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A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Director:
Oliver Stone
Stars:
Charlie Sheen,
Tamara Tunie,
Franklin Cover
In 1970s America, a detective works to bring down the drug empire of Frank Lucas, a heroin kingpin from Manhattan, who is smuggling the drug into the country from the Far East.
Director:
Ridley Scott
Stars:
Denzel Washington,
Russell Crowe,
Chiwetel Ejiofor
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Director:
Sergio Leone
Stars:
Robert De Niro,
James Woods,
Elizabeth McGovern
A confident young cop is shown the ropes by a veteran partner in the dangerous gang-controlled barrios of L.A. about to explode in violence in this look at the gang culture enforced by the colors that members wear. Written by
Keith Loh <loh@sfu.ca>
Sean Penn was arrested and spent close to a month in jail after hitting an extra on the set of this film who was taking snapshots of Penn without his permission. See more »
Goofs
At the beginning of the movie, while Hodges and Pacman are at the bridge in the car, he goes to drive away, but actually moves the gear into park. See more »
Quotes
[first lines]
Diaz:
Hey Hodges, what do you think about all those hot shot jitter bugs, huh?
Bob Hodges:
What about 'em?
Diaz:
You never went for this shit, did you?
Bob Hodges:
No way.
See more »
"OOGUM BOOGUM"
Performed by Brenton Wood
Written by Brenton Wood (as Alfred Smith)
Published by Big Shot Music
Courtesy of Double Shot Records See more »
Consider the range and the capture of characters in one movie, Colors delivers multiple plot lines from a number of sides.
I remember when this movie first came out I was in Jr. high school. Colors was a controversial movie talked about by teachers, principles and parents because, believe it or not, it had a tendency for glorification and encouraging gang membership.
To my surprise, the movie has little glorification in it and was a grim summary of Los Angeles gang life (and even that of law enforcement.) The movie does not spoon feed its audience, save for a few minor comments that were cheesy at their worst and cleverly woven in at their best.
In some cases the portrayal of gang life in LA might have been TOO broad and sophisticated for many viewers. The title COLORS and its implication was meant to explain the rival Crip and Blood gangs but in fact that was merely a pretext. Soon into the movie the viewer is taken into various other neighborhoods as well as other gangs, including WHITE FENCE and 21st Street.
For those that denounce this movie as being outdated, cheesy or otherwise, it's hard for me to understand what you are paying attention to. If you remember the 80's in the slightest, it was a time of decadent and flamboyant neon glow ala Prince, Michael Jackson and various other nonsense. The irony is that COLORS portrays a world that was virtually isolated and separate from the 80's because that is what it was MEANT to point out. This was gang life at its peak, before any of the gangster rap hit white suburbia and became a marketable fad. This was BEFORE white folks thought it was cool. It was isolated from the look and feel of the rest of the 80's because this world was isolated from the general population.
For this reason I am surprised that anyone would call the movie outdated in any way. "Timeless" is the word I use to describe it.
Despite all this, Hopper manages to incorporate the storyline between Duval and Penn. Not only is this a brilliant interaction between two great actors, it also has a more marketable value to a white audience that would otherwise have been turned off by the subject matter and considered it, unfairly, as a "blacksploitation" film. Let's face it, Hollywood is big business. The ability to market this movie with ANY semblance of a good plot line but making it even remotely realistic is an amazing achievement.
Hopper goes beyond doing both. I would not be surprised to see this movie in the classics section, someday.
36 of 39 people found this review helpful.
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Consider the range and the capture of characters in one movie, Colors delivers multiple plot lines from a number of sides.
I remember when this movie first came out I was in Jr. high school. Colors was a controversial movie talked about by teachers, principles and parents because, believe it or not, it had a tendency for glorification and encouraging gang membership.
To my surprise, the movie has little glorification in it and was a grim summary of Los Angeles gang life (and even that of law enforcement.) The movie does not spoon feed its audience, save for a few minor comments that were cheesy at their worst and cleverly woven in at their best.
In some cases the portrayal of gang life in LA might have been TOO broad and sophisticated for many viewers. The title COLORS and its implication was meant to explain the rival Crip and Blood gangs but in fact that was merely a pretext. Soon into the movie the viewer is taken into various other neighborhoods as well as other gangs, including WHITE FENCE and 21st Street.
For those that denounce this movie as being outdated, cheesy or otherwise, it's hard for me to understand what you are paying attention to. If you remember the 80's in the slightest, it was a time of decadent and flamboyant neon glow ala Prince, Michael Jackson and various other nonsense. The irony is that COLORS portrays a world that was virtually isolated and separate from the 80's because that is what it was MEANT to point out. This was gang life at its peak, before any of the gangster rap hit white suburbia and became a marketable fad. This was BEFORE white folks thought it was cool. It was isolated from the look and feel of the rest of the 80's because this world was isolated from the general population.
For this reason I am surprised that anyone would call the movie outdated in any way. "Timeless" is the word I use to describe it.
Despite all this, Hopper manages to incorporate the storyline between Duval and Penn. Not only is this a brilliant interaction between two great actors, it also has a more marketable value to a white audience that would otherwise have been turned off by the subject matter and considered it, unfairly, as a "blacksploitation" film. Let's face it, Hollywood is big business. The ability to market this movie with ANY semblance of a good plot line but making it even remotely realistic is an amazing achievement.
Hopper goes beyond doing both. I would not be surprised to see this movie in the classics section, someday.