An experienced cop and his rookie partner patrol the streets of East Los Angeles while trying to keep the gang violence under control.

Director:

Writers:

(screenplay), (story) | 1 more credit »

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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Louisa Gomez
...
Ron Delaney
...
Larry Sylvester (as Grand Bush)
...
Rocket
...
Bird
...
High Top
...
Melindez
...
Bailey
...
Frog
Charles Walker ...
Reed
...
Fred Asparagus ...
Cook
...
Officer Porter
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Storyline

A confident young cop is shown the ropes by a veteran partner in the dangerous gang-controlled barrios of L.A. about to explode in violence in this look at the gang culture enforced by the colors that members wear. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Add Synopsis

Taglines:

In the heart of our cities people die for wearing the wrong colors See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

29 April 1988 (USA)  »

Also Known As:

Colores de guerra  »

Box Office

Budget:

$6,000,000 (estimated)

Gross:

$46,616,067 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The original script by Richard Di Lello took place in Chicago and was more about drug dealing than gang members. Dennis Hopper ordered changes, so Michael Schiffer was hired and the setting was changed to Los Angeles and the focus of the story became more about the world of gang members. See more »

Goofs

At the beginning of the movie, while Hodges and Pacman are at the bridge in the car, he goes to drive away, but actually moves the gear into park. See more »

Quotes

[first lines]
Diaz: Hey Hodges, what do you think about all those hot shot jitter bugs, huh?
Bob Hodges: What about 'em?
Diaz: You never went for this shit, did you?
Bob Hodges: No way.
See more »


Soundtracks

A MIND IS A TERRIBLE THING TO WASTE
Performed by M.C. Shan
Written by M.C. Shan (as Shawn Moltke) & Marley Marl (as Marlon Williams)
Published by Cold Chillin' Music
Courtesy of Warner Bros. Records Inc/Cold Chillin' Records Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Classic
24 April 2006 | by (United States) – See all my reviews

Consider the range and the capture of characters in one movie, Colors delivers multiple plot lines from a number of sides.

I remember when this movie first came out I was in Jr. high school. Colors was a controversial movie talked about by teachers, principles and parents because, believe it or not, it had a tendency for glorification and encouraging gang membership.

To my surprise, the movie has little glorification in it and was a grim summary of Los Angeles gang life (and even that of law enforcement.) The movie does not spoon feed its audience, save for a few minor comments that were cheesy at their worst and cleverly woven in at their best.

In some cases the portrayal of gang life in LA might have been TOO broad and sophisticated for many viewers. The title COLORS and its implication was meant to explain the rival Crip and Blood gangs but in fact that was merely a pretext. Soon into the movie the viewer is taken into various other neighborhoods as well as other gangs, including WHITE FENCE and 21st Street.

For those that denounce this movie as being outdated, cheesy or otherwise, it's hard for me to understand what you are paying attention to. If you remember the 80's in the slightest, it was a time of decadent and flamboyant neon glow ala Prince, Michael Jackson and various other nonsense. The irony is that COLORS portrays a world that was virtually isolated and separate from the 80's because that is what it was MEANT to point out. This was gang life at its peak, before any of the gangster rap hit white suburbia and became a marketable fad. This was BEFORE white folks thought it was cool. It was isolated from the look and feel of the rest of the 80's because this world was isolated from the general population.

For this reason I am surprised that anyone would call the movie outdated in any way. "Timeless" is the word I use to describe it.

Despite all this, Hopper manages to incorporate the storyline between Duval and Penn. Not only is this a brilliant interaction between two great actors, it also has a more marketable value to a white audience that would otherwise have been turned off by the subject matter and considered it, unfairly, as a "blacksploitation" film. Let's face it, Hollywood is big business. The ability to market this movie with ANY semblance of a good plot line but making it even remotely realistic is an amazing achievement.

Hopper goes beyond doing both. I would not be surprised to see this movie in the classics section, someday.


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