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Storyline
The Mantle brothers are both doctors - both gynecologists - and identical twins. Mentally however, one of them is more confident than the other, and always manages to seduce the women he meets. When he's tired of his current partner, she is passed on to the other brother - without her knowing. Everything runs smoothly, until an actress visits their clinic, and the shy brother is the first to fall in love. Will they be able to 'share' her ? Written by
Colin Tinto <cst@imdb.com>
Plot Summary
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Plot Synopsis
Taglines:
Two bodies. Two minds. One soul. Separation can be a terrifying thing.
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Did You Know?
Trivia
William Hurt was Cronenberg's first choice to play the twins. He regretted turning it down but had a scheduling conflict. He later commented about turning down the roles by saying that he "had a hard enough time playing one character, let alone two".
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Goofs
In a scene dated 1954, the twins seen are playing with The Visible Woman, Revell toy company's biological model of a woman that was not marketed until at least five years later.
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Quotes
[
first lines]
Elliot, Age 9:
You've heard about sex...
Beverly, Age 9:
Sure I have.
Elliot, Age 9:
Well I've discovered why sex is.
Beverly, Age 9:
You have? Fantastic.
Raffaella:
It's because humans don't live under water.
Beverly, Age 9:
I don't get it.
Elliot, Age 9:
Well, fish don't need sex because they just lay the eggs and fertilize them in the water. Humans can't do that because they don't live in the water. They have to - internalize the water. Therefore we have sex.
Beverly, Age 9:
So you mean humans would have sex if they lived in the water?
Elliot, Age 9:
Well they'd have a kind of sex. The kind where you wouldn't ...
[...]
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Connections
Referenced in
Adaptation. (2002)
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Soundtracks
"In the Still of the Night (I'll Remember)"
Performed by
The Five Satins
under license from Arista Records, Inc.
Copyrighted by Llee Corp.
Composed by
Fred Parris See more »
A very fine film that challenges and rewards just about equally and somehow has a downbeat ending that manages to be uplifting. I suppose we have been through a lot by the end and although there is an horrific sadness there is an awful inevitability and we like the twin brothers can finally see no other way out. Bujold plays a starlet who comes between two identical twins (Irons in his two best screen performances!) and whilst the tale begins playfully enough we are given enough signals to suggest all will not be well, although we like all three leads do hope so. We see ourselves in the three and if at first we are confounded to discover we are confused by who is who, just when we have got the two under some control, like Bujold indeed, it all goes wrong and the brothers switch personalities before our very eyes. This is all disturbing enough without the gynaecological instruments of torture and the playing with pain and pleasure leading us to some darkened room.