A young French woman returns to the vast silence of West Africa to contemplate her childhood days in a colonial outpost in Cameroon. Her strongest memories are of the family's houseboy, ... See full summary »
Shane and June Brown are an American couple honeymooning in Paris in an effort to nurture their new life together, a life complicated by Shane''s mysterious and frequent visits to a medical... See full summary »
There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a ... See full summary »
Teenage siblings Nenette and Boni were raised apart as a result of their parents' divorce. Their mother, who doted on her son Boni, has died. He works for an interesting couple as a pizza ... See full summary »
During World War II, in occupied France, a woman of limited schooling raises two children in a ratty flat. She is Marie Latour. In 1941, her husband Paul returns from the front, too weak to... See full summary »
Beautiful Daiga has emigrated from Lithuania to Paris and is looking for a place to stay and work. Theo is a struggling musician, and his brother Camille - a transvestite dancer. One of ... See full summary »
Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have ... See full summary »
Hélène de Saint-Père
Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean... See full summary »
A young French woman returns to the vast silence of West Africa to contemplate her childhood days in a colonial outpost in Cameroon. Her strongest memories are of the family's houseboy, Protee - a man of great nobility, intelligence and beauty - and the intricate nature of relationships in a racist society. Written by
Dawn M. Barclift
Elusive, introspective memories of a childhood in colonial Africa are recalled through the eyes of a self-possessed young girl with the telltale name France. In her calm, observant demeanor she is, herself, almost African, and likewise the film is beautiful and aloof in a way that speaks volumes with a minimum of words. Nothing is ever made explicit, least of all the suppressed attraction between France's young mother, left in charge of a remote homestead while her husband is away on business, and the handsome native houseboy who suffers his servitude with a proud but uneasy forbearance. Writer director Claire Denis shows a strong affinity for the landscapes and people of her adopted continent, maintaining a beguiling ambiguity about who exactly has the upper hand: the French masters or the passive, patient native servants.
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