | |
| Mark Stetson | .... | model shop supervisor: Boss | |
| Michael Van Himbergen | .... | visual effects coordinator | |
| Garry Waller | .... | special project supervisor: Boss | |
| Debra Wolff | .... | assistant visual effects editor: Boss | |
| Peter Yanovitch | .... | optical line-up: Boss | |
| Dana Yuricich | .... | model maker: Boss | |
| Matthew Yuricich | .... | chief matte artist: Boss | |
| James G. Anka | .... | model maker (uncredited) | |
| Wayne Baker | .... | first assistant camera operator: Boss Films (uncredited) | |
| Mike Chambers | .... | visual effects coordinator (uncredited) | |
Casting Department | |||
| Ferne Cassel | .... | casting associate | |
| Carl Joy | .... | extras casting | |
Costume and Wardrobe Department | |||
| Barry Francis Delaney | .... | costume supervisor (as Barry Delaney) | |
| Charles Mercuri | .... | costumer: Bruce Willis | |
| Barbara Siebert | .... | set costumer: women (as Barbara Siebert Bolticoff) | |
| Victoria Snow | .... | additional costumer | |
| Michael Voght | .... | set costumer: men (as Michael J. Voght) | |
Editorial Department | |||
| Derek Brechin | .... | assistant editor (as Derek G. Brechin) | |
| Gary Burritt | .... | negative cutter | |
| Bryan H. Carroll | .... | assistant editor (as Bryan Carroll) | |
| Gregory M. Gerlich | .... | assistant editor | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Jeff Gullo | .... | second assistant editor | |
| Bob Hagans | .... | color timer | |
| Paul Jenson | .... | negative developer: Boss | |
| Edward Malone | .... | second assistant editor | |
| Kelly Irvine | .... | assistant editor (uncredited) | |
Music Department | |||
| Bruce Babcock | .... | additional orchestrator | |
| Chris Boardman | .... | additional orchestrator | |
| Walt Borchers | .... | score engineer | |
| Christopher Brooks | .... | supervising music editor | |
| Terry Brown | .... | score engineer | |
| Chuck Garsha | .... | score engineer | |
| Philip Giffin | .... | additional orchestrator | |
| Michael Kamen | .... | conductor | |
| Stephen McLaughlin | .... | music producer (as Stephen E. McLaughlin) | |
| Armin Steiner | .... | score mixer | |
| Fiachra Trench | .... | additional orchestrator (as Fi Trench) | |
| Bruce Babcock | .... | composer: additional music (uncredited) | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| Myra Hill | .... | transportation coordinator (as Myra L. Hill) | |
| Dean E. Mason | .... | transportation captain (as Dean Mason) | |
| James Nordberg | .... | transportation captain (as Jim Nordberg) | |
| Stanley R. Webber | .... | picture car coordinator (as Stanley Webber) | |
| Tim Sisson | .... | picture car mechanic (uncredited) | |
Other crew | |||
| Pamela Alessandrelli | .... | assistant: John Mctiernan | |
| Alex Algarin | .... | dubbing projectionist | |
| Brook Altman | .... | production assistant | |
| Bobby Bass | .... | special weapons training | |
| Susan Joy Beallor | .... | assistant: Joel Silver | |
| Dan Carroll | .... | location liaison | |
| Paul Chaleff | .... | special ceramic vessels | |
| Rick Chavez | .... | craft service | |
| Jack Crain | .... | knife designer and manufacturer (as Jack W. Crain) | |
| Keith Cubba | .... | trainer: Bruce Willis | |
| Jyllel Syage Dickerman | .... | assistant production accountant (as Jyllel Syage) | |
| Ken Dudderar | .... | precision cinetechnician: Boss | |
| Riley Kathryn Ellis | .... | production executive | |
| Robert Eyslee | .... | chief lighting tech: Boss | |
| Marilynn B. Frank | .... | first aid | |
| Art Fransen | .... | police technical advisor | |
