The Decline of Western Civilization Part II: The Metal Years (1988)

Director:

Penelope Spheeris

Stars:

Steven Tyler, Joe Perry, Alice Cooper

Cast

Cast overview, first billed only:
Steven Tyler	...	Himself
Joe Perry	...	Himself
Alice Cooper	...	Himself
Gene Simmons	...	Himself
Paul Stanley	...	Himself
Lemmy	...	Himself
Ozzy Osbourne	...	Himself
Bobby Dall	...	Himself (Poison bassist)
Bret Michaels	...	Himself (Poison vocalist)
Rikki Rockett	...	Himself (Poison drummer)
Joey Scott Harges	...	Himself
Gene Allen	...	Himself
Mychal Davis	...	Himself
J. Holmes	...	Himself
Mark Michals	...	Himself

Storyline

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Plot Keywords:

title directed by female | heavy metal | second part | sequel | independent film

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Taglines:

It's more than music...it's a way of life.

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Genres:

Documentary | Music

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Certificate:

R

Details

Official Sites:

Official Site

Country:

USA

Language:

English

Release Date:

24 August 1989 (Australia)

Also Known As:

O Declínio da Civilização do Ocidente - Os Anos do Metal

Box Office

Budget:

$500,000 (estimated)

Gross:

$373,743 (USA)

Company Credits

Technical Specs

Runtime:

93 min

Sound Mix:

Stereo

Color:

Color

Did You Know?

Trivia

In a 1999 interview, director Penelope Spheeris confessed that Ozzy Osbourne's orange juice pouring scene was faked, as some viewers suspected. The particular scene of the orange juice missing the glass was filmed at a different time and inserted into the clip.

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Quotes

Lemmy: If you think you got what it takes, shove it out, run it up the flagpole and see who salutes it.

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Connections

Follows The Decline of Western Civilization (1981)

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Soundtracks

"THE PROPHECY"
Queensrÿche
(Chris De Garmo (as DeGarmo))
Produced by NEIL KERNON
QUEENSRYCHE appears courtsey of EMI-MANHATTAN Records

User Reviews

A walk down memory lane...(wince)

As a former metal groupie (the horror!), when I saw this depiction of the lonely lives and substance-riddled minds of my heroes, it actually inspired me to go to college! It is a poignant, wistful, sad, and insightful look at a genre of music that instilled fear in the hearts of parents(well, at least in mine), and a venue for teens to unleash their anger toward a misunderstanding world.

The best kind of musical documentary is always done best through the eyes of a true fan, and Penelope Spheeris is no exception. While to the casual viewer the film may seem shallow and all fluff (which is how the LA metal was widely portrayed), if one looks past the hair, excess, bravado, t & a, and flowing alcohol,it is easy to uncover the painfully lonely, opportunistic, naiveté' of the struggling bands, and even some of those who "made it." The scene with Chris Holmes guzzling vodka in his pool was simply heartbreaking...and the expressions on his mother's face were fully able to convey her harsh reality. Some of the "classic" performers... Aerosmith, Ozzy, and Lemmy were able to reflect on the business with some learned wisdom, while Paul Stanley and Gene Simmons attempted to convey a fantasy life that appeared way too scripted and laughable (I'm still a huge KISS fan, though). One interesting element in viewing the film almost 20 years later, is how some of the bands downplayed or sidestepped the issue of drug use (note the expressions on their faces when substances are discussed), then appear on "Behind the Music" years later to reveal their debilitating addictions.

Having been involved peripherally in the scene for a few years, I can say that Spheeris' portrayal was 100% accurate based on what I witnessed. I would've liked to have seen the inclusion of other important bands of the LA scene (Motley Crue, Skid Row, etc), and a separate documentary highlighting British metal (Sabbath, Iron Maiden, Judas Priest)would've been fantastic.

It was a fun, irreverent, and exciting time! I can look back at it and laugh since I emerged relatively unscathed... although I am somewhat embarrassed by the extraordinary heights of my hair and the plunging depths of my blouses in "86.