The feared bandit Cobra Verde (Klaus Kinski) is hired by a plantation owner to supervise his slaves. After the owner suspects Cobra Verde of consorting with his young daughters, the owner ... See full summary »
The American artist couple Port and Kit Moresby travel aimlessly through Africa, searching for new experiences that could give sense to their relationship. But the flight to distant regions only leads both deeper into despair.
Long ago there was a great samurai warrior who served his Shogun honorably. The Shogun however grew paranoid as he became more and more senile. The Shogun sought to destroy all those who ... See full summary »
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
The feared bandit Cobra Verde (Klaus Kinski) is hired by a plantation owner to supervise his slaves. After the owner suspects Cobra Verde of consorting with his young daughters, the owner wishes him gone. Rather than kill him,the owner sends Cobra Verde to Africa. The only white man in the area, Cobra Verde finds himself the victim of torture and humiliation. Later, he trains soldiers in a rebel army. Far from home, Cobra Verde is on the edge of madness. Written by
Ken Miller <firstname.lastname@example.org>
Was originally picked up for U.S. theatrical distribution by De Laurentiis Entertainment Group, but the theatrical release intended for the U.S. was cancelled after DEG fell into bankruptcy. It would not get released in the U.S. until the year 2000, when Anchor Bay released it on DVD and VHS for the first time in the U.S. See more »
In principle, I would feel tempted to give it only a six. Except that then there are "buts"... But there is Werner Herzog. But there is the sociopathically brilliant Klaus Kinski. But there is that unforgettable final scene. But there is the historic memory behind the story. But there are silent scenes of sheer contemplation. But there is the image of the fortress of Elmina (originally Ajudá, or Ouidah), that lingers long after you have seen the movie. But there is the amazing sensuality of all those female-warriors in beautiful war outfits. But there is that young girl singing near the end, the lavish, teasing, provocative, self-assured look on her face, the expression in her eyes, the crystalline/aggressive sound of her voice. And 'but' there is the music. If you have read Bruce Chatwin's novel, you will be able to add up some details to the story line. The horror of the Kingdom of Daomé, for instance, is far from what BC described himself - and actually far from what history books tell us. In fact, you could build endless stories inside this movie. That's what makes it so good: all the things missing. It could have been a better achievement, but for all it's worth, it's really not the kind of movie you're likely to forget after a few weeks!
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