| Elizabeth Galloway | .... | production coordinator | |
| Gary Goldman | .... | technical advisor: military (as L. Gary Goldman) | |
| Aaron J. Green | .... | model furnisher: butterfly wing bridge | |
| Rhonda C. Gunner | .... | video and graphics display: Video Image | |
| Alison Harstedt | .... | assistant production accountant | |
| Richard E. Hollander | .... | video and graphics display: Video Image | |
| Deborah Johnson | .... | assistant: Bruce Willis | |
| K. Lenna Katich | .... | production accountant (as K. Lenna Kunkel) | |
| Tony Kerum | .... | caterer | |
| Carol Land | .... | assistant: John Mctiernan | |
| Clare Leavenworth | .... | assistant: Bruce Willis | |
| Andrew Lipschultz | .... | publicity coordinator | |
| Joel Marx | .... | location manager (as Joel B. Marx) | |
| Peter McKernan Sr. | .... | pilot (as Peter McKernan) | |
| Peter McKernan | .... | pilot (as Peter McKernan Jr.) | |
| Gregory L. McMurry | .... | video and graphics display: Video Image | |
| Kari Ann Messina | .... | production assistant | |
| Lisa Miller | .... | production assistant | |
| Chrissa Owens | .... | stage assistant: Boss | |
| Michael Papac | .... | weapons specialist | |
| Alan D. Purwin | .... | pilot (as Alan Purwin) | |
| Jeff Rand | .... | stage assistant: Boss | |
| Frank Reinhard | .... | production assistant | |
| Phil Robinson | .... | production assistant | |
| Ken H. Rosen | .... | location manager | |
| Annie Saunders | .... | assistant: Charles Gordon | |
| Shari Schneider | .... | assistant: Lawrence Gordon | |
| Antoinette Simmrin | .... | assistant location manager | |
| Tamara Smith | .... | production associate | |
| Ken Stone | .... | maintenance engineer | |
| Charles A. Tamburro | .... | pilot | |
| Michael Tamburro | .... | pilot | |
| Tony Tamburro | .... | pilot | |
| Dana Lynne Taylor | .... | production coordinator | |
| Kellett Tighe | .... | assistant: Lawrence Gordon | |
| Marion Tumen | .... | script supervisor | |
| Ladd Vance | .... | assistant: Joel Silver (as Ladd Rosenberg-Vance) | |
| Tod M. Volpe | .... | special ceramic vessels | |
| John C. Wash | .... | video and graphics display: Video Image | |
| Mark West | .... | design engineer: Boss | |
| Claire Wilson | .... | assistant: Richard Edlund, Boss Film Studios | |
| Maryjane Zelicskovics | .... | production accountant: Boss | |
| M. Rutledge McCall | .... | production assistant (uncredited) | |
Thanks | |||
| Dick Beving | .... | special thanks | |
| Patty Brewer | .... | special thanks | |
| Georgian Francisco | .... | special thanks | |
| Jim Gembala | .... | special thanks | |
| George Meehan | .... | special thanks | |
| Allen Pena | .... | special thanks | |
| Eli Tawil | .... | special thanks | |
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| Live Free or Die Hard | Die Hard 2 | Die Hard: With a Vengeance | The Professional: Golgo 13 | The Dark Knight |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Action section |
| IMDb USA section |
"Die Hard" is the prototype type for the modern action film. Since it's also one of the best action films ever made, that happens to be a very good thing. "Die Hard" is lean, mean, and doesn't contain a single second of wasted screen time. The direction, the action, the story, the acting . . . every aspect of this film comes close to big-budget action movie perfection. Since "Die Hard" was first released in 1988, it's difficult to think of a blockbuster action film that doesn't follow the basic structure and format of "Die Hard" . . . or, for that matter, is better than "Die Hard".
