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Storyline
The Mantle brothers are both doctors - both gynecologists - and identical twins. Mentally however, one of them is more confident than the other, and always manages to seduce the women he meets. When he's tired of his current partner, she is passed on to the other brother - without her knowing. Everything runs smoothly, until an actress visits their clinic, and the shy brother is the first to fall in love. Will they be able to 'share' her ? Written by
Colin Tinto <cst@imdb.com>
Plot Summary
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Plot Synopsis
Taglines:
Two bodies. Two minds. One soul. Separation can be a terrifying thing.
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Did You Know?
Trivia
Premiere voted this movie as one of "The 25 Most Dangerous Movies".
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Goofs
In a scene dated 1954, the twins seen are playing with The Visible Woman, Revell toy company's biological model of a woman that was not marketed until at least five years later.
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Quotes
[
first lines]
Elliot, Age 9:
You've heard about sex...
Beverly, Age 9:
Sure I have.
Elliot, Age 9:
Well I've discovered why sex is.
Beverly, Age 9:
You have? Fantastic.
Raffaella:
It's because humans don't live under water.
Beverly, Age 9:
I don't get it.
Elliot, Age 9:
Well, fish don't need sex because they just lay the eggs and fertilize them in the water. Humans can't do that because they don't live in the water. They have to - internalize the water. Therefore we have sex.
Beverly, Age 9:
So you mean humans would have sex if they lived in the water?
Elliot, Age 9:
Well they'd have a kind of sex. The kind where you wouldn't ...
[...]
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Connections
Referenced in
Film Geek (2005)
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Soundtracks
"In the Still of the Night (I'll Remember)"
Performed by
The Five Satins
under license from Arista Records, Inc.
Copyrighted by Llee Corp.
Composed by
Fred Parris See more »
David Cronenberg is a director of great unique vision, and he ranks highly on my list of favorites, not because every film he does is great per se, but because there is a certain level of consistency and quality that infects each bizarre celluloid mutation he comes up with. David Lynch and Stanley Kubrick have done a few good films, but their track records are generally inconsistent--Cronenberg, while grossly underrated, outshines them all. And "Dead Ringers"--probably his most widely-praised film in the mainstream, next to "The Fly"--is no exception. The film is quite puzzling on first inspection, and I did have a hard time settling into the mentality that would let me enjoy it, but once I did, I was thoroughly impressed--whether playing the smarmy Elliott or the sensitive Beverly Mantle, Jeremy Irons gives a wonderfully nuanced performance as identical twin gynecologists (the subtleties of difference in personality command multiple viewings to register). Not only is the film's central theme both compelling and disturbing (one personality split between two people), but the descent into (prescription) drug addiction and botched gynecological procedures (with Cronenberg's trademark insect-like surgical instruments) will make your skin crawl. It's a bleak, depressing, and tragic tale, but it shows brotherly relations with an intimacy few films ever approach. Anchored by Irons' spectacular dual performance, "Dead Ringers" is a film that shows a lot of maturity on Cronenberg's part, and though it might be hard to call it 'entertaining,' it does contain harsh imagery with an emotional pulse that will not be easily forgotten.
7/10