The old age pensioners that left at the end of the first film come back to earth to visit their relatives. Will they all decide to go back to the planet where no-one grows old, or will they be tempted to stay back on earth?
The spellbinding, visual poem Cocoon takes the viewer through the internal battle of a woman's soulful search for inner beauty. Cocoon explores the dark pressures of society, depression, ... See full summary »
A crowd of guys in their 20's spend most of their time hanging out. It's Christmas time in the early 1990's and the guys all begin to think it's about time they went about their lives ... See full summary »
Jimmy (Guttenberg) and Kate (Watros) are in the middle of a break-up and completely oblivious to the fact that they're being robbed...by a gay guy. Kate splits, leaving Jimmy alone in the ... See full summary »
Jewish Jack-the-lad David seriously fancies smart, rich Anglo-Saxon Carrie as soon as he first offends her in a Boston bar. They run into each other again and though she still says she ... See full summary »
Loose morals and cocaine lullabies are a way of life for the hard-living doctor/owner of a group home for wayward teens. With issues and tissues for miles and a bookie on his ass, he keeps the doors open and the patients revolving.
When a levelheaded waitress decides to help her shady friend against her better judgment, she becomes a target of a deadly international gang of thieves who are after a priceless San Lucas' relic. A bumbling stranger helps her.
Art, Ben and Joe are back! So are their wives and good friend Bernie in their first adventure since their last! Five years since the senior citizens blasted off into space with the Antareans return to earth because their alien friends have to collect the rest of the cocoons in the ocean, believed to be in danger from an earthquake. Ben and Mary visit their family, while Art and Joe visit Bernie, who's still hangin' on. Art, Ben and Joe had forgotten what it was like on earth and immediately begin to feel their weaknesses, except for Art's wife who's pregnant! Meanwhile in the ocean, a biologist company snatched a cocoon out of the ocean and are doing research on it... Written by
Dylan Self <firstname.lastname@example.org>
Producers Richard D. Zanuck and his wife, Lili Fini Zanuck, co-owned the rights to the sequel with 20th Century-Fox. Initially opposed to the concept of a second film, they only went ahead with it out of a need to preserve the integrity of the original. As it transpired, Lili, who was very much opposed to doing a sequel, had only nominal interest as she was busy prepping her own directorial debut, Rush (1991). See more »
When Bernie tries to hang himself, the rope is in front of his left ear in close-ups and lower, around his neck, in the longer-distance shot. See more »
There's no justice! If there were, it'd be *me* in there instead of her! *I'd* trade places with *her* in a *heartbeat*!
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Half of the clips shown through the end credits are scenes from the first film. See more »
The original Cocoon was touching, sweet, optimistic, and heartfelt. Most of the wonderful ensemble cast reunited for this sequel, but sadly, something went awry.
You learn nothing about what they've seen during five years spent with the aliens . Further, it seems like everything the characters accomplished the first time around was repealed in this story. Their desire to join the aliens in the first place was predicated on a variety of factors, but each of those reasons is dissected and trashed this time out. Suddenly, there is conflict and suffering during a brief one-week visit. Characters get sick, everyone argues, nobody seems happy. As if that isn't bad enough, a tragic suicide attempt is played almost like a joke. Since when is suicide funny? Steve Guttenberg's character was integral to the first movie, but now he's just written as a clownish buffoon. The grandson's teen angst is annoying.
There are a few notable moments, however. One scene between Jessica Tandy and Hume Cronyn is deeply touching. The plight of a captured alien being studied is properly sympathetic. But scenes like these are intermingled with a menagerie of subplots which dart around between serious and comedic.
This sequel wanders too far afield from the spirit of its predecessor. The result is gloomy and disappointing. See the original, instead.
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