"Die Hard" is about John McClane (Bruce Willis, in one of his all-time best film performances), a basically good, honest New York cop with a penchant for annoying authority figures. Traveling to Los Angeles in a last ditch attempt to patch things up with his estranged wife Holly (Bonnie Bedelia), John McClane suddenly finds himself involved in a hostage situation. Terrorists, led by the enigmatic Hans Gruber (Alan Rickman), have taken over the office building in which Holly is working, and with Gruber holding the upper hand over the LAPD and FBI forces in Los Angeles, it's up to John McClane to save the day . . . .
Kudos should be given to both director John McTiernan and screenwriters Jeb Stuart and Steven DeSouza -- the film is tight, electrifying, and clever, which is something few action films can ever claim. The story isn't completely believable, but it's believable enough, and it manages to move along at a quick enough pace to where the most glaring plotholes can easily be glossed over. There's also enough twists and wrinkles thrown into the story to keep the audience guessing as to what's going to happen next . . . and the surprises don't come out of left field, but are actually clever and well thought-out. (The fact that McClane often relies on his brains instead of his bullets to get out of his predicaments is also a big plus.) Simply put, "Die Hard" is one of the smartest and savviest action screenplays ever written. McTiernan holds up his end of the film admirably as well -- he uses the claustrophobic nature of the office building to great effect (particularly in any scene involving an elevator shaft), and he keeps the film rolling at a rollercoaster pace, building up the anticipation of the audience before unleashing the action. A lot of recent action films just fly along at a mindless, breakneck pace, without ever allowing the story to breathe or the suspense to build . . . unlike those films, "Die Hard" knows how to maximize the impact of each and every scene, and that's why it stands out so clearly from them all. With "Die Hard", John McTiernan puts on a perfect clinic as to how to pace an action movie.
As for the acting, it's darn near close to perfect. Bruce Willis is awesome as John McClane. As played by Willis, McClane's a smartass with a distinct disdain for being given orders . . . but McClane's also clever, and knows how to keep cool under pressure. There's more to McClane than the stereotypical tough guy hero. Fortunately, the role was given to Bruce Willis, who infuses McClane with the perfect mix of cocky arrogance and stone-cold heroism. The fact that Willis plays McClane as a man often in disbelief of his own situation, and who struggles in his fight against bad guys instead of just killing bad guys with ease, like most stereotypical action heroes -- well, not only does it make the character much more believable, it's darn brilliant. (The fact that Willis also knows how to deliver a deadpan one-liner better than anybody else in Hollywood makes the character all the better.) There's only a handful of movies where both character and actor are a completely perfect match; Bruce Willis as John McClane is one such perfect match.
Also worthy of mention is Alan Rickman's performance as the villain Hans Gruber. The Machiavellian Gruber would've been an easy villain to turn into little more than a scenery-chewing Bond villain . . . fortunately, Rickman doesn't travel the easy route. Gruber, as played by Rickman, is cold and calculating, and actually acts smart, instead of merely claiming to be smart and then being thoroughly outwitted by the hero. He always appears to have an ace hidden up his sleeve, and is so convincing at giving this impression, it's hard to tell throughout the film whether he or McClane truly have the upper hand. Other actors probably could've played Gruber fairly well, but Rickman makes Gruber one of the all-time great villains. As for the rest of the cast, they're all pretty good. Bonnie Bedelia does a nice job as John's soon-to-be-ex-wife Holly -- she plays her with enough smarts and feistiness to break the usual "damsel in distress" mold. It's also worth mentioning that Paul Gleason, who plays the obstinate police chief Robinson, pretty much sets up the modern action movie stereotype of the authority figure who refuses to heed the advice of the maverick hero. The character is stupid to a fault, and he's wonderful because of it.
"Die Hard" is a terrific example of what happens when all the pieces of a film fall together perfectly. There simply are no weak spots or dull moments in the film. Is "Die Hard" one of the best overall movies ever made? Probably not. But it's undeniably one of the best action movies ever made, and it just might well be the perfect modern action film. Grade: A