Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Frank and Jack Baker are professional musicians who play in small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult ... See full summary »
An undercover FBI agent falls in love with a recently widowed mafia wife, who is trying to restart her life following her husband's murder while being pursued by a libidinous mafia kingpin seeking to claim her for himself.
In 18th century France, the Marquise de Merteuil and the Vicomte de Valmont play a dangerous game of seduction. Valmont is someone who measures success by the number of his conquests and Merteuil challenges him to seduce the soon to be married Cecile de Volanges and provide proof in writing of his success. His reward for doing so will be to spend the night with Merteuil. He has little difficulty seducing Cecile but what he really wants is to seduce Madame de Tourvel. When Merteuil learns that he has actually fallen in love with her, she refuses to let him claim his reward for seducing Cecile. Death soon follows. Written by
Stephen Frears and Christopher Hampton were so taken upon meeting Mildred Natwick, they hadn't realized that they'd forgotten to offer her the part of Valmont's aunt until after they'd parted company. See more »
In Madame de Rosemonde's garden, Valmont sits behind Madame de Tourvel and asks "Why are you so angry with me?" The camera then cuts to a close-up of Tourvel's face, and Valmont is sitting much closer behind her. See more »
Vicomte de Valmont:
[Armand, who is getting all of his possessions taken by the tax collector, stands in the presence of Vicomte de Valmont]
Please, don't get up.
I have to. They're taking my bed.
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This movie is so incredibly well done, and all three lead characters are at their peak career performances. It is clever, funny, and tragic all rolled together, and one that you will be thinking about long after the movie is over. Of the three main characters, Michelle Pfeiffer has the least stretching to do as an actor, but her character calls for a demure, soft-spoken individual. John Malkovitch and Glenn Close are both deliciously malicious and carry the film well. Keanu Reeves is better suited for an action film - he appears wooden - but does a decent job, anyway. Lastly, Uma is refreshing and captivating, and plays opposite John Malkovitch without losing her identity. All in all, masterful, and visually and intellectually stimulating to watch. Still to this day it holds its' own in a world where action is the name of the game.
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