A young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
When his secret bride is executed for assaulting an English soldier who tried to rape her, William Wallace begins a revolt and leads Scottish warriors against the cruel English tyrant who rules Scotland with an iron fist.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
New York City Detective John McClane has just arrived in Los Angeles to spend Christmas with his wife, but when a group of terrorists, led by Hans Gruber, holds her and everyone in the Nakatomi Plaza building hostage, it's up to McClane to stop them. Written by
The firearms used in the film are, as in most action films, real firearms modified to function with blanks. Although modern small arms ammunition is intended to have minimum muzzle flash, director John McTiernan wanted vivid, "exaggerated realism" in the muzzle flashes. Weapons specialist Michael Papac hand fabricated some blanks that were so powerful that the standard firearms modifications weren't workable. Papac had to specially modify the firearms involved. Special effects coordinator Al Di Sarro said of these blanks that 'in the world of blanks, there are loads that are not so loud and loads that are deafening', and these were deafening. These blanks did cause some cast members, notably Alan Rickman, to flinch. Furthermore, normally most sound effects come from a studio library of sound effects. Sound designer Richard Shorr didn't want to use these clips as modern sound equipment would show their age, as some of them were recorded in the 1950s. To resolve this and further the "exaggerated realism", the sound crew took the appropriate firearms to a firing range in Texas and recorded them being fired with live ammunition. See more »
When Argyle rams his limousine into the broadside of the ambulance, you can see that the lettering contains a misspelled word. Instead of "Los Angeles City Fire Department," the lettering reads "Los Angeles City Fire Deparment." See more »
You don't like flying, do you?
What gives you that idea?
You wanna know the secret to surviving air travel? After you get where you're going, take off your shoes and your socks then walk around on the rug bare foot and make fists with your toes.
Fists with your toes?
I know, I know, it sounds crazy. Trust me, I've been doing it for nine years. Yes sir, better than a shower and a hot cup of coffee.
[the businessman sees John's gun]
It's okay, I'm a cop. Trust me, I've been ...
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The ultimate thrill-ride and still the standard by which I judge an action movie
Seeing 'Die Hard' for the first time as a teenager was a one-of-a-kind experience. This level of raw, "edge-of-your-seat" action was unknown to me prior to this film; it made my head spin and the intensity of it was nearly unbearable. When it was over, I could only think of one word: Wow!
For a long time - at least in western cinema - the only "true" action movies (by that I mean films that were all about the action and you went to see them because of the action) were the 'James Bond' movies. They had the most unreal stunts and crazy, over the top action sequences that you could imagine at the time, and they were (and still are) great fun. However, they usually lacked three vital ingredients:
1. A sense of realism (meaning: the hero is only human and can get hurt)
2. Grit (messy, unpolished action, dirty people and LOTS of swearing)
3. R-rated violence (showing the audience what real weapons do to the human body)
Well, it took John McTiernan to bring those three key elements together in 'Die Hard' - and thus the modern action film was born (it had a good run through the late eighties until the end of the nineties then the studios figured out they could maximise the box-office by taming down the swearing, violence and sex and thus, alas, the contemporary, toothless PG-13 action film was born). Sure, there have been a couple of others before McTiernan's masterpiece ('First Blood', 'Terminator', 'Predator' - which was also by McTiernan - or 'Lethal Weapon' and probably some more), but those films could have fallen into any number of other categories as well ('Adventure-/Survival-/War-', 'Sci- Fi', 'Horror-' or 'Buddy-movie') and I can't think of another film that was just such a relentless, pure-action-from-the-beginning-to-the-end film as was 'Die Hard'. To me, it's the ultimate thrill ride. The formula has since been repeated so many times, but the original still sets the standard by which I judge an action film. Should be seen every Christmas. 10 stars out of 10.