| Photos (See all 12 | slideshow) |
| Grazyna Szapolowska | ... | Magda | |
| Olaf Lubaszenko | ... | Tomek | |
| Stefania Iwinska | ... | Godmother | |
| Artur Barcis | ... | Young Man | |
| Stanislaw Gawlik | ... | Postman | |
| Piotr Machalica | ... | Roman | |
| Rafal Imbro | ... | Bearded Man | |
| Jan Piechocinski | ... | Blond Man | |
| rest of cast listed alphabetically: | |||
| Malgorzata Rozniatowska | ... | Angry Postmaster | |
| Hanna Chojnacka | ... | (uncredited) | |
| Tomasz Gradowski | ... | (uncredited) | |
| Krzysztof Koperski | ... | (uncredited) | |
| Jaroslawa Michalewska | ... | (uncredited) | |
| Emilia Ziólkowska | ... | (uncredited) | |
| Episode Crew |
Directed by | |||
| Krzysztof Kieslowski | |||
Writing credits | ||
| Krzysztof Piesiewicz | (written by) & | |
| Krzysztof Kieslowski | (written by) | |
Produced by | |||
| Ryszard Chutkowski | .... | producer | |
Original Music by | |||
| Zbigniew Preisner | |||
Cinematography by | |||
| Witold Adamek | |||
Film Editing by | |||
| Ewa Smal | |||
Production Design by | |||
| Halina Dobrowolska | |||
Art Department | |||
| Waldemar Weiss | .... | construction coordinator | |
Sound Department | |||
| Nikodem Wolk-Laniewski | .... | sound | |
Camera and Electrical Department | |||
| Piotr Jaszczuk | .... | assistant camera | |
Editorial Department | |||
| Henryka Dancygier | .... | assistant editor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Other crew | |||
| Miroslawa Serafin | .... | script supervisor | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb Poland section |
Once again Kieslowski manages to produce a compelling and thought provoking film. This time seemingly constructing his plot from the best parts of "Rear Window" and "Lolita". Kieslowski presents his characters simply as they are, free of prologues, backgrounds, flashbacks or exposition and does not "ask" us to identify with the obsessive voyeur or the subject of his gaze but "presents" them to us as subjects to observe. Inevitably Kieslowski's choices pay off as we begin to empathize with these characters not necessarily because he wants us to but because they're needs and desires are too similar to ours for us to simply look at them in disgust. Episode 6 presents us with two characters who begin on opposite sides of the emotional spectrum and end up reversed just as their voyeuristic tendencies do. There is never any chastising from one character to another which some have called unrealistic or contrived. For me however this rings truer than the most moralizing of speeches because both characters know they're in no position to judge the other. They're both aware of their faults and willingly pay for them (witness Magda's indifference to her own suffering and Tomek's voluntary repentance courtesy of Magda's lover (ala "Raging Bull"). To those who would call such a tale unrealistic I say go watch "Pretty Woman" again.