Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
Harry Callahan - or Dirty Harry as he is known from the previous four movies in this series - is investigating a strange betting game. A list of local celebrities has been handed out, and bets are being taken on who will be the first to die. Things start to get interesting when the name 'Harry Callahan' appears on the list. Written by
Colin Tinto <firstname.lastname@example.org>
This was the only Dirty Harry movie not to feature Albert Popwell. He played a robber in "Dirty Harry", a pimp in "Magnum Force", a militant in "The Enforcer, and Horace King in "Sudden Impact" See more »
During the chase with the remote controlled car, after Callahan's car makes it's second jump over a steep hill, you can briefly see a portable film camera on a mount in the back seat of the car. See more »
[Harry pays Hicks his box of smokes for just standing]
That's it. Oh, you see that dirtbag I was talking to down there?
[points to Janero]
He says that smoking can cause cancer, and anyone who smokes as much as you do is one dumb son-of-a-bitch!
[Hicks growls menacingly and stares daggers at Janero who shuts himself back in his cell]
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This was altogether too simple for the critics back in '88 -- the whole idea was to point the barrel of the joke right back at the criticism.
Whereas the previous Dirty Harry features sat on a platform of utter contempt for bureaucrats and political correctness, here it's expanded to contempt for journalists, and especially the subspecies of 'media critics'. As if they couldn't make it clearer, a 'movie critic' is murdered, and treated as an occurrence of 'death of celebrities by threes'.
Yes, this is explicitly about movie making; the previous four movies suffered from poor supporting casts that only got in the way of the narrative. Here Van Horn deliberately employs good actors to play bad genre roles and thus turns the series on its head.
Along the way, we get a nice comment on "Bullitt", this time deflating the over touted car chase with a gag: an explosives laden model '63 Z06 (instead of a fastback Mustang, to drive home the point).
By this time, the .44 Magnum is treated as a character, with a 'voice' that rolls off the cityscape like thunder...the bad guys run at the mere sight of it. To put the icing on the 'man with the biggest gun' motif, Clint dispatches the villain with an earlier one liner ("you're S.O.L.") and a movie prop harpoon. The elaborate conflation of sexual double entendre, humor and cowboy justice went soaring over many heads. Arnold wishes he was half this funny in "Last Action Hero".
Ah, we miss Harry...but his retirement to Carmel was both serendipitous and necessary. By the end of this, he's killed off every cartoon bad guy left in the movie universe, paving the way for both the dimensional villains of "Die Hard" and its ilk, AND the hosannas bestowed on "Unforgiven".
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