Nurse and con artist Belle Haimes (Valri Bromfield) lives with her dull-witted husband Rex Haimes (Stephen E. Miller) in the Hart Mansion in British Columbia. There she cares for the ... See full summary »
Stephen E. Miller,
A construction conglomerate, headed by a ruthless millionaire, wants to buy a ski resort that's been a family business for years, but the family doesn't want to sell. The businessman, ... See full summary »
Leslie Nielsen once again plays a bumbling detective in the vein of the 'Naked Gun' movies, but this time as Marshall Richard 'Dick' Dix. When odd reports are received through official ... See full summary »
Dick Steele, Agent WD-40 is assigned by his director, to stop the evil General Rancor from destroying the world. WD-40 believed Rancor was dead and he teams up with the hot KGB agent Veronique Ukrinsky to find Rancor and save the world.
In a film seemingly not supervised by a director, two California college roommates, Chuck (Tate Donovan) and Wally (Grant Heslov) take part in a vapid adventure obviously targeted at a barely pubescent audience. Chuck has an opportunity of which he has dreamed, to work for a large corporation where he will begin at $60000 per year, if he will complete a pre-employment assignment for the CEO (Robert Stack), a friend of Chuck's father. His duty is to deliver an expensive new Porsche, a birthday gift to the CEO's daughter in Lake Tahoe, but naturally complications occur due to Wally, the irresponsible friend of Chuck. Wally convinces Chuck to first utilize the Porsche as "bikini bait" in San Diego, where there is coincidentally a scheduled beauty pageant, and where the car is stolen. The manipulation of Chuck by Wally makes little sense throughout this affair, but sensible behaviour is not readily found within the script, as it would only interfere with pratfalls and bathing suit competitions. It is enough to mention, as ever with this type of film, a providential solution is found for personal relationship problems and that no one seems to mind if logic vanishes along the way. A payday is given to veterans Stack, Leslie Nielsen and Elizabeth Ashley, all of whom essentially create their roles, and a bright spot is a performance by funnyman Robert Klein, with his usual off-kilter derelict, in this instance an aging surfer. Poorly written and edited, this picture can yet claim freedom from any mean-spirited component, its most offensive facet being that the viewing of it is fundamentally a waste of time.
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