Phineas T Barnum and friends finance the first flight to the moon but find the task a little above them. They attempt to blast their rocket into orbit from a massive gun barrel built into ... See full summary »
Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
In L.A.'s Chinatown, the crime cartel known as K.O. hatches a plot to bring down Ron Tayan and the 108 Dragons. Ron joins forces with the computer-savvy daughter of the local boss; she ... See full summary »
With the blessing of the 108 Dragons, Yo and Emu marry and receive new names, Ron Tayan and Fu Ching Ran. The elders send them to Macau to find out who's behind a new attack. Fu is kidnaped... See full summary »
Naitai, the evil head of the Great Bear God religion, hatches a plot to destroy the 108 Dragons. His henchman, Oshu Togoku, the world wrestling champion, squeezes Ron Tayan unconscious in a... See full summary »
In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950's ... Written by
Kenneth Chisholm <firstname.lastname@example.org>
In the introductory credits the artists portrayed in the film are presented by a comic artist who is working on a comic page, filling the frames with the name and a typical comic character of each artist. When introductory credits are over and the page has just been finished, the comic artist makes such a clumsy move that his ink pot overturns loosing all its ink over the page. See more »