A New York playwright is summoned to Ireland to bury his father (his "Da"). While at his boyhood home, he encounters his father's spirit and relives memories both pleasant and not.

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Cast

Cast overview, first billed only:
...
Da
...
Charlie
...
Drumm
Karl Hayden ...
Young Charlie
Doreen Hepburn ...
Mother
...
Boy Charlie
Ingrid Craigie ...
Polly
Joan O'Hara ...
Mrs. Prynne
Jill Doyle ...
Mary 'The Yellow Peril'
Peter Hanly ...
Young Oliver
Maurice O'Donoghue ...
Older Oliver
Amiee Clark ...
Danielle
Frank McDonald ...
'Cat' McDonald
Marie Conmee ...
Nurse
Ronan Wilmot ...
Taxi Driver
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Storyline

A New York playwright is summoned to Ireland to bury his father (his "Da"). While at his boyhood home, he encounters his father's spirit and relives memories both pleasant and not. Written by Dan <Weckerly@providentmutual.com>

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

July 1988 (USA)  »

Also Known As:

Exorcizando o Passado  »

Box Office

Gross:

$604,532 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Barnard Hughes won the 1978 Tony Award (New York City) for Actor in a Drama for "Da" for portraying the title role and recreating it in the movie version. See more »

Quotes

Da: If the old heart hadn't given out on me the evening before last, I'd still be alive today.
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Connections

Referenced in Corman's World: Exploits of a Hollywood Rebel (2011) See more »

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User Reviews

Liked the film, recommend it.
15 August 1999 | by (London, England) – See all my reviews

The caption for this film was "Charlies father is dead, he won't lie down and he won't shut up!" Charlie is played by Martin Sheen (who also shared executive producer roles)returning to his home town in Southern Ireland to attend to his late father's (Barnard Hughes) affairs. from here he relives his childhood and confronts the past with comic results. the comedy is in the dialogue rather than the action. The film avoids Irish cliches and captures 1950's Ireland well.


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